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Art Basel Switzerland
Art Basel Switzerland
June 18-21, 2026
Jessica Silverman is pleased to announce participation in Art Basel’s 2026 edition, running from June 15 to 21 at Messe Basel. The gallery will participate in the main Galleries sector (Booth J5) and will also present a monumental new installation by longtime gallery artist Woody De Othello in the Unlimited sector at U26.
The gallery will host a group exhibition of new and historic works by the artists listed below at booth J5, located upstairs on the outer perimeter of Hall 2.1. Highlights include a new tapestry by artist Marilou Schultz, who recently joined the gallery program and is concurrently featured in “Labouring Bodies” at Museum Tinguely, on view in Basel during the fair.
Within the Messe Basel Event Hall, gallery artist Trevor Paglen has contributed his visionary approach to perception and digital technology to co-curate “Zero 10.” This new section of the Basel fair is dedicated to art that uses new media and AI.
Participating artists include: Andrea Bowers, Julie Buffalohead, Judy Chicago, Sam Falls, Beverly Fishman, Matthew Angelo Harrison, Loie Hollowell, Isaac Julien, Atsushi Kaga, Koak, Rebecca Manson, Rebecca Ness, Woody De Othello, Trevor Paglen, Hayal Pozanti, Clare Rojas, Marilou Schultz, Rupy C. Tut, Nicole Wermers, Pae White.
REQUEST PDF
INSTALLATION VIEW
GALLERY / GRID
SELECTED WORKS
Judy Chicago
Dark Rainbow Dome Painting, 1968
Sprayed acrylic on acrylic
15 x 15 x 1 inches / 38.1 x 38.1 x 2.5 cm
Dark Rainbow Dome Painting, 1968
Sprayed acrylic on acrylic
15 x 15 x 1 inches / 38.1 x 38.1 x 2.5 cm
INQUIRE
Judy Chicago
Study for Hrosvitha Plate, 1976
Prismacolor on paper
16 5/8 x 19 5/8 x 1 1/2 inches / 42.2 x 49.8 x 3.8 cm
Study for Hrosvitha Plate, 1976
Prismacolor on paper
16 5/8 x 19 5/8 x 1 1/2 inches / 42.2 x 49.8 x 3.8 cm
INQUIRE
Judy Chicago
Study for the Great Ladies, 1973
Prismacolor on paper
27 x 27 x 2 inches / 68.6 x 68.6 x 5.1 cm
Study for the Great Ladies, 1973
Prismacolor on paper
27 x 27 x 2 inches / 68.6 x 68.6 x 5.1 cm
INQUIRE
Judy Chicago
Dark Rainbow Dome Painting, 1968
Sprayed acrylic on acrylic
15 x 15 x 1 inches / 38.1 x 38.1 x 2.5 cm
Dark Rainbow Dome Painting, 1968
Sprayed acrylic on acrylic
15 x 15 x 1 inches / 38.1 x 38.1 x 2.5 cm
INQUIRE
Judy Chicago
Study for Hrosvitha Plate, 1976
Prismacolor on paper
16 5/8 x 19 5/8 x 1 1/2 inches / 42.2 x 49.8 x 3.8 cm
Study for Hrosvitha Plate, 1976
Prismacolor on paper
16 5/8 x 19 5/8 x 1 1/2 inches / 42.2 x 49.8 x 3.8 cm
INQUIRE
Judy Chicago
Study for the Great Ladies, 1973
Prismacolor on paper
27 x 27 x 2 inches / 68.6 x 68.6 x 5.1 cm
Study for the Great Ladies, 1973
Prismacolor on paper
27 x 27 x 2 inches / 68.6 x 68.6 x 5.1 cm
INQUIRE
Judy Chicago’s Drawing from the Great Ladies Series is a Prismacolor drawing from this series. The work includes an inscription in the artist’s signature cursive: “The center is the point from which all life flows. The center is Virginia Woolf’s lighthouse and Georgia O’Keeffe’s skies. Anais once said, ‘my work must be closest to the life flow. I must install myself inside of the seed, growth, mysteries.’ This is a drawing about energy; energy which emanates from the center
Atsushi Kaga
Painters Think Like Trees, 2026
Acrylic on linen
82 5/8 x 66 7/8 x 1 inches / 210 x 170 x 2.4 cm
Painters Think Like Trees, 2026
Acrylic on linen
82 5/8 x 66 7/8 x 1 inches / 210 x 170 x 2.4 cm
INQUIRE
Rebecca Manson
Blue Peacock Wing, 2026
Porcelain, glaze, adhesives, pigment, and hardware on canvas
95 x 70 x 12 inches / 241.3 x 177.8 x 30.5 cm
Blue Peacock Wing, 2026
Porcelain, glaze, adhesives, pigment, and hardware on canvas
95 x 70 x 12 inches / 241.3 x 177.8 x 30.5 cm
INQUIRE
Clare Rojas
The Bird's Ocean, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
The Bird's Ocean, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
INQUIRE
Clare Rojas
Eventually I'll Go In, 2022
Oil on linen
24 1/2 x 30 1/2 inches / 62.2 x 77.5 cm
Eventually I'll Go In, 2022
Oil on linen
24 1/2 x 30 1/2 inches / 62.2 x 77.5 cm
INQUIRE
Clare Rojas
Chemtrails on a Full Moonrise, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
Chemtrails on a Full Moonrise, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
INQUIRE
Clare Rojas
The Bird's Ocean, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
The Bird's Ocean, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
INQUIRE
Clare Rojas
Eventually I'll Go In, 2022
Oil on linen
24 1/2 x 30 1/2 inches / 62.2 x 77.5 cm
Eventually I'll Go In, 2022
Oil on linen
24 1/2 x 30 1/2 inches / 62.2 x 77.5 cm
INQUIRE
Clare Rojas
Chemtrails on a Full Moonrise, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
Chemtrails on a Full Moonrise, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm
INQUIRE
Koak
Nancy in Blue, 2024
Flashe on linen
74 x 59 x 1 3/4 inches / 188 x 149.9 x 4.4 cm
Nancy in Blue, 2024
Flashe on linen
74 x 59 x 1 3/4 inches / 188 x 149.9 x 4.4 cm
INQUIRE
Koak
Untethered Thoughts, 2025-2026
Graphite, pastel and casein on natural rag paper with acrylic dyed inlay
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
Untethered Thoughts, 2025-2026
Graphite, pastel and casein on natural rag paper with acrylic dyed inlay
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Koak
The Waltz, 2025-2026
Graphite, pastel and casein on acrylic dyed natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
The Waltz, 2025-2026
Graphite, pastel and casein on acrylic dyed natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Koak
Blue Grey Mood, 2025-2026
Graphite, pastel and casein on natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
Blue Grey Mood, 2025-2026
Graphite, pastel and casein on natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Koak
Untethered Thoughts, 2025-2026
Graphite, pastel and casein on natural rag paper with acrylic dyed inlay
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
Untethered Thoughts, 2025-2026
Graphite, pastel and casein on natural rag paper with acrylic dyed inlay
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Koak
The Waltz, 2025-2026
Graphite, pastel and casein on acrylic dyed natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
The Waltz, 2025-2026
Graphite, pastel and casein on acrylic dyed natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Koak
Blue Grey Mood, 2025-2026
Graphite, pastel and casein on natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
Blue Grey Mood, 2025-2026
Graphite, pastel and casein on natural rag paper
15 3/4 x 12 3/4 x 1 1/2 inches / 40 x 32.4 x 3.8 cm
INQUIRE
Woody De Othello
the unknown has never let me down, 2026
Polished and patinated bronze
15 1/2 x 10 x 7 inches / 39.4 x 25.4 x 17.8 cm
the unknown has never let me down, 2026
Polished and patinated bronze
15 1/2 x 10 x 7 inches / 39.4 x 25.4 x 17.8 cm
INQUIRE
Nicole Wermers
Domestic Tail (purple, 13 metres), 2026
Stainless steel hose wheel with wooden handles and a hand sewn faux fur tail with polyester filling
19 1/4 x 15 3/4 x 19 1/4 inches / 49 x 40 x 49 cm
Domestic Tail (purple, 13 metres), 2026
Stainless steel hose wheel with wooden handles and a hand sewn faux fur tail with polyester filling
19 1/4 x 15 3/4 x 19 1/4 inches / 49 x 40 x 49 cm
INQUIRE
Hayal Pozanti
A Sudden Surprise of the Soul, 2026
Oil stick on linen
60 x 80 x 2 inches / 152.4 x 203.2 x 5.1 cm
A Sudden Surprise of the Soul, 2026
Oil stick on linen
60 x 80 x 2 inches / 152.4 x 203.2 x 5.1 cm
INQUIRE
Loie Hollowell
Quinacridone red brain above pink-blue water, 2026
Oil, acrylic medium, and high-density foam on linen over panel
48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm
Quinacridone red brain above pink-blue water, 2026
Oil, acrylic medium, and high-density foam on linen over panel
48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm
INQUIRE
Andrea Bowers
Liberté, Égalité, Sororité, 2026
Acrylic on cardboard
30 x 23 x 3 1/2 inches / 76.2 x 58.4 x 8.9 cm
Liberté, Égalité, Sororité, 2026
Acrylic on cardboard
30 x 23 x 3 1/2 inches / 76.2 x 58.4 x 8.9 cm
INQUIRE
Andrea Bowers
Fight for Her Future, 2026
Acrylic on cardboard
30 x 22 x 3 1/2 inches / 76.2 x 55.9 x 8.9 cm
Fight for Her Future, 2026
Acrylic on cardboard
30 x 22 x 3 1/2 inches / 76.2 x 55.9 x 8.9 cm
INQUIRE
Loie Hollowell
Quinacridone red brain above pink-blue water, 2026
Oil, acrylic medium, and high-density foam on linen over panel
48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm
Quinacridone red brain above pink-blue water, 2026
Oil, acrylic medium, and high-density foam on linen over panel
48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm
INQUIRE
Andrea Bowers
Liberté, Égalité, Sororité, 2026
Acrylic on cardboard
30 x 23 x 3 1/2 inches / 76.2 x 58.4 x 8.9 cm
Liberté, Égalité, Sororité, 2026
Acrylic on cardboard
30 x 23 x 3 1/2 inches / 76.2 x 58.4 x 8.9 cm
INQUIRE
Andrea Bowers
Fight for Her Future, 2026
Acrylic on cardboard
30 x 22 x 3 1/2 inches / 76.2 x 55.9 x 8.9 cm
Fight for Her Future, 2026
Acrylic on cardboard
30 x 22 x 3 1/2 inches / 76.2 x 55.9 x 8.9 cm
INQUIRE
Andrea Bowers has been using found cardboard as the substrate of her paintings since 2012. The richly textured paintings, which pay homage to the cardboard placards made for street protests and honor the artist’s commitment to ecologically responsible art production, are recognizable icons of Bowers’ practice. The slogans Bowers paints are collected from handmade protest signs observed by the artist herself during protest marches. These works are also emblazoned with native California flowers – symbols of new beginnings and conveyors of a wide range of emotions, including love and sympathy.
Rupy C. Tut
Shields Up!, 2026
Handmade pigments on linen
60 x 40 x 1 1/4 inches / 152.4 x 101.6 x 3.2 cm
Shields Up!, 2026
Handmade pigments on linen
60 x 40 x 1 1/4 inches / 152.4 x 101.6 x 3.2 cm
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Rupy C. Tut
Gathering in the Night, 2026
Handmade pigments and shell silver on linen
60 x 80 x 1 1/2 inches / 152.4 x 203.2 x 3.8 cm
Gathering in the Night, 2026
Handmade pigments and shell silver on linen
60 x 80 x 1 1/2 inches / 152.4 x 203.2 x 3.8 cm
INQUIRE
Rupy C. Tut
Inverted Waters, 2026
Handmade pigments on linen
72 x 59 x 1 1/2 inches / 182.9 x 149.9 x 3.8 cm
Inverted Waters, 2026
Handmade pigments on linen
72 x 59 x 1 1/2 inches / 182.9 x 149.9 x 3.8 cm
INQUIRE
Rupy C. Tut
Shields Up!, 2026
Handmade pigments on linen
60 x 40 x 1 1/4 inches / 152.4 x 101.6 x 3.2 cm
Shields Up!, 2026
Handmade pigments on linen
60 x 40 x 1 1/4 inches / 152.4 x 101.6 x 3.2 cm
INQUIRE
Rupy C. Tut
Gathering in the Night, 2026
Handmade pigments and shell silver on linen
60 x 80 x 1 1/2 inches / 152.4 x 203.2 x 3.8 cm
Gathering in the Night, 2026
Handmade pigments and shell silver on linen
60 x 80 x 1 1/2 inches / 152.4 x 203.2 x 3.8 cm
INQUIRE
Rupy C. Tut
Inverted Waters, 2026
Handmade pigments on linen
72 x 59 x 1 1/2 inches / 182.9 x 149.9 x 3.8 cm
Inverted Waters, 2026
Handmade pigments on linen
72 x 59 x 1 1/2 inches / 182.9 x 149.9 x 3.8 cm
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In Inverted Waters (2026), Rupy C. Tut re-imagines the geography of memory, depicting the Indus river system as a vibrant network of phantom-like pink forests against a deep blue sea of land. This inversion transforms the landscape into a poignant allegory for the displaced histories and interrupted childhoods of the Punjabi people following the 1947 Partition. Tiny paper boats, scattered and blocked in their flow evoke longing, loss, and the enduring power of ancestral stories to define a land that can only be visited through memory.
Marilou Schultz
Bold Fire, 2026
Wool with aniline and natural dyes
30 x 40 x 1/2 inches / 76.2 x 101.6 x 1.3 cm
Bold Fire, 2026
Wool with aniline and natural dyes
30 x 40 x 1/2 inches / 76.2 x 101.6 x 1.3 cm
INQUIRE
Matthew Angelo Harrison
Held Breath, 2026
African wood mask, polyurethane resin, acrylic, and aluminum stand
59 1/2 x 22 1/2 x 25 1/4 inches / 151.1 x 57.1 x 64.1 cm
Held Breath, 2026
African wood mask, polyurethane resin, acrylic, and aluminum stand
59 1/2 x 22 1/2 x 25 1/4 inches / 151.1 x 57.1 x 64.1 cm
INQUIRE
Julie Buffalohead
Olive Branches, 2026
Oil on canvas
45 x 75 x 3 3/8 inches / 114.3 x 190.5 x 8.6 cm
Olive Branches, 2026
Oil on canvas
45 x 75 x 3 3/8 inches / 114.3 x 190.5 x 8.6 cm
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In Olive Branches, Julie Buffalohead represents an American Indian symbol of the medicine wheel in which a grouping of various birds and North American mammals clasp olive branches. Meant to convey a sense of peace and healing, the colors of the animals loosely correspond to the four cardinal directions symbolized within a medicine wheel.
Julie Buffalohead
Cutting Ties, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Cutting Ties, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
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Julie Buffalohead
Barrel of Monkeys, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Barrel of Monkeys, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
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Julie Buffalohead
Legacy, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Legacy, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
INQUIRE
Julie Buffalohead
Cutting Ties, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Cutting Ties, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
INQUIRE
Julie Buffalohead
Barrel of Monkeys, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Barrel of Monkeys, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
INQUIRE
Julie Buffalohead
Legacy, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
Legacy, 2026
Oil on canvas
41 x 65 x 3 3/8 inches / 104.1 x 165.1 x 8.6 cm
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Trevor Paglen
bare skin globe silver cervids blossom sky (Gondola Wish, color_3634223), 2026
Collage
16 3/8 x 13 1/4 x 1 1/2 inches / 41.6 x 33.7 x 3.8 cm
bare skin globe silver cervids blossom sky (Gondola Wish, color_3634223), 2026
Collage
16 3/8 x 13 1/4 x 1 1/2 inches / 41.6 x 33.7 x 3.8 cm
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The works in Trevor Paglen's "Gondola Wish" series draw from classified photographic collages produced by the CIA in the 1970s–80s, as part of a paranormal perception program that operated under codenames including Gondola Wish, Grill Flame, and Stargate. The original collages were placed at target sites to train "remote viewers"—operatives tasked with psychically projecting themselves into sensitive foreign locations—to report exactly what they perceived rather than what they expected to perceive. They were, in short, a technology for training people to trust the irrational.
Isaac Julien
Portrait (Looking for Langston Vintage Series), 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (AP 1/2)
Portrait (Looking for Langston Vintage Series), 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (AP 1/2)
INQUIRE
Isaac Julien
Stars (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
23 1/8 x 29 5/8 x 1 5/8 inches / 58.7 x 75.2 x 4 cm
Edition of 4 plus 2 AP (#4/4)
Stars (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
23 1/8 x 29 5/8 x 1 5/8 inches / 58.7 x 75.2 x 4 cm
Edition of 4 plus 2 AP (#4/4)
INQUIRE
Isaac Julien
I Dream A World (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (#3/4)
I Dream A World (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (#3/4)
INQUIRE
Isaac Julien
Portrait (Looking for Langston Vintage Series), 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (AP 1/2)
Portrait (Looking for Langston Vintage Series), 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (AP 1/2)
INQUIRE
Isaac Julien
Stars (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
23 1/8 x 29 5/8 x 1 5/8 inches / 58.7 x 75.2 x 4 cm
Edition of 4 plus 2 AP (#4/4)
Stars (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
23 1/8 x 29 5/8 x 1 5/8 inches / 58.7 x 75.2 x 4 cm
Edition of 4 plus 2 AP (#4/4)
INQUIRE
Isaac Julien
I Dream A World (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (#3/4)
I Dream A World (Looking for Langston Vintage Series), 1989/2017
Ilford classic silver gelatin fine art paper, mounted on aluminum
29 5/8 x 23 1/8 x 1 5/8 inches / 75.2 x 58.7 x 4 cm
Edition of 4 plus 2 artist's proofs (#3/4)
INQUIRE
Beverly Fishman
Equilibrium (V.9.H.), 2026
Urethane paint on wood
72 x 48 x 2 inches / 182.9 x 121.9 x 5.1 cm
Equilibrium (V.9.H.), 2026
Urethane paint on wood
72 x 48 x 2 inches / 182.9 x 121.9 x 5.1 cm
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Beverly Fishman
Focus, Confidence, 2025
Urethane paint on wood
22 1/2 x 15 x 2 inches / 57.1 x 38.1 x 5.1 cm
Focus, Confidence, 2025
Urethane paint on wood
22 1/2 x 15 x 2 inches / 57.1 x 38.1 x 5.1 cm
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Sam Falls
Untitled (Air 1), 2021
Glazed ceramic
23 x 15 x 6 inches / 58.4 x 38.1 x 15.2 cm
Untitled (Air 1), 2021
Glazed ceramic
23 x 15 x 6 inches / 58.4 x 38.1 x 15.2 cm
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Sam Falls
Untitled (Air 3), 2020
Glazed ceramic
19 x 15 x 3 inches / 48.3 x 38.1 x 7.6 cm
Untitled (Air 3), 2020
Glazed ceramic
19 x 15 x 3 inches / 48.3 x 38.1 x 7.6 cm
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Sam Falls
Untitled (Center 1), 2020
Glazed ceramic
19 1/2 x 14 x 5 inches / 49.5 x 35.6 x 12.7 cm
Untitled (Center 1), 2020
Glazed ceramic
19 1/2 x 14 x 5 inches / 49.5 x 35.6 x 12.7 cm
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Sam Falls
Untitled (Air 1), 2021
Glazed ceramic
23 x 15 x 6 inches / 58.4 x 38.1 x 15.2 cm
Untitled (Air 1), 2021
Glazed ceramic
23 x 15 x 6 inches / 58.4 x 38.1 x 15.2 cm
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Sam Falls
Untitled (Air 3), 2020
Glazed ceramic
19 x 15 x 3 inches / 48.3 x 38.1 x 7.6 cm
Untitled (Air 3), 2020
Glazed ceramic
19 x 15 x 3 inches / 48.3 x 38.1 x 7.6 cm
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Sam Falls
Untitled (Center 1), 2020
Glazed ceramic
19 1/2 x 14 x 5 inches / 49.5 x 35.6 x 12.7 cm
Untitled (Center 1), 2020
Glazed ceramic
19 1/2 x 14 x 5 inches / 49.5 x 35.6 x 12.7 cm
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Sam Falls
Untitled (Carry), 2021
Glazed ceramic
10 x 18 1/2 x 2 1/4 inches / 25.4 x 47 x 5.7 cm
Untitled (Carry), 2021
Glazed ceramic
10 x 18 1/2 x 2 1/4 inches / 25.4 x 47 x 5.7 cm
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Sam Falls
Untitled (Walk 1), 2021
Glazed ceramic
10 1/4 x 19 x 3 inches / 26 x 48.3 x 7.6 cm
Untitled (Walk 1), 2021
Glazed ceramic
10 1/4 x 19 x 3 inches / 26 x 48.3 x 7.6 cm
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Sam Falls
Superbloom Skull, 2023
Glazed ceramic with glass in brass frame
21 5/8 x 26 x 5 7/8 inches / 55 x 66 x 15 cm
Superbloom Skull, 2023
Glazed ceramic with glass in brass frame
21 5/8 x 26 x 5 7/8 inches / 55 x 66 x 15 cm
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In Superbloom Skull (2023), a wall-bound ceramic sculpture, Sam Falls elegantly synthesizes the archival with the elemental, creating a poignant memento mori that honors the delicate cycle of life and decay. By impressing native flora into glazed ceramic to form a "fossil for the future," Falls captures the fleeting vibrancy of a superbloom within the enduring silhouette of mortality, beautifully articulating our profound and temporal connection to the earth.
Catherine Wagner
Nosferatu and Dr. Caligari, 2024
Archival pigment print
21 3/8 x 41 1/8 x 2 inches / 54.3 x 104.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs (#1/3)
Nosferatu and Dr. Caligari, 2024
Archival pigment print
21 3/8 x 41 1/8 x 2 inches / 54.3 x 104.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs (#1/3)
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