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The Armory Show 2022
The Armory Show 2022
September 8-11, 2022
Booth #211
Jessica Silverman is delighted to participate in the Armory Show’s 2022 edition from September 8 to September 11 at the Javits Center in New York. The gallery will present all new work by Sadie Barnette, Luke Butler, Theresa Chromati, Loie Hollowell, Woody De Othello, Hayal Pozanti, Clare Rojas, Davina Semo, Rose B. Simpson, Rupy C. Tut, Pae White, Claudia Wieser, and Margo Wolowiec. This exhibition of largely women artists explores playful fluid movement, expressed through geometry, natural forms, and the human body.
INSTALLATION VIEW
GALLERY / GRID
SELECTED WORKS
Sadie Barnette
SPACE, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
SPACE, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
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Sadie Barnette
Home Space, 2022
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
Home Space, 2022
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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Sadie Barnette
TIME, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
TIME, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
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Sadie Barnette
SPACE, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
SPACE, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
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Sadie Barnette
Home Space, 2022
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
Home Space, 2022
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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Sadie Barnette
TIME, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
TIME, 2022
Pencil and powdered graphite
60 x 48 inches / 152.4 x 121.9 cm
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Central to the presentation are free-standing sculptural works by Rose B. Simpson, Sadie Barnette, and Woody De Othello that each take aspects of familiar objects or materials and casts them anew, seen in Barnette’s glittered-over stereos, De Othello’s off-kilter ceramics of the mundane, and the raw and visceral use of clay in Simpson’s sculptures Take a Seat and Highway (both 2022).
Woody De Othello
Unbound, 2022
Ceramic, glaze, and wood base
56 x 14 x 18 inches / 142.2 x 35.6 x 45.7 cm
Unbound, 2022
Ceramic, glaze, and wood base
56 x 14 x 18 inches / 142.2 x 35.6 x 45.7 cm
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Rose B. Simpson
Take a Seat, 2022
Clay, glaze, twine, bone, leather, wood beads
60 x 18 x 17 inches / 152.4 x 45.7 x 43.2 cm
Take a Seat, 2022
Clay, glaze, twine, bone, leather, wood beads
60 x 18 x 17 inches / 152.4 x 45.7 x 43.2 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Claudia Wieser
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
Untitled, 2022
Gold leaf, colored pencil on handmade colored paper
Paper size: 30 1/4 x 22 1/2 inches / 77 x 57 cm
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Geometric forms also surface throughout Claudia Wieser’s work, with the artist presenting a new large, mirrored installation along one of the booth’s side walls in addition to numerous new works on paper made of gold leaf and colored pencil. Her violet and purple-hued works revel in the modernist spirit of Kandinsky and Klee, while also addressing the physiological collisions when the body encounters the geometry of her own distinct craft.
Hayal Pozanti
Beaded With The Dews of Dawn, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
Beaded With The Dews of Dawn, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
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Hayal Pozanti
She Who Lives Between The Worlds, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
She Who Lives Between The Worlds, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
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Hayal Pozanti
Their Sweet Silver Voices, 2022
Oil stick on linen
48 x 36 inches / 121.9 x 91.4 cm
Their Sweet Silver Voices, 2022
Oil stick on linen
48 x 36 inches / 121.9 x 91.4 cm
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Hayal Pozanti
Beaded With The Dews of Dawn, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
Beaded With The Dews of Dawn, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
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Hayal Pozanti
She Who Lives Between The Worlds, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
She Who Lives Between The Worlds, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
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Hayal Pozanti
Their Sweet Silver Voices, 2022
Oil stick on linen
48 x 36 inches / 121.9 x 91.4 cm
Their Sweet Silver Voices, 2022
Oil stick on linen
48 x 36 inches / 121.9 x 91.4 cm
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The presentation further highlights kinetic abstraction in paintings by Hayal Pozanti and Theresa Chromati, whose works are enmeshed in the body either in their subject or their process of creation. Explorations of abstraction are further present in the bronze works Matrix (2022) and Spirit (2022) by Davina Semo, whose pieces create a complex network through repetition of a simple gear or flower-like form.
Davina Semo
Spirit, 2022
Polished cast bronze
48 x 34 inches / 121.9 x 86.4 cms
Spirit, 2022
Polished cast bronze
48 x 34 inches / 121.9 x 86.4 cms
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Davina Semo
Matrix, 2022
Polished cast bronze
48 x 34 inches / 121.9 x 86.4 cms
Matrix, 2022
Polished cast bronze
48 x 34 inches / 121.9 x 86.4 cms
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Playing further on the tension between artifice and the organic, Luke Butler’s work A Color Picture IV (2022), ironically uses a stylized text overlay upon sharply rendered tree leaves as if to suggest that any authentic experience of nature remains inextricable from human invention.
Dashiell Manley
Turning powers, 2022
Oil on linen
84 x 60 inches / 213.4 x 152.4 cm
Turning powers, 2022
Oil on linen
84 x 60 inches / 213.4 x 152.4 cm
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Dashiell Manley
Seven, 2022
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
Seven, 2022
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Rupy C. Tut
Hanging by a Thread, 2022
Natural pigments on handmade hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
Hanging by a Thread, 2022
Natural pigments on handmade hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
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Rupy C. Tut
Heirship, 2022
Natural pigments on handmade hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
Heirship, 2022
Natural pigments on handmade hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
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The gallery’s presentation will also include an array of new works on paper by Clare Rojas, Rupy C. Tut, and Loie Hollowell which address folkloric motifs as well as deeply personal narratives around the self and womanhood. Notably, Hollowell’s piece Fully Dilated (2022) conveys female sexuality in her abstract geometries using pastel on paper.
Clare Rojas
Good Luck Good Luck, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
Good Luck Good Luck, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
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Clare Rojas
Spring Goddess Mother, 2009
Acrylic and gouache on board
10 x 8 inches / 25.4 x 20.3 cm
Spring Goddess Mother, 2009
Acrylic and gouache on board
10 x 8 inches / 25.4 x 20.3 cm
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Clare Rojas
Common Flower, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
Common Flower, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
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Clare Rojas
Good Luck Good Luck, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
Good Luck Good Luck, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
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Clare Rojas
Spring Goddess Mother, 2009
Acrylic and gouache on board
10 x 8 inches / 25.4 x 20.3 cm
Spring Goddess Mother, 2009
Acrylic and gouache on board
10 x 8 inches / 25.4 x 20.3 cm
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Clare Rojas
Common Flower, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
Common Flower, 2009
Gouache on paper
9 1/2 x 8 inches / 24.1 x 20.3 cm
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Clare Rojas
“...Trick Them with Flowers”, 2009
Acrylic and gouache on board
15 x 15 1/2 inches / 38.1 x 39.4 cm
“...Trick Them with Flowers”, 2009
Acrylic and gouache on board
15 x 15 1/2 inches / 38.1 x 39.4 cm
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Clare Rojas
The River, 2018
Gouache on paper
8 x 10 inches / 20.3 x 25.4 cm
The River, 2018
Gouache on paper
8 x 10 inches / 20.3 x 25.4 cm
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Clare Rojas
Destroy the Seduction, 2009
Acrylic and gouache on board
15 1/2 x 18 1/2 inches / 39.4 x 47 cm
Destroy the Seduction, 2009
Acrylic and gouache on board
15 1/2 x 18 1/2 inches / 39.4 x 47 cm
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Clare Rojas
“...Trick Them with Flowers”, 2009
Acrylic and gouache on board
15 x 15 1/2 inches / 38.1 x 39.4 cm
“...Trick Them with Flowers”, 2009
Acrylic and gouache on board
15 x 15 1/2 inches / 38.1 x 39.4 cm
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Clare Rojas
The River, 2018
Gouache on paper
8 x 10 inches / 20.3 x 25.4 cm
The River, 2018
Gouache on paper
8 x 10 inches / 20.3 x 25.4 cm
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Clare Rojas
Destroy the Seduction, 2009
Acrylic and gouache on board
15 1/2 x 18 1/2 inches / 39.4 x 47 cm
Destroy the Seduction, 2009
Acrylic and gouache on board
15 1/2 x 18 1/2 inches / 39.4 x 47 cm
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Margo Wolowiec
Looking West, 2022
Handwoven polymer, linen, sterling silver leafed thread, dye sublimation ink, mounted on wood stretchers with linen support
46 (diameter) x 1 1/2 inches / 116.8 x 3.8 cm
Looking West, 2022
Handwoven polymer, linen, sterling silver leafed thread, dye sublimation ink, mounted on wood stretchers with linen support
46 (diameter) x 1 1/2 inches / 116.8 x 3.8 cm
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Margo Wolowiec
Through the Trees, 2022
Handwoven polymer, linen, sterling silver leafed thread, dye sublimation ink, mounted on wood stretchers with linen support
46 (diameter) x 1 1/2 inches / 116.8 x 3.8 cm
Through the Trees, 2022
Handwoven polymer, linen, sterling silver leafed thread, dye sublimation ink, mounted on wood stretchers with linen support
46 (diameter) x 1 1/2 inches / 116.8 x 3.8 cm
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Further works in the show by Pae White and Margo Wolowiec bring forth the tenuous relationship between human society and the natural world in their unconventional use of materials. In White’s Incantation, Dawn Chatter (2021), the artist uses lustrous green and yellow automotive paint over paper clay, as if to intertwine the residues of the anthropological and the ecological. Wolowiec’s new shaped tondos are, through a unique dye-sublimation process, embedded with colorful landscapes and other natural imagery that invoke the dichotomy between the saturation of information and the senses
Pae White
Incantation, Dawn Chatter, 2021
Automotive paint and paper clay on wood panel
42 x 42 x 4 inches / 106.7 x 106.7 x 10.2 cm
Incantation, Dawn Chatter, 2021
Automotive paint and paper clay on wood panel
42 x 42 x 4 inches / 106.7 x 106.7 x 10.2 cm
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Rashaad Newsome
Squad, 2022
Multimedia collage in custom mahogany and resin artist frame with automotive paint
46 x 51 1/2 x 4 inches / 116.8 x 130.8 x 10.2 cm
Squad, 2022
Multimedia collage in custom mahogany and resin artist frame with automotive paint
46 x 51 1/2 x 4 inches / 116.8 x 130.8 x 10.2 cm
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