Art Basel Paris 2026

← BACK

← PREVIOUS WORK

NEXT WORK →

← PREVIOUS

INQUIRE

← BACK

← PREVIOUS WORK

NEXT WORK →

Rebecca Manson<br><em>Arctia</em>, 2026<br>Porcelain, glaze, adhesive, canvas, pigment, hardware, and thread<br>39 x 61 x 3 inches / 99.1 x 154.9 x 7.6 cm

Loie Hollowell<br><em>Yellow Brain on soft pink shoulders</em>, 2026<br>Oil, acrylic medium, and high-density foam on linen over aluminum e-panel<br>48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm

Loie Hollowell<br><em>Pressure in flesh tones</em>, 2026<br>Oil on aqua resin cast in linen covered frame <br>12 x 9 x 2 inches / 30.5 x 22.9 x 5.1 cm

Judy Chicago<br><em>The Butterfly Begins Again 4</em>, 1973<br>Prismacolor on rag paper<br>17 1/4 x 18 3/4 x 1 1/4 inches / 43.8 x 47.6 x 3.2 cm

Judy Chicago<br><em>Submerged/Emerged</em>, 1976<br>Pressed and molded handmade cast paper<br>43 x 53 x 4 inches / 109.2 x 134.6 x 10.2 cm

Judy Chicago<br><em>Butterfly Vagina Erotica</em>, 1975<br>Lithograph on Buff Arches<br>46 x 32 x 1 5/8 inches / 116.8 x 81.3 x 4.1 cm

Rupy C. Tut<br><em>Mirror Moon</em>, 2026<br>Handmade pigments on dyed hemp paper<br>48 x 48 x 2 inches / 121.9 x 121.9 x 5.1 cm

Rupy C. Tut<br><em>Braided Together</em>, 2026<br>Handmade pigments on linen<br>36 x 48 x 2 inches / 91.4 x 121.9 x 5.1 cm

Rupy C. Tut<br><em>I Mean What I Say</em>, 2026<br>Handmade pigments on dyed hemp paper<br>19 3/4 x 15 1/4 x 1 1/2 inches / 50.2 x 38.7 x 3.8 cm

Rupy C. Tut<br><em>It's Always Tea O'Clock</em>, 2026<br>Handmade pigments on hemp paper<br>44 x 44 x 2 inches / 111.8 x 111.8 x 5.1 cm

Clare Rojas<br><em>Patterns of Old Dresses</em>, 2026<br>Oil on linen<br>30 x 24 x 1 inches / 76.2 x 61 x 2.5 cm

Clare Rojas<br><em>The Ducklings</em>, 2026<br>Oil on linen<br>50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm

Clare Rojas<br><em>Connections</em>, 2026<br>Gouache and pastel pencil on paper over aluminum panel <br>13 x 10 x 1 1/8 inches / 33 x 25.4 x 2.8 cm

Davina Semo<br><em>Lattice</em>, 2026<br>Hand blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet<br>15 1/2 x 9 x 9 inches / 39.4 x 22.9 x 22.9 cm

Davina Semo<br><em>Fumée</em>, 2026<br>Hand-blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet<br>13 1/4 x 8 x 8 inches / 33.7 x 20.3 x 20.3 cm

Davina Semo<br><em>Mesh</em>, 2026<br>Hand-blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet<br>15 1/2 x 14 1/2 x 14 1/2 inches / 39.4 x 36.8 x 36.8 cm

Marilou Schultz<br><em>Horizon</em>, 2026<br>Wool with indigo, natural and aniline dyes<br>40 x 29 1/2 x 1/2 inches / 101.6 x 74.9 x 1.3 cm

Hayal Pozanti<br><em>Some Kind of Spinning Away</em>, 2026<br>Oil stick on linen<br>48 x 36 x 2 inches / 121.9 x 91.4 x 5.1 cm

Guimi You<br><em>Indigo Mist</em>, 2026<br>Oil on linen<br>57 1/4 x 44 1/8 x 1 1/8 inches / 145.5 x 112 x 3 cm

Oliver Osborne<br><em>Portrait of the Artist's Sons</em>, 2026<br>Oil on herringbone linen<br>48 3/8 x 32 5/8 x 2 3/8 inches / 122.9 x 82.9 x 6 cm

Matthew Angelo Harrison<br><em>Voices Return</em>, 2026<br>African wood sculpture, resin, plexiglass, and aluminum<br>67 1/8 x 11 3/4 x 10 1/4 inches / 170.5 x 29.8 x 26 cm

Laeh Glenn<br><em>Green Tree</em>, 2026<br>Oil on canvas in artist's frame<br>21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 cm

Laeh Glenn<br><em>Daisies</em>, 2026<br>Oil on canvas<br>31 x 25 x 1 1/2 inches / 78.7 x 63.5 x 3.8 cm

Laeh Glenn<br><em>Red Fish</em>, 2026<br>Oil on canvas in artist's frame<br>21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 x 3.8 cm

David Huffman<br><em>Tanzania</em>, 2026<br>Acrylic, gouache, vintage fabric, spray paint, and color pencil on canvas<br>48 x 48 x 2 1/2 inches / 121.9 x 121.9 x 6.3 cm

Dashiell Manley<br><em>Sunday (two points on the Seine, A to B)</em>, 2026<br>Oil on linen over plywood<br>48 x 36 x 1 1/2 inches / 121.9 x 91.4 x 3.8 cm

Beverly Fishman<br><em>Equilibrium (H,T,R)</em>, 2026<br>Urethane paint on wood<br>45 x 42 x 2 inches / 114.3 x 106.7 x 5.1 cm

Sadie Barnette<br><em>Help</em>, 2026<br>Pencil and colored pencil on paper<br>21 5/8 x 17 5/8 x 1 1/2 inches / 54.9 x 44.8 x 3.8 cm

Margo Wolowiec<br><em>Dusk to Dawn</em>, 2026<br>Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support<br>46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

Catherine Wagner<br><em>La Grande Illusion, Anatomy of a Marriage, La Jetée, Pépé le Moko</em>, 2026<br>Archival pigment print<br>40 7/8 x 36 3/8 x 2 1/4 inches / 103.8 x 92.4 x 5.7 cm

Catherine Wagner<br><em>Je T'aime, Je T'aime, The 400 Blows</em>, 2026<br>Archival pigment print<br>40 7/8 x 36 3/8 x 2 1/4 inches / 103.8 x 92.4 x 5.7 cm

Nicole Wermers<br><em>Domestic Tail (Petrol Blue/White tip, 11 Meters)</em>, 2026<br>Handsewn faux fur tail, polystyrene filling, thread, and hose reel<br>Hose wheel: 17 3/4 x 16 7/8 x 13 inches / 45 x 43 x 33 cm<br>Tail length: 433 inches / 1099.8 cm

Koak<br><em>Soft Weather</em>, 2026<br>Graphite, pastel, and casein on craft rag paper with natural inlay<br>18 3/4 x 15 x 1 1/2 inches / 47.6 x 38.1 x 3.8 cm

Koak<br><em>When I'm Ready to Be a Lonely Island</em>, 2026<br>Graphite, pastel, gouache, and casein on stone grey rag paper<br>15 7/8 x 12 3/4 x 1 1/2 inches / 40.3 x 32.4 x 3.8 cm

Koak<br><em>Bather</em>, 2022<br>Bronze with silver nitrate patina<br>24 1/4 x 18 x 9 inches / 61.6 x 45.7 x 22.9 cm

Koak<br><em>Collette</em>, 2026<br>Graphite, gouache, and casein on pearl grey rag paper with natural inlay and hand-pressed chine-collé additions<br>15 1/4 x 12 1/2 x 1 1/2 inches / 38.7 x 31.8 x 3.8 cm

Koak<br><em>Care</em>, 2026<br>Graphite, chalk from Seven Sisters, and casein on acrylic-dyed rag paper<br>10 1/2 x 12 1/4 x 1 1/2 inches / 26.7 x 31.1 x 3.8 cm

Koak<br><em>Nesting</em>, 2025-2026<br>Graphite, pastel and casein on natural rag paper<br>15 1/2 x 12 1/4 x 1 1/2 inches / 39.4 x 31.1 x 3.8 cm

← PREVIOUS WORK

INQUIRE

NEXT WORK →

October 23-25, 2026

Jessica Silverman is pleased to announce its participation in the 2026 edition of Art Basel Paris, taking place October 23 to 25, 2026, at the Grand Palais. The gallery will exhibit in the Galeries sector at booth C14, in a new location on the ground floor. This marks Jessica Silverman’s 13th year participating in the main Paris fair. The gallery will present new and historic works by the artists Sadie Barnette, Judy Chicago, Beverly Fishman, Laeh Glenn, Matthew Angelo Harrison, Loie Hollowell, David Huffman, Koak, Dashiell Manley, Rebecca Manson, Oliver Osborne, Hayal Pozanti, Clare Rojas, Marilou Schultz, Davina Semo, Rupy C. Tut, Catherine Wagner, Nicole Wermers, Margo Wolowiec, and Guimi You.

REQUEST PDF

INSTALLATION VIEW

GALLERY / GRID

SELECTED WORKS

Rebecca Manson
Arctia, 2026
Porcelain, glaze, adhesive, canvas, pigment, hardware, and thread
39 x 61 x 3 inches / 99.1 x 154.9 x 7.6 cm

INQUIRE

Rebecca Manson’s Arctia takes inspiration from the Arctia genus of tiger moths, whose striking wings combine intricate patterning—meant to ward off predators—with flashes of vivid color. In this double-wing sculpture, Manson magnifies the moth’s delicate anatomy to an enveloping scale, translating its wings into a rich and tactile porcelain surface.

Loie Hollowell
Yellow Brain on soft pink shoulders, 2026
Oil, acrylic medium, and high-density foam on linen over aluminum e-panel
48 x 36 x 3 1/2 inches / 121.9 x 91.4 x 8.9 cm

INQUIRE

Loie Hollowell
Pressure in flesh tones, 2026
Oil on aqua resin cast in linen covered frame
12 x 9 x 2 inches / 30.5 x 22.9 x 5.1 cm

INQUIRE

Judy Chicago
The Butterfly Begins Again 4, 1973
Prismacolor on rag paper
17 1/4 x 18 3/4 x 1 1/4 inches / 43.8 x 47.6 x 3.2 cm

INQUIRE

Judy Chicago
Submerged/Emerged, 1976
Pressed and molded handmade cast paper
43 x 53 x 4 inches / 109.2 x 134.6 x 10.2 cm

INQUIRE

Judy Chicago
Butterfly Vagina Erotica, 1975
Lithograph on Buff Arches
46 x 32 x 1 5/8 inches / 116.8 x 81.3 x 4.1 cm

INQUIRE

Judy Chicago
The Butterfly Begins Again 4, 1973
Prismacolor on rag paper
17 1/4 x 18 3/4 x 1 1/4 inches / 43.8 x 47.6 x 3.2 cm

INQUIRE

Judy Chicago
Submerged/Emerged, 1976
Pressed and molded handmade cast paper
43 x 53 x 4 inches / 109.2 x 134.6 x 10.2 cm

INQUIRE

Judy Chicago
Butterfly Vagina Erotica, 1975
Lithograph on Buff Arches
46 x 32 x 1 5/8 inches / 116.8 x 81.3 x 4.1 cm

INQUIRE

Submerged/Emerged is a hand pressed and molded relief made from cast paper. Fine lines radiate from a central, vulva-like form into folds that suggest both petals and butterfly wings. The shapes appear to sink into the paper and rise from it, giving the title a physical presence. By forming this imagery in the paper itself, Judy Chicago extends the organic forms of her drawings into three dimensions, where light and shadow bring their contours into view.

Rupy C. Tut
Mirror Moon, 2026
Handmade pigments on dyed hemp paper
48 x 48 x 2 inches / 121.9 x 121.9 x 5.1 cm

INQUIRE

Rupy C. Tut
Braided Together, 2026
Handmade pigments on linen
36 x 48 x 2 inches / 91.4 x 121.9 x 5.1 cm

INQUIRE

Braided Together depicts the unbreakable bond between four generations of women in Rupy C. Tut’s family. Through specific gestures and body language, the figures communicate as they move through a mango grove and fields of tall grass. The trees provide a space of safety, while the women’s movement evokes the passage of time that does not stop for anyone.

Rupy C. Tut
I Mean What I Say, 2026
Handmade pigments on dyed hemp paper
19 3/4 x 15 1/4 x 1 1/2 inches / 50.2 x 38.7 x 3.8 cm

INQUIRE

Rupy C. Tut
It's Always Tea O'Clock, 2026
Handmade pigments on hemp paper
44 x 44 x 2 inches / 111.8 x 111.8 x 5.1 cm

INQUIRE

Rupy C. Tut
I Mean What I Say, 2026
Handmade pigments on dyed hemp paper
19 3/4 x 15 1/4 x 1 1/2 inches / 50.2 x 38.7 x 3.8 cm

INQUIRE

Rupy C. Tut
I Mean What I Say, 2026
Handmade pigments on dyed hemp paper
19 3/4 x 15 1/4 x 1 1/2 inches / 50.2 x 38.7 x 3.8 cm

INQUIRE

Rupy C. Tut
It's Always Tea O'Clock, 2026
Handmade pigments on hemp paper
44 x 44 x 2 inches / 111.8 x 111.8 x 5.1 cm

INQUIRE

Rupy C. Tut
I Mean What I Say, 2026
Handmade pigments on dyed hemp paper
19 3/4 x 15 1/4 x 1 1/2 inches / 50.2 x 38.7 x 3.8 cm

INQUIRE

Clare Rojas
Patterns of Old Dresses, 2026
Oil on linen
30 x 24 x 1 inches / 76.2 x 61 x 2.5 cm

INQUIRE

Clare Rojas
The Ducklings, 2026
Oil on linen
50 x 40 x 1 inches / 127 x 101.6 x 2.5 cm

INQUIRE

Clare Rojas
Connections, 2026
Gouache and pastel pencil on paper over aluminum panel
13 x 10 x 1 1/8 inches / 33 x 25.4 x 2.8 cm

INQUIRE

Davina Semo
Lattice, 2026
Hand blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet
15 1/2 x 9 x 9 inches / 39.4 x 22.9 x 22.9 cm

INQUIRE

Davina Semo
Fumée, 2026
Hand-blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet
13 1/4 x 8 x 8 inches / 33.7 x 20.3 x 20.3 cm

INQUIRE

Davina Semo
Mesh, 2026
Hand-blown soda-lime glass bell, powder-coated stainless steel hardware, powder-coated steel hardware and chain with hardwood and natural rubber mallet
15 1/2 x 14 1/2 x 14 1/2 inches / 39.4 x 36.8 x 36.8 cm

INQUIRE

In Horizon, Marilou Schultz uses undyed Navajo-Churro wool to evoke the earth, drawing on a fiber central to generations of Diné weaving. She combines its natural colors with natural and aniline dyes. Oranges suggest sunrise and sunset, while indigo blues recall water, rain, and sky

Marilou Schultz
Horizon, 2026
Wool with indigo, natural and aniline dyes
40 x 29 1/2 x 1/2 inches / 101.6 x 74.9 x 1.3 cm

INQUIRE

Hayal Pozanti
Some Kind of Spinning Away, 2026
Oil stick on linen
48 x 36 x 2 inches / 121.9 x 91.4 x 5.1 cm

INQUIRE

Guimi You
Indigo Mist, 2026
Oil on linen
57 1/4 x 44 1/8 x 1 1/8 inches / 145.5 x 112 x 3 cm

INQUIRE

Oliver Osborne
Portrait of the Artist's Sons, 2026
Oil on herringbone linen
48 3/8 x 32 5/8 x 2 3/8 inches / 122.9 x 82.9 x 6 cm

INQUIRE

Matthew Angelo Harrison
Voices Return, 2026
African wood sculpture, resin, plexiglass, and aluminum
67 1/8 x 11 3/4 x 10 1/4 inches / 170.5 x 29.8 x 26 cm

INQUIRE

Laeh Glenn
Green Tree, 2026
Oil on canvas in artist's frame
21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 cm

INQUIRE

Laeh Glenn
Daisies, 2026
Oil on canvas
31 x 25 x 1 1/2 inches / 78.7 x 63.5 x 3.8 cm

INQUIRE

Laeh Glenn
Red Fish, 2026
Oil on canvas in artist's frame
21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 x 3.8 cm

INQUIRE

Laeh Glenn
Green Tree, 2026
Oil on canvas in artist's frame
21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 cm

INQUIRE

Laeh Glenn
Daisies, 2026
Oil on canvas
31 x 25 x 1 1/2 inches / 78.7 x 63.5 x 3.8 cm

INQUIRE

Laeh Glenn
Red Fish, 2026
Oil on canvas in artist's frame
21 1/4 x 17 1/8 x 1 1/2 inches / 54 x 43.5 x 3.8 cm

INQUIRE

Laeh Glenn is a Northern California painter whose work explores the visceral power of painting in an image culture largely mediated by screens. Working from what she calls “orphan images”—3D models created for video games, advertising, and architectural renderings—Glenn gives digital forms a material presence. In this new suite of paintings, a fish, a flower, snails, and a tree acquire settings they never had: a tabletop, a shadow, or a horizon line. The resulting images feel both haunted and palpable, vintage, and futuristic.

David Huffman
Tanzania, 2026
Acrylic, gouache, vintage fabric, spray paint, and color pencil on canvas
48 x 48 x 2 1/2 inches / 121.9 x 121.9 x 6.3 cm

INQUIRE

Dashiell Manley
Sunday (two points on the Seine, A to B), 2026
Oil on linen over plywood
48 x 36 x 1 1/2 inches / 121.9 x 91.4 x 3.8 cm

INQUIRE

Beverly Fishman
Equilibrium (H,T,R), 2026
Urethane paint on wood
45 x 42 x 2 inches / 114.3 x 106.7 x 5.1 cm

INQUIRE

Sadie Barnette
Help, 2026
Pencil and colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.9 x 44.8 x 3.8 cm

INQUIRE

Margo Wolowiec
Dusk to Dawn, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support
46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

INQUIRE

Beverly Fishman
Equilibrium (H,T,R), 2026
Urethane paint on wood
45 x 42 x 2 inches / 114.3 x 106.7 x 5.1 cm

INQUIRE

Sadie Barnette
Help, 2026
Pencil and colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.9 x 44.8 x 3.8 cm

INQUIRE

Margo Wolowiec
Dusk to Dawn, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support
46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

INQUIRE

Catherine Wagner
La Grande Illusion, Anatomy of a Marriage, La Jetée, Pépé le Moko, 2026
Archival pigment print
40 7/8 x 36 3/8 x 2 1/4 inches / 103.8 x 92.4 x 5.7 cm

INQUIRE

Catherine Wagner
Je T'aime, Je T'aime, The 400 Blows, 2026
Archival pigment print
40 7/8 x 36 3/8 x 2 1/4 inches / 103.8 x 92.4 x 5.7 cm

INQUIRE

Part of Catherine Wagner’s Moving Pictures series (2024-present), these photographs explore cinema as both a reflection and shaper of collective consciousness. In this new suite of works, the artist turns her attention to iconic, acclaimed films from French cinema, with familiar titles summoning images, emotions, and memories. Their juxtaposition and proximity suggest conversations across different moments, allowing each viewer’s recollections to animate the static arrangement

Nicole Wermers
Domestic Tail (Petrol Blue/White tip, 11 Meters), 2026
Handsewn faux fur tail, polystyrene filling, thread, and hose reel
Hose wheel: 17 3/4 x 16 7/8 x 13 inches / 45 x 43 x 33 cm
Tail length: 433 inches / 1099.8 cm

INQUIRE

Koak
Soft Weather, 2026
Graphite, pastel, and casein on craft rag paper with natural inlay
18 3/4 x 15 x 1 1/2 inches / 47.6 x 38.1 x 3.8 cm

INQUIRE

Koak
When I'm Ready to Be a Lonely Island, 2026
Graphite, pastel, gouache, and casein on stone grey rag paper
15 7/8 x 12 3/4 x 1 1/2 inches / 40.3 x 32.4 x 3.8 cm

INQUIRE

Across her drawings, Koak uses the expressive possibilities of line to explore solitude, openness, and the boundaries of the body. Softly articulated faces anchor figures whose limbs and torsos expand into sweeping curves. Their direct gazes and fluid poses suggest different kinds of self-possession: the ability to withdraw, occupy space, or remain open to an encounter. Domestic details and abstract patterns surround the women, allowing their environments to feel continuous with their emotional lives.

Koak
Bather, 2022
Bronze with silver nitrate patina
24 1/4 x 18 x 9 inches / 61.6 x 45.7 x 22.9 cm

INQUIRE

Koak
Collette, 2026
Graphite, gouache, and casein on pearl grey rag paper with natural inlay and hand-pressed chine-collé additions
15 1/4 x 12 1/2 x 1 1/2 inches / 38.7 x 31.8 x 3.8 cm

INQUIRE

Koak
Care, 2026
Graphite, chalk from Seven Sisters, and casein on acrylic-dyed rag paper
10 1/2 x 12 1/4 x 1 1/2 inches / 26.7 x 31.1 x 3.8 cm

INQUIRE

Koak
Nesting, 2025-2026
Graphite, pastel and casein on natural rag paper
15 1/2 x 12 1/4 x 1 1/2 inches / 39.4 x 31.1 x 3.8 cm

INQUIRE

Koak
Collette, 2026
Graphite, gouache, and casein on pearl grey rag paper with natural inlay and hand-pressed chine-collé additions
15 1/4 x 12 1/2 x 1 1/2 inches / 38.7 x 31.8 x 3.8 cm

INQUIRE

Koak
Care, 2026
Graphite, chalk from Seven Sisters, and casein on acrylic-dyed rag paper
10 1/2 x 12 1/4 x 1 1/2 inches / 26.7 x 31.1 x 3.8 cm

INQUIRE

Koak
Nesting, 2025-2026
Graphite, pastel and casein on natural rag paper
15 1/2 x 12 1/4 x 1 1/2 inches / 39.4 x 31.1 x 3.8 cm

INQUIRE

Many of these artists have significant institutional exhibitions on view across Europe through 2027. Judy Chicago is featured in the inaugural exhibition at Large on Île Seguin in Boulogne-Billancourt curated by Cecilia Alemani, on view during Art Basel Paris. She is also included in current and forthcoming exhibitions at the Louvre in Paris, Palazzo Strozzi in Florence, Marta Herford in Germany, Villa Carmignac in Hyères, MAMUZ in Austria, Tate Modern in London, and Centre Pompidou in Málaga. Sadie Barnette will have a solo exhibition as part of California Dreaming at Palazzo Strozzi in Florence. Koak, Rebecca Manson, Clare Rojas, Marilou Schultz, Davina Semo, Nicole Wermers, and one of the gallery’s newest artists, Oliver Osborne, also have institutional presentations and other projects across Europe in the coming year.