Matthew Angelo Harrison

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Born 1989, Detroit, MI
2012 BFA, School of the Art Institute, Chicago, IL
Lives and works in Detroit, MI

 

Solo exhibitions

2018
Field Station: Matthew Angelo Harrison, Broad Museum, Michigan State University, East Lansing, MI
Abstract Ancestry: Machine Works on Paper, University of Michigan Institute for the Humanities, Ann Arbor, MI
Prototype of Dark Silhouettes, Jessica Silverman Gallery, San Francisco, CA

2017
Post Truth / The Lie That Tells the Truth, Culture Lab, Detroit, MI
Dark Povera Part 1, Atlanta Contemporary, Atlanta, GA

2016
Detroit City/Detroit Affinities, curated by Jens Hoffmann, MOCAD, Detroit, MI

 

Group exhibitions

2019
YOU, Musee d’Art Moderne de la Ville de Paris, Paris, France (forthcoming)
Landlord Colors: On Art, Economy, and Materiality, Cranbrook Museum, Bloomfield Hills, MI (forthcoming)
The 2019 Whitney Biennial Exhibition, Whitney Museum of American Art, New York, NY (forthcoming)
Colored People Time: Quotidian Pasts, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA (forthcoming)

2018
Kinship, Jessica Silverman Gallery, San Francisco, CA
I Was Raised on the Internet, Museum of Contemporary Art Chicago, Chicago, IL
At Large Part 2, Reyes Projects, Detroit, MI
Songs for Sabotage, New Museum Triennial, New Museum, New York, NY

2017
The Everywhere Studio, Institute of Contemporary Art, Miami, FL
Fictions, The Studio Museum in Harlem, New York, NY
Sonic Rebellion: Music as Resistance, MOCAD, Detroit, MI
Eric Schmid is an Idiot, curated by What Pipeline, CAVE Detroit, MI

2016
Take Me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann and Kelly Taxter, Jewish Museum, New York, NY
The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, CA
Ever get the feeling we’re not alone in this world?, What Pipeline, Detroit, MI

 

Selected Bibliography

2018
Helfand, Glen. “Matthew Angelo Harrison: Critic’s Pick.” Artforum. April 10, 2018.
Desmarais, Charles. “African spirits suspended in resin, culture at SF art gallery.” San Francisco Chronicle. March 16, 2018.
Evans, Cécile B. “Future Greats: Matthew Angelo Harrison” Art Review, January 2018.

2017
Cotter, Holland. “From the Personal to the Political, 19 Artists to Watch Next Year.” The New York Times, December 27, 2017.
Hansel, Sally. “Race, History, and the Body Theatrical in Atlanta, Georgia.” Artcritical. December 6, 2017.
Lubow, Arthur. “Miami Heat.” W Magazine. December 2017.
Brown, Will A. “Race, ancestry and labor as seen by Matthew Angelo Harrison.” Kalediscope, Fall/Winter 2017.
Lockner, Logan. “Review: Atlanta Contemporary offers a fresh, wry response to critique with Betbeze and Harrison.” ARTSATL. October 30, 2017
Christoph, Sara. “Matthew Angelo Harrison’s 3-D Printed Sculptures Unmask Cultural Constructs.” Observer. October 16, 2017
Runyan, Robin. “Culture Lab Detroit returns with discussion, exhibition on Post-Truth.” Curbed Detroit. October 3, 2017
Asshaq, Maia. “Detroit sculptor Matthew Harrison explores identity through clay and machines.” model D. August 28, 2017
Mott, Laura, and Taylor Aldridge. “On Rust: Roundtable Discussion #2.” Art 21 Magazine. June 15, 2017
Dafoe, Taylor. “Prototypical Possibilities.” Modern Painters. Winter 2016/2017

2016
Miller, Sarah M. “The Politics of Portraiture.” Artforum. November 2016
Malick, Courtney. “Reflexive Capital: The Politics of Portraiture.” SFAQ. July 26, 2016

 

Awards

2017
Kresge Artist Fellowship

 

Collections

Museum of Contemporary Art, Chicago, IL
Broad Art Museum, Michigan State University, East Lansing, MI
Galeries Lafayette Foundation – Fonds de dotation Famille Moulin, Paris
de Young Museum, San Francisco, CA
Institute of Contemporary Art, Miami, FL
Kadist, San Francisco/Paris
Rennie Collection, Vancouver, B.C.
Joyner/Giufredda Collection, San Francisco, CA