Private: Susanne M. Winterling

2015
Space Elevator: Streetbodies and Donkeydreams, The Cologne Room, Los Angeles, CA

2014
Drift, Parrotta Contemporary Art, Stuttgart, Germany
Luminous Bodies, Hiromi Yoshii Roponggi, Tokyo, Japan 
Empathetic Vision, Dinos, and the Tamer of Horses,Ludlow 38, New York, NY
Complicity,Kunstverein, Amsterdam, The Netherlands
Faces, Surfaces, and Interfaces – Communities and the Commons, Ludlow 38, New York, NY

2013
Shelter (Lighthouse of Fragility), part of artSOUTH: collaborations, Keyhaven Nature Reserve, New Forest, Lymington, UK
pocketpark, Lüttgenmeijer, Berlin, Germany
Game Heart Matter, Jessica Silverman Gallery, San Francisco, CA

2012
Susanne M. Winterlingg, Kunstlerhaus Bregenz, Austria
Vertigo, Parrotta Contemporary, Stuttgart, Germany
The Inscribable Surface, Kunstverein Salzburger, Salzburg, Germany
Nox and Shelter (with Nadira Husain), Tempo Rubato, Tel Aviv, Israel

2011
The Inscribable Surface, Frieze Frame, Silverman Gallery, London, UK
Complement for Company (Skyline and Skin), Fotogalleriet, Oslo, Norway

2010
They Called Each Other Horses, Centre d’Edition Contemporaine, Geneva, Switzerland
Prototyp 2 (Neue Bude) (w/ Ruth May), Kunsthalle Lingen, Lingen, Germany
Kunstpreis der Stadt Nordhorn 2010, Städtische Galerie Nordhorn, Nordhorn, Germany
Through The Looking Glass, Badischer Kunstverein Karlsruhe, Karlsruhe, Germany
Evas Arche und der Feminist (w/ Gerry Bibby), New York, NY
Untitled (the you and eye), FIAC, Silverman Gallery, Paris, France

2009
Dreaming is Nursed in Darkness, Gesellschaft fuer aktuelle Kunst, Bremen, Germany
The portrait of the artist as Torquato Tasso & the stairs for the servants, Fondazione Morra Greco, Napoli, Italy
Die ums Feuer sind, Foerderpreisaussttellung M1, Hohenlockstedt, Germany
…of mice and blood (For E.K), Luettgenmeijer, Berlin, Germany
The Front Room, Contemporary Art Museum, St. Louis, MI
Susanne M. Winterling, BAWAG Contemporary, Vienna, Austria
Alliance, Sisterhood, and the Rope, Hiromi Yoshii, Tokyo, Japan

2008
Isadora’s Scarf, Parrotta Contemporary Art, Stuttgart, Germany
All Tomorrows Parties: Stage, Art Basel: Statements, Basel, Switzerland
Black Maria, Next Fair, Chicago, IL
Pattern Recognition of a Collar to Idealism (dedication to a woman yet unknown), Silverman Gallery, San Francisco, CA
Precious Future II, National Center of Photography, St Petersburg, Russia

2007
i’ll be your mirror, but i’ll dissolve…, Daniel Reich Gallery, New York, NY
Eve’s Arc and the feminist, Gavin Brown Enterprise, New York, NY
Susanne M. Winterling, L’Union (Fondazione Volume), Rome, Italy
…they told you the future will be…, Moscow Center for the Arts / Moscow House of Photography, Moscow, Russia

2006
White Light (m.U. Sammlung J. Stoschek), Duesseldorf, Germany

2005
A Skin too Thin, Galerie Meerrettich, Berlin, Germany
Mise en Scene: In Swan’s World, Duolun Museum of Modern Art, Shanghai, China

Group Exhibitions

2019
Barents Spectacle, Kirkenes, Norway
Leben mit Pflanzen, Deutsches Hygiene Museum, Dresden, Germany
Suddenly gave the effect of sunlight, MELK Gallery, Oslo, Norway

2018
Océans. Une vision du monde au rythme des vagues, Le Fresnoy, Tourcoing, France
Spiegelungen, alte Feuerwache Projektraum Berlin, Germany
Lulea Biennale, Lulea, Sweden
Between Bodies, Henry Art Gallery, Seattle, WA
Variations on Time, Acudgalerie, Berlin, Germany

2017
The Finger that Shows the Moon Never Moons, curated by  Övül O. Durmuşoğlu, Dan Gunn, Berlin, Germany
Contour Biennale 8, Polyphonic World: Justice as Medium, Mechelen, Belgium
Myths of the Marble, Henie Onstad Kunstsenter, Høvikodden, Norway; co-organized with and traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
An Inventory of Shimmers: Objects of Intimacy of Contemporary Art, MIT List Visual Arts Center, Cambridge, Massachusetts

2016
A Momentary Lapse of Reason, Public Access, Chicago, IL
The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
Resonance/Dissonace, Patricia & Phillip Frost Art Museum, Miami, FL

2015
Corruption: Everybody Knows…, e-flux, New York, NY
J’adore,Kunsthalle Lingen, Lingen, Germany 
Twenty Two,Tempo Rubato, Tel Aviv, Israel
In Search of Radical Incomplete, A Perfect Animal Within,
Stacion – Center for Contemporary Art Prishtina, Prishtine, Republic of Kosova
Liebe Deine Maschine, Kunstverein Hildesheim, Hildesheim, Germany
The Lulennial: A Slight Gestuary, Lulu, Mexico City, Mexico

2014
The White Elephant,after the butcher, Berlin, Germany
nature after nature, Fridericianum, Kassel, Germany 
Shirts vs. Skins, New Galerie, New York, NY

2013
Girls Can Tell, GAK, Bremen, Germany

2012
A disagreeable object, Sculpture Center, New York, NY
Coming After, The Power Plant Contemporary Art Gallery, Toronto, Canada
Uber Dich, Galerie Kamm, Berlin, Germany
I Am Another, Kunstverein Freiburg, Freiburg, Germany

2011
The Promise, curated by Martha Kirszenbaum, Galerie Crevecoer, Paris, France
Abstraction Sentimentales et Quelques Editions, CEC, Paris, France

2010
Real Presences: Marcel Broodthaers Today, Kunsthalle Düsseldorf; Kunstverein für die Rheinlande und Westfallen, Germany
Milk Drop Coronet: 30 Ausstellungen zur Virtuosität des Dinglichen, Camera Austria, Graz, Austria
Lovingly, Rose Peebles, Brand Library Art Galleries, Glendale, CA
…nur Papier, und doch die ganze Welt…: 200 Jahre Graphische Sammlung, Staatsgalerie, Stuttgart, Germany
Encadrées, Centre d’Édition Contemporaine, Geneva, Switzerland
Aftermath, Taka Ishii Gallery, Kyoto, Japan
Five Year Anniversary Exhibition, Gavlak Gallery, Palm Beach, CA
Nobody Gets to See the Wizard. Not Nobody. Not Nohow, Anna Kustera, New York, NY
Woodman, Woodman, Spare That Tree, Lüttgenmeijer, Berlin, Germany
Antigrav, Parrotta Contemporary Art, Stuttgart, Germany
You’ll Always Find Me in the Kitchen at Parties, The Center for Endless Progress, Berlin, Germany

2009
Little Theatre of Gestures, Museum für Gegenwartskunst, Basel, Switzerland; Konsthall, Malmö, Sweden
Scorpio’s Garden, Temp.Kunsthalle, Berlin, Germany
Little Theatre of Gestures, Museum of Contemporary Art, Basel, Switzerland
Warm Summer Days, Indoors, Sandy Brown, Berlin, Germany
“T” Quelques possibilites de texts, Centre d’edition contemp, Geneva, Switzerland
Don’t Expect Anything, Francesca Minini, Milano, Italy
Silverman Gallery Travelling Show, Andreas Huber, Vienna, Austria
Modern Modern, Chelsea Art Museum (curated by P. Hertling), New York, NY
Videonale 12,Kunstmuseum Bonn, Bonn, Germany

2008
All Tomorrow’s Parties: Stage, ArtBasel Statements, Basel, Switzerland
Twice Upon a Time, Galerie Andreas Huber, Vienna, Austria; Silverman Gallery, San Francisco, CA
A Starting Point: Intrude Art & Life 366, Dynamics of Change and Growth, Zendai MoMA, Shanghai, China
Pollen, Neue Alte Bruecke, Frankfurt am Main, Germany
Conversations and Readings, Silberkuppe, Berlin, Germany
Multiple, Ke Center for Contemporary Art, Shanghai, CN=hina
5. Berlin Biennale of Contemporary Art, Neue Nationalgalerie, Berlin, Germany [exh. cat.]
My Dear Deer, Qbox Gallery, Athens, Greece

2007
Migration Addicts, Shenzhen Hong Kong Bi-City Biennale of Urbanism/Architecture, China
Kostbaarheden en Bijzondere Vruchten, Aktualisierungsraum, Hamburg, Germany
Aspen 11, Neue Alte Bruecke, Frankfurt, Germany
Josef Strau and Galerie Meerrettich, Vilma Gold, London, UK
Who, Kunstverein, Hamburg, Germany
Doorslamming Festival (curated by D. Eichler), Meeringdamm 72, Berlin, Germany

2006
EHF Ueberblick, Stiftung, Berlin, Germany
Friction-Free, Kristiansand Kunstforening, Norway
Migration Addicts, Sculpture Projects, Singapore
Kaufen, Staatstheater, Stuttgart, Germany
Viper (nomination for the video art award), Kunsthalle, Basel , Switzerland
Extra City, The Gallery Show, Center for Contemporary Art, Antwerp, Belgium

2005
Gifted Generation, Hebbel Theatre, Berlin, Germany
Me, Myself and I, Frankfurt, Dusseldorf, Amsterdam, The Netherlands
No Competitive Offers, Artis, The Netherlands

2004
Was ist in meiner Wohnung wenn ich nicht da bin, Berlin, Germany
Guardini Stiftung, Berlin, Germany
Faxe Coni, Futura Projects, Prague, Switzerland

2003
Rituale, Akademie der Bildenden Kuenste, Berlin, Germany
As Soon as Possible, PAC, Milan, Italy
Recycling the Future, Biennale Venezia, Venice, Italy

2002
Alien – Inside the Outside, Austrian Cultural Institute, Swiss Institute, New York, NY
Pret – a – Perform, Via Farini, Milan, Italy
Body Basics II, Wuerttembergischer Kunstverein, Stuttgart, DE 2001 Videonale, Bonn, Germany

Bibliography

2018
Yazdani, Sara R.  “Toxic Environments, Sensitivities, and Planetary Times: Susanne M. Winterling” Mousse Magazine.  August, 2018.

2015
Federica, Bueti. “Lobsters, Hormonal Storms, Brittlestars, and Sticky Things – Matter of the World.” Xtra Contemporary Art Quarterly. Summer, 2015.
Yazdani, Sara R. “New Forms of Life – The Physicality and Poetics of Pictures.”Objektiv. June 11, 2015.
Beckstette, Sven. “Review.”Artforum, April, 2015.

2014
Kraus, Chris, “Complicity: Winterling discusses her recent work with Chris Kraus.” Artforum, May 21, 2014.

2010
Birgit Kulmer, “Hinter den Spiegeln,” kunsttexte 2/2010
Jens Asthoff, “Spiegelung, fluechtiges Selbst,” Kultur und Gespenster, 2010
Mathias Reichelt, “Susanne M.Winterling,” Kunstforum Intern., Band 202
Jens Asthoff, “Susanne M.Winterling”, Artforum April 2010
Georg Patzer, “Nichts ist wie es scheint,” TAZ 15.2.2010

2009
Josef Strau, “Susanne Winterling,” Camera Austria 105
Kirsty Bell, “Susanne Winterling,” Camera Austria 105
J. Neulinger, “Susanne M.Winterling,” Frieze.com, February 2009
Stefania Palumbo, “I Is Another,” Mousse, Issue 17
Anne Katrin Feßler, “Zerplatzende Seifenblasen,” Der Standard, August 2009

2008
Joseph Del Pesco, “Susanne Winterling,” Flash Art, October 2008
“A Member of the Wedding,” The New Yorker, September 2008
Karen Rosenberg, “A Member of the Wedding,” New York Times, August 2008
RC Baker, “A Member of the Wedding,” Village Voice, August 2008
Daniel Voelzke, “Susanne M. Winterling,” Monopol, April 2008

2007
Kyle Bentley, “Susanne M. Winterling,” Artforum, November 2007
“Susanne Winterling,” Modern Painters, November 2007
Fabrizia Paloba, “Insieme alle icone femminili anticonformiste degli anni Venti,”
Exibart, May
Caroline Eggel, Critic’s Pick, Artforum.com, October 2007
Josef Strau, “Time, Structure and Passer-by’s,” April 19, 2007