“Judy Chicago: vibrant celebration of the female body”
Written by Rachel Spence
December 1, 2019
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“Rose B. Simpson Explores the Human Condition Through Her Native American Past”
Written by Ariella Wolens
December 16, 2019
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“The Artists Everyone Talked about during Art Basel in Miami Beach”
Written by: Alina Cohen
December 9, 2019
“Expert Eye: Isaac Julien shares his favourite works at Art Basel in Miami Beach”
Written by: Gabriella Angeleti
December 7, 2019
“7 Standout Talents to Watch at Art Basel Miami Beach”
Written by: Lucy Rees
December 7, 2019
“Thinking Bigger at Art Basel Miami Beach”
Written by: Ted Loos
December 3, 2019
“Woody De Othello Mixes Playful with Political”
Written by: Elizabeth Karp-Evans
December 2019
“See Highlights From Art Basel Miami Beach’s New ‘Meridians’ Section, Where the Fair’s Biggest (and Best) Artworks Shine”
Written by: Sarah Cascone
December 4, 2019
“IN FOCUS: Matt Lipps | The Craft of Constructed Photography”
Written by: PhotoFairs
December 2019
“4 Gallery Exhibitions to Share This Holiday Season”
Written by: Charles Desmarais
November 20, 2019
“Artist Judy Chicago on capturing the highs and lows of being human”
Written by: Chloë Ashby
November 21, 2019
Oakland-based artist Woody De Othello creates anthropomorphized household objects in ceramic. Belying their cheery and colorful veneers is a darkly comedic sense of exhaustion. For his project at the SJMA—the artist’s first solo museum presentation—Othello is creating a new body of work based around his Defeated, depleted (2018), a sculpture recently acquired by San José Museum of Art.
From November 1, 2019 – April 5, 2020
The John Michael Kohler Arts Center has announced the selection of 13 artists to participate in its prestigious Arts/Industry residency program during 2020.
Artists-in-residence for 2020 include Daniel G. Baird, Elizabeth Corkery, Chotsani Elaine Dean, Rosemarie Fiore, Mimi Jung, Kate Klingbeil, Alex Lukas, Harold Mendez, Martha Poggioli, Ryan Scails, and collaborative team Rebecca Belmore, Osvaldo Yero and Woody De Othello.
Frederick Douglass: Lessons of the Hour
Frederick Douglass: Lessons of the Hour is an installation inspired by episodes in the life of Frederick Douglass (1818–1895), the visionary African American abolitionist, activist, writer, and public speaker.
From September 24 to December 15
“Detroit’s Artistic Renaissance: Meet the Creatives Leading the Way”
Written by Siddhartha Mitter
November 5, 2019
Judy Chicago
The exhibition spans Chicago’s fifty-year career, from her early actions in the desert in the 1970s, to her most recent series, The End: A Meditation on Death and Extinction (2013–16), which has not been previously shown outside of the US.
In her 80th birthday year, BALTIC presents the first major UK survey of pioneering feminist artist, author and educator Judy Chicago
From November 16, 2019 to April 19, 2020
You
Works from the Lafayette Anticipations Collection
From 11 October 2019 to 16 February 2020
The museum presents a selection of works by French and international contemporary artists from the 330 pieces in the Lafayette Anticipations Collection – the Moulin Family Endowment Fund.
The Rachofsky House, Dallas
Saturday, October 26, 2019
Location:
1301 Colorado Avenue, Santa Monica, CA 90404
Euclid Gallery at HGA Architects, Los Angeles
Nicole Wermers collaboration with Balenciaga is now on view at Balenciaga Paris Saint-Honoré.
The commission will continue at the Los Angeles, Beijing and Singapore stores later this fall.
Wermers work combines an engagement with urban space and its sociopolitical and narrative aspects with reflections on the language of design. The new series of sculptures Untitled Stacks, combines Balenciaga puffa coats with stacks of different conference chairs. For each chair design, a specifically created technique was used to permanently fuse the chairs.
“A groundbreaking exhibition finally tells the stories of Native women artists”
Written by Jeffrey Brown and Kira Wakeam
October 18, 2019
“Inaugural Toronto Biennial Focuses on Climate While Dismantling Eurocentric Ideas”
Written by Renée Reizman and Eunice Bélidor
October 22, 2019
“The Coolest New Gallery Is Your Local Celine Store”
Written by Rachel Tashjian
October 8, 2019
“Judy Chicago contemplates death, and all it means, in this powerful exhibition”
Written by Angela Haupt
October 8, 2019
“Judy Chicago Never Wanted to Have It All”
Written by Mattie Kahn
September 25, 2019
On the occasion of Matt Lipps’ solo exhibition “Where Figure Becomes Ground,” please join us for a conversation between the artist and Drew Sawyer, Curator of Photography at the Brooklyn Museum. The discussion will explore topics such as fashion photography, the changing relationship between images and identity, and the state of cultural critique in the twenty first century.
“Isaac Julien interview: ‘I didn’t think that my identity as a black British person would be challenged in 2019’”
Written by Nick Curtis
October 1, 2019
“When Home Won’t Let You Stay: Migration through Contemporary Art”
Written by ICA
September 25, 2019
“Hedi Slimane gets Creative at Celine”
Written by Alex Needham
September 27, 2019
“Feminist Icon Judy Chicago on Resisting the Cycle of Erasure”
Written by Marisa Crawford
September 23, 2019
“Judy Chicago on Rescuing Women From Art History’s Sidelines”
Written by Minesh Bacrania
September 19, 2019. Updated September 20, 2019
Please join us on Friday, August 23 at 7pm to close out our summer exhibition, “The Empathy Lab,” with a performance from Ligia Lewis.
Sorrow Swag takes place in an immersive visual and auditory space. Using texts and images derived from mid 20th-century classical theater to interrogate race, authorship, gender, and grief, Sorrow Swag produces an imaginative reformulation. Thinking through the blues, this work disrupts the canonical by means of a radical bothering. With a musical score by Twin Shadow, Lewis creates a meticulously crafted hybrid body in a state of flux. While Samuel Beckett’s “Not I” and Jean Anouilh’s “Antigone” serve as the backbone to this work, the piece shifts from a state of flux to an “unrelenting scream,” —what Billie Whitelaw, the first literal mouth of “Not I” described as the core of her performance. Through this unstable figure, the theater is transformed.
Ligia Lewis was awarded the Prix Jardin d’ Europe by Impulstanz (2015) for Sorrow Swag.
Concept & Choreography: Ligia Lewis
with Musical Arrangement: Twin Shadow
Production & Distribution: HAU Hebbel am Ufer / Nicole Schuchardt
Sorrow Swag is a production by Ligia Lewis | Funded by Berlin Senate Department for Culture and EuropeWith support from Human Resources Los Angeles, ADA Studio Berlin and Pieter Space (Los Angeles).
Other presentations have included: Impulstanz, CND Centre National de la Danse, Les Subsistances, , American Realness16’
“The Undersung Art of Native American Women, Front and Center”
Written by Erica Cardwell
August 15, 2019
“As Detroit’s Art Scene Grows, Local Artists Face New Challenges”
Article written by Claire Voon
August 13, 2019
“Critic’s Notebook: Summer Art Trek: Gallery Hopping in the Hudson Valley”
Article written by Will Heinrich
August 8, 2019
“Bay Area ceramics scene fired up in new ways”
Article written by Charles Desmarais
July 24, 2019
BALTIC presents the first major UK survey of pioneering feminist artist, author and educator Judy Chicago.
The exhibition spans Chicago’s fifty-year career, from her early actions in the desert in the 1970s, to her most recent series, The End: A Meditation on Death and Extinction (2013–16), which has not been previously shown outside of the US.
Judy Chicago explores the artist’s work from the perspective of the human condition, connecting birth and death with the emotional journeys experienced by the artist whilst highlighting Chicago’s ongoing concern with the devastating effects of climate change on the natural world.
The Birth Project (1980–85) is presented in dialogue with The End, linking the two extremes of being – birth and death. Alongside this, the detailed series of drawings and watercolours constituting Autobiography of a Year (1993–94) and My Accident (1986) offer a glimpse into the emotions the artist experienced over the course of one year and the impact of an accident in her life.
The exhibition also includes a selection of photographs from Chicago’s iconic Atmosphere series (1967–2017), which proposes a feminist approach to Land Art. A triptych of photographs from A Purple Poem for Miami (2019) will be seen for the first time in a commission for BALTIC’s entrance area lightbox.
The exhibition runs from November 16, 2019 – April 19, 2020.
“Matthew Angelo Harrison on Dark Povera, Minimalism and prototyping”
Interview by Grant Johnson.
July 30, 2019
For more information, please see link to event.
“Feminist Art Pioneer Judy Chicago Will Get First-Ever Retrospective in 2020”
Article written by Alex Greenberger
July 20, 2019
“6 ceramic sculpture exhibitions not to miss”
Article written by Charles Desmarais
July 22, 2019
“Artificial Families: Matthew Angelo Harrison Interviewed by Tausif Noor”
July 12, 2019
“The 25 Works of Art That Define the Contemporary Age”
Article written by David Breslin, Martha Rosler, Kelly Taxter, Rirkrit Tiravanija and Torey Thornton.
July 12, 2019
“Conversations: Scented Trip: Sean Raspet”
Article written by Chiara Moioli.
July 12, 2019
Martha Friedman’s Two Person Operating System (2018) is a sculpture that looks like an old telephone switchboard. It will be activated on Saturday with a dance performance conceived by Friedman and choreographed by Susan Marshall & Company. In Marshall’s choreography, the three dancers navigate the sculpture’s dangerously sharp elements with careful attention to precision, speed, and force, further implicating the viewer to think about the sensory experience of inhabiting a body and touching or navigating bodies outside their own.
Performances on Saturday, July 13th at 11am-12pm, 1-2pm, 3-4pm, 5-6pm
For more information, please see link to event.
“Okoyama Art Summit”
July 10, 2019
“Here’s the Artist list for The First Toronto Biennial”.
Article written by Maximiliano Duron.
June 20, 2019
“Artist Isaac Julien celebrates Brazilian Architect Lina Bo Bardi on film”.
Article written by Nick Compton.
June 21, 2019
“Of Agency and Abstraction”.
Article Written by Coco Romack.
Summer 2019
“Matthew Angelo Harrison: Future Perfect”.
Article written by Kim Beil.
May 17, 2019.
” ‘Researching It Was Unbearable’: Turning 80, Judy Chicago Is Taking on Mortality, Extinction and the End Times in Her Latest Work”
Article written by Sarah Cascone.
June 6, 2019
“The Space Between Isaac Julien”
Written by Emily Steer
Elephant Magazine, Issue 39. Summer 2019
Feminist artist Judy Chicago, along with director Jordan Peele, will be this year’s honorees at the Hammer Museum Gala. The annual fundraiser is scheduled for Oct. 12.
For more information, visit here.
Judy Chicago on Agnes Pelton in It Speaks to Me by Jori Finkel.
Article written by Vulture Editors.
May 28, 2019
For more information, please see website.
“Critic’s Pick”
Written by Glen Helfand
May 23, 2019
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“Frantz Fanon: Black Skin, White Mask with Isaac Julien & Mark Nash”
by MATATU
May 23, 2019 at 7:30PM
“Newcomers Bristling With Hope”
Written by Brenda Cronin
April 18, 2019
“Tamarind Institute Presents: Judy Chicago In Conversation”
Public Conversation with Merry Scully, curator
June 13, 2019 at 6PM
“The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us”
Written by Holland Cotter
May 16, 2019
“Matthew Angelo Harrison: Future Perfect”
Written by Kim Beil
May 17, 2019
“The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us”
Written by Diane Solway
May 15, 2019
“The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial”
Written by Zachary Small
May 15, 2019
“Show Me as I Want to be Seen @ CJM”
Written by Tirza True Latimer
May 7, 2019
“Always on New York Art”
Written by Andrew Matson and Jack Siebert
May 2019
“‘Anyone Can Be a Roboticist’: Artists and Technologists Team Up for Rhizome’s Seven on Seven Conference”
Written by Alex Greenberger
April 29, 2019
Rhizome is thrilled to be partnering with the San José Museum of Art to re-present artist Hayal Pozanti and linguist and Long Now Director of Operations Laura Welcher’s collaboration from last weekend’s 7×7 2019. This thought-provoking project sought to send a message deep into the future, entangling xenolinguistics, next generation 3D printing, and hope and fear in the context of global climate catastrophe. Pozanti and Welcher will be joined, as part of their extended presentation, by Sandy Curth from UC Berkeley’s Emerging Objects Lab, with whom the pair worked to develop a terracotta glyph (pictured above).
The event is May 3 at 5:30pm | Wendel Center, San José Museum of Art
“Immersive installation brings Frederick Douglass to life”
Written by Robin L. Flanigan
April 19, 2019
“Two Queer Artists Recreate San Francisco’s Shuttered Dyke Bars”
Written by Roula Seikaly
April 19, 2019
“Exhibition creates space for queer women while exploring the spaces they’ve lost”
Written by Ryan Kost
April 18, 2019
Precarious Hardware: Davina Semo in conversation with Marci Kwon
Saturday, May 4 at 3:00pm at 488 Ellis Street
To mark the last day of Davina Semo’s solo exhibition “Precarious Hardware,” please join us for a conversation between the artist and Marci Kwon, Assistant Professor of Art History at Stanford University. The discussion will explore topics such as nature and ecology, materials, the built environment, and being an artist at this moment.
Davina Semo (b.1981) has a BA in Visual Arts from Brown University and an MFA from University of California, San Diego. Semo has been featured in shows at San Francisco Arts Commission, Greene Naftali Gallery (New York), Hannah Hoffman (Los Angeles), and the Bridgehampton Biennial, curated by Bob Nickas. She has had solo exhibitions at Marlborough Chelsea (New York), Ribordy Thetaz (Geneva) and White Flag Library as part of White Flag Projects (St. Louis). She has work currently in the exhibition “Show Me as I Want to Be Seen” at the Contemporary Jewish Museum in San Francisco. Semo lives and works in San Francisco.
At Stanford, Marci Kwon is also a faculty affiliate of the Center for Comparative Studies in Race and Ethnicity, Asian American Studies, and the Center for East Asian Studies, and serves on the executive committee of American Studies, and Modern Thought and Literature. Kwon’s first book, Enchantments: Joseph Cornell and American Modernism, is forthcoming from Princeton University Press in 2020. Her writing addresses various topics, including Isamu Noguchi, Appalachian Spring, and Japanese internment (published in Modernism/modernity Print Plus, 2018+); Japanese internment crafts (forthcoming, Center for the Advanced Studies in the Visual Arts/NGA); Surrealism and folk art at the Museum of Modern Art (forthcoming, MoMA: The First Twenty Years); John Kane, amateurism, and labor (forthcoming, Third Text); and Martin Wong and Orientalism (forthcoming, The Present Prospects of Social Art History).
“Isaac Julien at Metro Pictures”
Written by Aruna D’Souza
March 29, 2019
UCLA’s Architecture and Urban Design Department will host a lecture by John Houck on Monday, May 13 at 6:30 PM.
John Houck has shown extensively in the United States and abroad. His works are in the collections of the Solomon R. Guggenheim Museum, LACMA Los Angeles County Museum of Art, SFMOMA San Francisco Museum of Modern Art, Whitney Museum of American Art, and MoMA The Museum of Modern Art. Houck has an MFA in Fine Arts from UCLA and a BA in Architecture from Colorado University. He also completed the Whitney Independent Study Program and Skowhegan School of Painting and Sculpture residency. His work was recently featured in Made in L.A. 2018, the Hammer Museum biennial. He is preparing for solo exhibitions at Marianne Boesky Gallery, New York (October 2018) and at Jessica Silverman Gallery, San Francisco (September 2020).
Los Angeles-based artist John Houck makes his images through a systematic re-photographing that produces a complex set of relationships between figure and ground and defies a clear understanding of the real and created. In this process, the artist takes a set of objects—often with personal meaning—and captures them multiple times. With each iteration, the objects are re-positioned atop of their own images. The resultant work is a kind of photograph of itself, seen through a multitude of perspectives. The unfixed nature of Houck’s compositions is further complicated by the artist’s introduction of painterly mark-making, which he incorporates in both the objects being photographed and the photographs themselves. These actions transform the photograph into a screen through which the composition is gradually developed, examined, and remade.
EVENT LOCATION:
Decafé at Perloff Hall
UCLA
365 Portolo Plaza
Los Angeles,CA 90095
“Art Pioneer Judy Chicago Is the Feminist We All Need”
Written by Amy Synnott
April 2, 2019
On March 21, Nicole Wermers participated in The Common Guild’s ‘A Place for the Work and the Human Being,’ a program which runs throughout 2019 and takes place in a range of venues, new and old, around Glasgow. The series explores the needs, expectations and possibilities of the space for art today and speakers include artists, architects, curators and others. The title is borrowed from the sub-title of a text by Swiss artist Rémy Zaugg (1943 – 2005), ‘The Art Museum of My Dreams’, written in 1986, translated into English in 2013 and now out of print. Wermers spoke about her recent work and her comprehensive solo show, ‘Women Between Buildings’, which took place at Kunstverein in Hamburg in 2018.
“Review: For Desert X 2019, I drove 198 miles to see 19 artists’ work. Here’s the best”
Written by Christopher Knight
February 23, 2019
Tuesday, April 30, 2019 at 12 p.m.
The Standard Club, 320 South Plymouth Court, Chicago, IL
Tickets can be purchased here
The MCA Visionary luncheon proudly welcomes speaker Judy Chicago to share her experiences as a pioneer of feminist art and art education. For over five decades, Judy Chicago has remained steadfast in her commitment to the power of art as a vehicle for intellectual transformation and social change. Through prodigious art-making, authorship, and advocacy, she continues to fight for women’s right to engage in the highest level of art production. Join us for an exclusive, intimate conversation with this Chicago-born art world icon.
For more information, click here
“Isaac Julien on Frederick Douglass: ‘It’s an extraordinary story'”
Written by Nadja Sayej
March 15, 2019
“In the galleries this spring: Art that seeks to define itself”
Written by Charles Desmarais
March 15, 2019
“‘You have to choose hope’ – an interview with Judy Chicago”
Written by Jonathan Griffin
February 3, 2019
March 23, 2019
11 a.m.
Nasher Sculpture Center, Dallas, Texas
Free with admission
Curated by CCA’s Graduate Program in Curatorial Practice Class of 2019, To Know Herself explores the lesbian bar as a place for social and political change. Bars dedicated exclusively to queer women are systematically disappearing around the country,particularly in San Francisco. To Know Herself utilizes the bar in CCA Wattis Institute’s event space in lieu of the conventional gallery in order to study the ways these artists explore the impact and value of lesbian bars and the effects of their disappearance, as well as possibilities for their eventual reconstruction.
The exhibition features works by Tammy Rae Carland and Macon Reed.
Exhibition opening is Thursday April 4 from 6:30-8:30pm. For more information, visit here.
“Sol LeWitt wall drawings bring a splash of color to CWRU/Clinic Health Education Campus”
Written by Steven Litt
March 3, 2019
“In Conversation: Judy Chicago and Sarah Thornton”
March 6, 2019
“A Part of the Main: Davina Semo at Marlborough Contemporary”
Written by Noah Dillon
February 26, 2019
“The Long-Awaited Afterparty for Judy Chicago”
Written by Laura van Straaten
December 2018
“6 Keys to a Good Artist-Gallerist Relationship”
Written by Scott Indrisek
February 22, 2019
Congratulations to Matthew Angelo Harrison, who was selected to participate in the 2019 Whitney Biennial, curated by Jane Panetta and Rujeko Hockley. The exhibition is on view from May 17 until September 22, 2019. For more information, visit here.
Lessons of the Hour—Frederick Douglass
March 3 – May 12, 2019
Lessons of the Hour is a meditation on the life, words, and actions of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and on the issues of social justice that shaped his life’s work. More poem than story, ten video projections provide visitors with a special opportunity to be immersed in the spirit of this monumental historical figure.
Shown at the Memorial Art Gallery of the University of Rochester
For more information, click here
Isaac Julien: Playtime
May 5 – August 11, 2019
The Los Angeles County Museum of Art (LACMA) is pleased to present Isaac Julien: Playtime. Marking the artist’s first major solo presentation in Los Angeles, the film Playtime (2014) stars actors Maggie Cheung, James Franco, Colin Salmon, auctioneer Simon de Pury, and others in a captivating critique of the influence of capital on the art market. Playtime has been exhibited at Fort Mason, San Francisco (2017), Platform-L Contemporary Arts Center, Seoul (2017); and Museo Universitario Arte Contemporáneo, Mexico City (2016); as well as other venues around the world. The exhibition is curated by Christine Y. Kim, associate curator of contemporary art at LACMA.
For more information, click here.
“Desert X returns to the Coachella Valley”
Written by Carole Dixon
February 14, 2019
“Hits and misses at Palm Spring’s second Desert X biennial”
Written by Jori Finkel
February 14, 2019
“julian hoeber investigates the mind with ‘going nowhere pavilion’ at desert X”
Written by Kat Barandy
February 13, 2019
“‘Show Me as I Want to be Seen’ examines artistic and gender identity”
Written by Charles Desmarais
February 7, 2019
“Meet the Berlin-based artist melding Bauhaus and ancient Rome”
Written by Elly Parsons
February 2, 2019
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Isaac Julien’s groundbreaking 2007 video installation The Leopard (Western Union: Small Boats) presents a lyrical and visceral meditation on histories of African migration. Combining exquisite cinematography with elements of documentary, dance and musical performance, The Leopard juxtaposes all-too-familiar images of Mediterranean passage–Black bodies crowded in rafts, laid out in reflective blankets on Italian shores, drowning in tempestuous waters–with the tranquil spaces of European tourism and luxury. Presented in conjunction with the Block’s Caravans of Gold, Fragments in Time exhibit, The Leopard (Western Union: Small Boats) challenges viewers to contemplate the inequities of globalization and the cycles of displacement and violence that have bound Europe and Africa for centuries.
For more information, visit here.
“Everything is Negotiable”
Written by Emily Steer
December 2018
“Judy Chicago Still Making Waves And Making Art As She Approaches 80”
Written by Chadd Scott
January 29, 2019
ICA Miami presents a new site-specific performance by Judy Chicago in the Miami Design District Jungle Plaza. Entitled A Purple Poem for Miami, Chicago’s new smoke performance is presented as part of ICA Performs, the museum’s signature platform for the development of new and recent works from leading performance artists.
Sat, Feb 23, 2019
Doors open 5:30pm, performance at sunset (6:15pm)
LOCATION
Jungle Plaza at ICA Miami
For more details and to purchase tickets, visit here.