Jessica Silverman
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The Armory Show 2024
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The Armory Show 2024

The Armory Show 2024

September 6-8, 2024

Jessica Silverman is pleased to announce participation in The Armory Show’s 2024 edition, running from September 6 to 8 at the Javits Center in New York. The gallery will present new work from Sadie Barnette, Julie Buffalohead, Beverly Fishman, David Huffman, Dashiell Manley, Woody De Othello, Hugh Scott-Douglas, Rupy C. Tut, Catherine Wagner, Pae White, and Chelsea Ryoko Wong in “Assembly,” a specially-curated booth that examines gathering as an artistic act.

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SELECTED WORKS
ARTIST BIO
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SELECTED WORKS

Rupy C. Tut
Archipelago, 2024
Handmade pigments on linen; Diptych
61 1/2 x 83 x 2 1/4 inches / 156.2 x 210.8 x 5.7 cm
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Rupy C. Tut, Archipelago
Rupy C. Tut
I am no different, 2024
Handmade pigments on linen
61 1/2 x 41 1/2 x 2 1/4 inches / 156.2 x 105.4 x 5.7 cm
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Rupy C. Tut, I am no different
David Huffman
Cotton Fields, 2024
Acrylic, oil, spray paint, colored pencil, fabric and photo collage on wood panel
41 1/4 x 41 1/4 x 2 1/4 inches / 104.8 x 104.8 x 5.7 cm
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David Huffman, Cotton Fields
David Huffman
Constellation, 2024
Acrylic, gouache and mixed ground on wood panel
41 1/4 x 31 x 2 1/4 inches / 104.8 x 78.7 x 5.7 cm
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David Huffman, Constellation
Rupy C. Tut
I am no different, 2024
Handmade pigments on linen
61 1/2 x 41 1/2 x 2 1/4 inches / 156.2 x 105.4 x 5.7 cm
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Rupy C. Tut, I am no different
David Huffman
Cotton Fields, 2024
Acrylic, oil, spray paint, colored pencil, fabric and photo collage on wood panel
41 1/4 x 41 1/4 x 2 1/4 inches / 104.8 x 104.8 x 5.7 cm
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David Huffman, Cotton Fields
David Huffman
Constellation, 2024
Acrylic, gouache and mixed ground on wood panel
41 1/4 x 31 x 2 1/4 inches / 104.8 x 78.7 x 5.7 cm
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David Huffman, Constellation
Using handmade pigments, Archipelago by Rupy C. Tut conjures swirls of blue and green to observe geographic interconnectedness. Meanwhile, vibrant paintings on view by David Huffman will show mythic groves of dream-like, glowing trees.
David Huffman
Water, 2024
Basketball, plaster, acrylic and spray paint
9 3/8 inches / 23.9 cm
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David Huffman, Water
David Huffman
Tree, 2024
Basketball, plaster, acrylic and spray paint
9 3/8 inches / 23.9 cm
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David Huffman, Tree
Sadie Barnette
Baby Boss, 2024
Graphite on paper and archival pigment prints
42 x 34 x 1 1/2 inches / 106.68 x 86.36 x 3.8 cm
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Sadie Barnette, Baby Boss
Sadie Barnette
Something Nice, 2024
Colored pencil on paper, rhinestones, and archival pigment prints
42 x 51 x 1 1/2 inches / 106.68 x 129.54 x 3.8 cm
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Sadie Barnette, Something Nice
Sadie Barnette will present intricate graphite drawings, texts and photographs taken over many years to explore how relational proximity multiplies meaning.
Sadie Barnette
How To, Vol 2, 2024
Graphite and colored pencil on paper, collage and archival pigment prints
43 1/4 x 71 1/4 x 1 1/2 inches / 109.9 x 181 x 3.8 cm
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Sadie Barnette, How To, Vol 2
Julie Buffalohead
The Rescue Party, 2024
Oil on canvas
60 x 84 inches / 152.4 x 213.4 cm
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Julie Buffalohead, The Rescue Party
Julie Buffalohead
Lady Liberty, 2024
Oil on canvas
46 x 84 x 3 inches / 116.8 x 213.4 x 7.6 cm
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Julie Buffalohead, Lady Liberty
Works that celebrate connection with animals, nature or imagined landscapes include Julie Buffalohead’s large-scale oil painting The Rescue Party, which depicts a woman rallying with a group of animals to liberate fellow birds from a pit of snakes.
Woody De Othello
small shifts, 2024
Glazed ceramics, enamel paint
16 1/2 x 10 x 2 3/4 inches / 41.9 x 25.4 x 7 cm
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Woody De Othello, small shifts
Woody De Othello
Two Sides, 2024
Glazed ceramic
21 x 12 1/2 x 5 1/2 inches / 53.3 x 31.8 x 14 cm
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Woody De Othello, Two Sides
Woody De Othello
gradual change, 2023
Glazed ceramic
18 x 13 x 2 1/2 inches / 45.7 x 33 x 6.3 cm
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Woody De Othello, gradual change
Woody De Othello
small shifts, 2024
Glazed ceramics, enamel paint
16 1/2 x 10 x 2 3/4 inches / 41.9 x 25.4 x 7 cm
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Woody De Othello, small shifts
Woody De Othello
Two Sides, 2024
Glazed ceramic
21 x 12 1/2 x 5 1/2 inches / 53.3 x 31.8 x 14 cm
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Woody De Othello, Two Sides
Woody De Othello
gradual change, 2023
Glazed ceramic
18 x 13 x 2 1/2 inches / 45.7 x 33 x 6.3 cm
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Woody De Othello, gradual change
Pae White
Vowel Group, 2024
Automotive paint and paperclay on wood panel
19 x 19 x 2 inches / 48.3 x 48.3 x 5.1 cm
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Pae White, Vowel Group
Pae White
cold summer, 2024
Automotive paint and paperclay on wood panel
20 x 19 1/2 x 3 1/2 inches / 50.8 x 49.5 x 8.9 cm
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Pae White, cold summer
Pae White
MultiDay, 2024
Automotive paint and paperclay on wood panel
19 1/2 x 19 1/2 x 4 inches / 49.5 x 49.5 x 10.2 cm
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Pae White, MultiDay
Pae White
Vowel Group, 2024
Automotive paint and paperclay on wood panel
19 x 19 x 2 inches / 48.3 x 48.3 x 5.1 cm
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Pae White, Vowel Group
Pae White
cold summer, 2024
Automotive paint and paperclay on wood panel
20 x 19 1/2 x 3 1/2 inches / 50.8 x 49.5 x 8.9 cm
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Pae White, cold summer
Pae White
MultiDay, 2024
Automotive paint and paperclay on wood panel
19 1/2 x 19 1/2 x 4 inches / 49.5 x 49.5 x 10.2 cm
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Pae White, MultiDay
Vowel Group, a golden, paper-clay tapestry by Pae White, assembles anthropomorphic letter As, Os, and Us in elaborate chatter with one another, uniting to form new sounds and symbolic associations. Similarly, a series of ceramic telephones by Woody De Othello imbue modern communication with the sculptor’s signature animism. Sculptural painting by Beverly Fishman conceives of the body as a composition of various parts, influenced by its surroundings and industrialized medicine.
Pae White
ring of bright water, 2023
Automotive paint and paperclay on wood panel
31 x 30 x 2 1/2 inches / 78.7 x 76.2 x 6.3 cm
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Pae White, ring of bright water
Chelsea Ryoko Wong
An Ode to Summer, 2024
Acrylic on Canvas
48 x 48 x 1 1/2 inches / 121.9 x 121.9 x 3.8 cm
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Chelsea Ryoko Wong, An Ode to Summer
Beverly Fishman
Contentment, Agency, Solace, Dynamism, 2023
Urethane paint on wood
43 1/4 x 43 inches / 109.9 x 109.2 cm
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Beverly Fishman, Contentment, Agency, Solace, Dynamism
Beverly Fishman
Stability, Energy, Breathe, Satiation, 2023
Urethane paint on wood
44 x 40 1/4 inches / 111.8 x 102.1 cm
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Beverly Fishman, Stability, Energy, Breathe, Satiation
Dashiell Manley
twice removed from celebration, 2024
Oil on linen
60 1/4 x 48 1/4 x 1 inches / 153 x 122.6 x 2.5 cm
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Dashiell Manley, twice removed from celebration
Dashiell Manley
a negative view of flowers, 2024
Oil on linen
60 1/4 x 48 1/8 x 1 inches / 153 x 122.2 x 2.5 cm
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Dashiell Manley, a negative view of flowers
Finally, works exploring memory and archive include Dashiell Manley, Hugh Scott-Douglas and Catherine Wagner. New paintings by Manley and Scott-Douglas reference photographic histories and consider the dynamic exchange between the human hand and machinic processes. Traversing mediums and various points of origin, the works in the exhibition invite viewers to engage our shared histories and imagine unified futures.
Catherine Wagner
Alice's Dream, 1995/2024
Archival pigment print
41 1/2 x 51 1/4 x 2 inches / 105.4 x 130.2 x 5.1 cm
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Catherine Wagner, Alice's Dream
Catherine Wagner
Gateway, 1995/2023
Archival pigment print
41 x 51 x 2 inches / 104.14 x 129.54 x 5.08 cm
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Catherine Wagner, Gateway
Hugh Scott-Douglas
æther, 2024
Watch movement parts scanned EPSON PERFECTION V7500 PRO at 1600dpi Printed on Dibond panel at KDF REPROGRAPHIC, ROCKLIEGH NJ on OCE ARIZON 1680 Technician Mark Pilcher Image created with Adobe photoshop Generative Imaging v.25.0.31 CNC with SHOP SABER IS-M at EJ DAVIS AESTHETICS, BETHANY, CT Technician Erich Davis GAC 100, fiberglass screen, gesso, titanium white acrylic paint and screentone Print of Scan captured with EPSON PERFECTION V7500 PRO at 600dpi Generative Image created with Adobe photoshop Generative Imaging v.25.0.31 Printed on Dibond panel at Raven Lake Studios, Warwick NY on OCE ARIZON 1680 Technician Steve Hoey
80 x 53 inches / 203.2 x 134.6 cm
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Hugh Scott-Douglas, æther
Hugh Scott-Douglas
Matters Principal, 2024
GAC 100, fiberglass screen, clear gesso, titanium white acrylic paint on Aluminum Stretcher Print of Scan captured with EPSON PERFECTION V7500 PRO at 600dpi Generative Image created with Adobe photoshop Generative Imaging v.25.0.31 Printed Raven Lake Studios, Warwick NY on OCE ARIZON 1680 Technician Steve Hoey
53 x 40 inches / 134.6 x 101.6 cm
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Hugh Scott-Douglas, Matters Principal
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