Across the booth, Beverly Fishman’s candy-colored wall relief, Relief, Ease, Joy, Liberation (2025), extends her ongoing “Polypharmacy” series, interrogating drug cocktails and the promises embedded in pharmaceutical culture.
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Untitled Houston 2025
Untitled Houston 2025
September 19-21, 2025
Jessica Silverman is pleased to announce participation in the inaugural edition of Untitled Art, Houston, taking place September 19–21, at Booth B11. The gallery’s presentation features a group exhibition of distinguished artists, showcasing a wide range of mediums—from ceramics, painting, and drawing to tapestry, photography, and bronze sculpture. Participating artists include Sadie Barnette, Julie Buffalohead, Sam Falls, Beverly Fishman, Julian Hoeber, David Huffman, Dashiell Manley, Rebecca Manson, Masako Miki, Woody De Othello, Clare Rojas, Davina Semo, Rupy C. Tut, Catherine Wagner, Pae White, and Margo Wolowiec
INSTALLATION VIEW
GALLERY / GRID
SELECTED WORKS
Julie Buffalohead
The Imposter, 2025
Oil on canvas
46 x 84 inches / 116.8 x 213.4 cm
The Imposter, 2025
Oil on canvas
46 x 84 inches / 116.8 x 213.4 cm
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Julie Buffalohead’s large-scale painting The Imposter (2025) draws on the geometric abstraction of Native American Star Quilts—often bestowed at times of honor. In her composition, a tiger wears the quilt as a cape, merging international trickster traditions.
Beverly Fishman
Relief, Ease, Joy, Liberation, 2025
Urethane paint on wood
44 x 78 x 2 inches / 111.8 x 198.1 x 5.1 cm
Relief, Ease, Joy, Liberation, 2025
Urethane paint on wood
44 x 78 x 2 inches / 111.8 x 198.1 x 5.1 cm
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Beverly Fishman
Equilibrium (C.9), 2025
Urethane paint on wood
45 x 40 x 2 inches / 114.3 x 101.6 x 5.1 cm
Equilibrium (C.9), 2025
Urethane paint on wood
45 x 40 x 2 inches / 114.3 x 101.6 x 5.1 cm
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Pae White
Undustry, 2025
Glazed ceramic with PVD
23 1/2 x 23 1/2 x 2 inches / 59.7 x 59.7 x 5.1 cm
Undustry, 2025
Glazed ceramic with PVD
23 1/2 x 23 1/2 x 2 inches / 59.7 x 59.7 x 5.1 cm
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Pae White
blue mourning, 2022
Glazed ceramic with PVD
12.5 x 12.5 x 2 inches / 31.8 x 31.8 x 5.1 cm
blue mourning, 2022
Glazed ceramic with PVD
12.5 x 12.5 x 2 inches / 31.8 x 31.8 x 5.1 cm
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Pae White’s Sashay (2025), a large-scale wall relief, is crafted from a Japanese paperclay base coated in automotive paint. Defying medium, thousands of intricately carved blocks ripple in undulating lines, shifting in tone from purple to teal to blue. White has been commissioned to create a monumental public artwork for Dallas–Fort Worth Airport, slated to debut in 2026.
Pae White
Sashay, 2025
Automotive paint and paperclay on wood panel
55 x 89 x 5 1/2 inches / 139.7 x 226.1 x 14 cm
Sashay, 2025
Automotive paint and paperclay on wood panel
55 x 89 x 5 1/2 inches / 139.7 x 226.1 x 14 cm
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Sadie Barnette
Aliens (Rainbow), 2025
Spray paint and rhinestones on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
Aliens (Rainbow), 2025
Spray paint and rhinestones on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Masako Miki
Infinite Cat's Whispers, 2025
Watercolor and ink on paper
32 3/4 x 25 3/4 x 1 3/4 inches / 83.2 x 65.4 x 4.4 cm
Infinite Cat's Whispers, 2025
Watercolor and ink on paper
32 3/4 x 25 3/4 x 1 3/4 inches / 83.2 x 65.4 x 4.4 cm
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Masako Miki
Offering (blue and red), 2025
Watercolor and ink on paper
45 x 63 x 2 inches / 114.3 x 160 x 5.1 cm
Offering (blue and red), 2025
Watercolor and ink on paper
45 x 63 x 2 inches / 114.3 x 160 x 5.1 cm
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Sadie Barnette
Aliens (Rainbow), 2025
Spray paint and rhinestones on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
Aliens (Rainbow), 2025
Spray paint and rhinestones on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Masako Miki
Infinite Cat's Whispers, 2025
Watercolor and ink on paper
32 3/4 x 25 3/4 x 1 3/4 inches / 83.2 x 65.4 x 4.4 cm
Infinite Cat's Whispers, 2025
Watercolor and ink on paper
32 3/4 x 25 3/4 x 1 3/4 inches / 83.2 x 65.4 x 4.4 cm
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Masako Miki
Offering (blue and red), 2025
Watercolor and ink on paper
45 x 63 x 2 inches / 114.3 x 160 x 5.1 cm
Offering (blue and red), 2025
Watercolor and ink on paper
45 x 63 x 2 inches / 114.3 x 160 x 5.1 cm
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Masako Miki’s watercolor and ink on paper, Offering (blue and red) (2025), also meditates on ritual. Delicate flowers in luminous hues evoke the practice of placing fresh blooms on a butsudan, a home altar central to Japanese Buddhist remembrance.
Julian Hoeber
Pink Moth Orchid Pink Moth Orchid, 2025
Oil, flash, acrylic and granite on linen over panel
36 x 47 1/2 x 2 1/2 inches / 91.4 x 120.7 x 6.3 cm
Pink Moth Orchid Pink Moth Orchid, 2025
Oil, flash, acrylic and granite on linen over panel
36 x 47 1/2 x 2 1/2 inches / 91.4 x 120.7 x 6.3 cm
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Woody De Othello
Not to be told, 2024
Glazed ceramic
45 x 21 x 16 inches / 114.3 x 53.3 x 40.6 cm
Not to be told, 2024
Glazed ceramic
45 x 21 x 16 inches / 114.3 x 53.3 x 40.6 cm
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Rupy C. Tut
In Search of a Forest, 2025
Polyester, wool, acrylic and cotton mercuries
46 1/2 x 32 1/2 x 2 inches / 118.1 x 82.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs
In Search of a Forest, 2025
Polyester, wool, acrylic and cotton mercuries
46 1/2 x 32 1/2 x 2 inches / 118.1 x 82.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs
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Julian Hoeber
Pink Moth Orchid Pink Moth Orchid, 2025
Oil, flash, acrylic and granite on linen over panel
36 x 47 1/2 x 2 1/2 inches / 91.4 x 120.7 x 6.3 cm
Pink Moth Orchid Pink Moth Orchid, 2025
Oil, flash, acrylic and granite on linen over panel
36 x 47 1/2 x 2 1/2 inches / 91.4 x 120.7 x 6.3 cm
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Woody De Othello
Not to be told, 2024
Glazed ceramic
45 x 21 x 16 inches / 114.3 x 53.3 x 40.6 cm
Not to be told, 2024
Glazed ceramic
45 x 21 x 16 inches / 114.3 x 53.3 x 40.6 cm
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Rupy C. Tut
In Search of a Forest, 2025
Polyester, wool, acrylic and cotton mercuries
46 1/2 x 32 1/2 x 2 inches / 118.1 x 82.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs
In Search of a Forest, 2025
Polyester, wool, acrylic and cotton mercuries
46 1/2 x 32 1/2 x 2 inches / 118.1 x 82.5 x 5.1 cm
Edition of 3 plus 2 artist's proofs
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Among the highlights, Woody De Othello’s freestanding ceramic Not to be told (2024) features a swirling blue glaze across a vessel with facial features recalling the face jugs of West Africa. Hands cradle the form, which rests on a green and brown drum-like base. Othello, whose work is in the permanent collection of the MFA Houston, reinterprets the history, spiritual traditions, and forms of the African diaspora.
Sam Falls
Ghost, 2025
Pigment on canvas
100 x 84 inches / 254 x 213.4 cm
Ghost, 2025
Pigment on canvas
100 x 84 inches / 254 x 213.4 cm
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Rebecca Manson
Split Radicchio, 2025
Porcelain, glaze, adhesives
14 x 19 x 12 inches / 35.6 x 48.3 x 30.5 cm
Split Radicchio, 2025
Porcelain, glaze, adhesives
14 x 19 x 12 inches / 35.6 x 48.3 x 30.5 cm
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Sam Falls
Crystal Voyager, 2025
Pigment on canvas
56 x 72 inches / 142.2 x 182.9 cm
Crystal Voyager, 2025
Pigment on canvas
56 x 72 inches / 142.2 x 182.9 cm
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Sam Falls
Ghost, 2025
Pigment on canvas
100 x 84 inches / 254 x 213.4 cm
Ghost, 2025
Pigment on canvas
100 x 84 inches / 254 x 213.4 cm
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Rebecca Manson
Split Radicchio, 2025
Porcelain, glaze, adhesives
14 x 19 x 12 inches / 35.6 x 48.3 x 30.5 cm
Split Radicchio, 2025
Porcelain, glaze, adhesives
14 x 19 x 12 inches / 35.6 x 48.3 x 30.5 cm
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Sam Falls
Crystal Voyager, 2025
Pigment on canvas
56 x 72 inches / 142.2 x 182.9 cm
Crystal Voyager, 2025
Pigment on canvas
56 x 72 inches / 142.2 x 182.9 cm
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David Huffman
Seeds of Light, 2025
Acrylic and gouache on linen
40 x 30 inches / 101.6 x 76.2 cm
Seeds of Light, 2025
Acrylic and gouache on linen
40 x 30 inches / 101.6 x 76.2 cm
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Dashiell Manley
falling with resonance, without restraint, 2025
Oil on linen
48 x 36 x 1 inches / 121.9 x 91.4 x 2.5 cm
falling with resonance, without restraint, 2025
Oil on linen
48 x 36 x 1 inches / 121.9 x 91.4 x 2.5 cm
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Catherine Wagner
Astro Orbiter, 1995/2021
Archival pigment print
42 1/4 x 51 1/4 x 2 inches / 107.3 x 130.2 x 5.1 cm
Edition of 3 plus 2 artist's proofs
Astro Orbiter, 1995/2021
Archival pigment print
42 1/4 x 51 1/4 x 2 inches / 107.3 x 130.2 x 5.1 cm
Edition of 3 plus 2 artist's proofs
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David Huffman
Seeds of Light, 2025
Acrylic and gouache on linen
40 x 30 inches / 101.6 x 76.2 cm
Seeds of Light, 2025
Acrylic and gouache on linen
40 x 30 inches / 101.6 x 76.2 cm
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Dashiell Manley
falling with resonance, without restraint, 2025
Oil on linen
48 x 36 x 1 inches / 121.9 x 91.4 x 2.5 cm
falling with resonance, without restraint, 2025
Oil on linen
48 x 36 x 1 inches / 121.9 x 91.4 x 2.5 cm
INQUIRE
Catherine Wagner
Astro Orbiter, 1995/2021
Archival pigment print
42 1/4 x 51 1/4 x 2 inches / 107.3 x 130.2 x 5.1 cm
Edition of 3 plus 2 artist's proofs
Astro Orbiter, 1995/2021
Archival pigment print
42 1/4 x 51 1/4 x 2 inches / 107.3 x 130.2 x 5.1 cm
Edition of 3 plus 2 artist's proofs
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Margo Wolowiec
Superbloom, 2025
Handwoven polymer, linen, sterling silver-leafed thread, dye sublimation ink, mounted on hemp support
56 x 56 x 2 inches / 142.2 x 142.2 x 5.1 cm
Superbloom, 2025
Handwoven polymer, linen, sterling silver-leafed thread, dye sublimation ink, mounted on hemp support
56 x 56 x 2 inches / 142.2 x 142.2 x 5.1 cm
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Margo Wolowiec
Aurora, 2025
Handwoven polymer, linen, sterling silver-leafed thread, indigo, dye sublimation ink, mounted on indigo dyed hemp support
40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm
Aurora, 2025
Handwoven polymer, linen, sterling silver-leafed thread, indigo, dye sublimation ink, mounted on indigo dyed hemp support
40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm
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Davina Semo
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm
Overall dimensions variable
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm
Overall dimensions variable
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Margo Wolowiec
Superbloom, 2025
Handwoven polymer, linen, sterling silver-leafed thread, dye sublimation ink, mounted on hemp support
56 x 56 x 2 inches / 142.2 x 142.2 x 5.1 cm
Superbloom, 2025
Handwoven polymer, linen, sterling silver-leafed thread, dye sublimation ink, mounted on hemp support
56 x 56 x 2 inches / 142.2 x 142.2 x 5.1 cm
INQUIRE
Margo Wolowiec
Aurora, 2025
Handwoven polymer, linen, sterling silver-leafed thread, indigo, dye sublimation ink, mounted on indigo dyed hemp support
40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm
Aurora, 2025
Handwoven polymer, linen, sterling silver-leafed thread, indigo, dye sublimation ink, mounted on indigo dyed hemp support
40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm
INQUIRE
Davina Semo
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm
Overall dimensions variable
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm
Overall dimensions variable
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Clare Rojas
Swan Mother, 2022
Bronze and patina
60 x 52 1/2 x 28 1/4 inches / 152.4 x 133.3 x 71.8 cm
Edition of 3 plus 1 artist's proof
Swan Mother, 2022
Bronze and patina
60 x 52 1/2 x 28 1/4 inches / 152.4 x 133.3 x 71.8 cm
Edition of 3 plus 1 artist's proof
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In Untitled Art, Houston’s Special Projects, Clare Rojas’s monumental, polished bronze Swan Mother (2022) commands attention. With its sweeping lines and balanced form, the work distills her imaginative figuration into geometric abstraction. Poised like a guardian, the swan’s striking eye surveys its surroundings with quiet authority. The Contemporary Austin holds an edition of the sculpture in their collection.
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