“Woody De Othello: Gravity at Play”
Interviewed by Chiara Moioli
January 16, 2020
“Woody De Othello”
Christopher Hart Chambers
March 4, 2020
“Meet the Art community of the US Southwest: Rose B. Simpson Believes Culture Is for ‘Conscious Nurturing’”
March 9, 2020
Referencing the history of space and form through architecture, design, and imagery, Claudia Wieser considers the coexistence of abstraction and the physiological experience through her spatial installations. With a nod to Modernist geometric constructions inspired by the Bauhaus and influenced by spirituality within an artistic practice like artists Hilma af Klint, Wassily Kandinsky, and Paul Klee before her, Generations will encompass Wieser’s distinctive, multi-faceted practice. This will include hand-painted and patterned ceramics, carved wooden sculptures, tiled mirrored sculptures, fine colored pencil and gold leaf drawings, and large and small plinths that act as both sculptures for display and sculptures themselves. Collaged together from her vast archive, the combination of textures, surfaces, and spliced imagery allows the viewer to create new histories, and in turn, see themselves both within that history and adding to it.
Opening: March 19, 2020 from 6-8PM
Ongoing: March 19, 2020 to June 13, 2020
For more information, please see link to event.
Terra Nullius is the first solo museum show for Detroit-based visual artist, Conrad Egyir. For this debut, Egyir created a new body of work while in residency at the International Studio & Curatorial Program (ISCP) in New York City, during the summer of 2019. The works in this show focus on figurative characters that reside or bestride three geographical spaces–Detroit, New York, and Aburi, Ghana–and how the cultures of each of these locations define citizenship, migration, hybrid spaces, and political and religious revolutions. At the core of the exhibition, is finding similarities among the three psycho-social terrains and synthesizing them into a new space “Terra Nullius.” Within this new place, devoid of political and legal constructs, its residents behave as stewards of time, resources, and space.
Opening: April 16 2020 from 7-10PM
Ongoing: April 16, 2020 to June 20, 2020
“Spring Art Preview”
Written by Andrea K. Scott
February 28, 2020
“Politics, Picasso, and Rabbit Bones Make the Scene at ADAA Art Show Opening New York”
Written by Sarah Douglas and Angelica Villa
February 26, 2020
“Flying high: Artist Rose B. Simpson”
Written by Michael Abatemarco
February 21, 2020
Patterns of Perception is a collaborative project between a group of individuals with Parkinson’s, Central Saint Martins, English National Ballet (ENB), University College London (UCL) and artist Ruairiadh O’Connell. In 2019 a series of workshops ranging from textiles to dance and art took place to explore and understand the experiences and perceptions related to Parkinson’s. The aim was to find better ways of explaining, to a broader audience, what it means to live with Parkinson’s disease. Emphasis was put on interweaving science, dance and visual arts methods and the resulting artworks and visual diaries are presented in this exhibition.
Central Saint Martins, University of the Arts London
Opening: March 24, 2020 from 2:00-4:00PM
Open to the public daily from March 4 – April 24 2020
For more information, please see link to event.
“The Most Talked-About Moments From Frieze Los Angeles 2020”
Written By: Andrea Whittle
February 18, 2020
Artist and filmmaker Isaac Julien continues a conversation with Trinh T. Minh–ha on interdisciplinarity, the moving image, and contemporary culture in filmmaking that has unfolded over their decades–long friendship.
The Wattis Institute, San Francisco, CA
February 28, 2020 at 6:30PM
“How to Throw a Dinner Party Like a Gallerist”
Written By: Anna Furman
January 22, 2019
Sense of Self
Photographs from Marcela Pardo Ariza, Tammy Rae Carland, Erica Deeman, Jamil Hellu, and Stephanie Syjuco
From November 9 – March 15, 2020
Sense of Self features Bay Area photographers who explore identity and selfhood through portraiture.
Davina Semo’s exhibition Core Reflections marks one of two inaugural projects in di Rosa’s Conversation Pieces series. The San Francisco-based artist works across two and three dimensions, often utilizing industrial materials that examine tensions between nature, society and the self. Her project for di Rosa considers the unique setting of Gallery 1 in relation to the landscape as well as its siting as a point of public assembly. Taken as a whole, Semo’s assembly of works for di Rosa creates a subtle yet ecstatic mode of corporeal engagement by prompting a reevaluation of our contemporary mindset ruled by anxieties and unease. Core Reflections invites sustained moments of introspection and contemplation within the permeable precipice of built and organic space.
From January 29, 2020 to June 18, 2020
“United States Artists Names 2020 Recipients of Coveted Fellowships, Including Howardena Pindell, Martine Syms, Cameron Rowland”
Written by: Alex Greenberger
January 22, 2020
For more information, please see link to article.
“Place and Persistence: Hanif Abdurraqib and Matthew Angelo Harrison in Conversation”
Conversation with Mathew Angelo Harrison and Hanif Abdurraqib
January 25, 2020
Debuting this spring, San Francisco-based sculptor Davina Semo’s large-scale installation of interactive bells will be sited along the New York City waterfront in Brooklyn Bridge Park. The exhibition builds on a series of bells that she began developing in 2016.
Opening May 5, 2020
For his first solo exhibition at a European institution, Detroit-born sculptor Matthew Angelo Harrison (1989) creates a monumental installation of 3-D machine technologies, African artifacts, and workers’ labor union paraphernalia to merge the cruel history of colonialism with the formalist legacy of Minimalism.
From June 12 – August 30, 2020