Summer Mixtape

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Summer Mixtape

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Masako Miki<br><em>Fox Delivering Messages</em>, 2026<br>Cast and patinated bronze <br>36 1/2 x 29 x 33 1/4 inches / 92.7 x 73.7 x 84.5 cm

Sam Falls<br><em>Whole World</em>, 2026<br>Glazed ceramic, mortar, grout, and brass<br>53 1/2 x 32 1/2 x 4 1/2 inches / 135.9 x 82.5 x 11.4 cm

Beverly Fishman<br><em>Calm, Energy</em>, 2024<br>Urethane paint on wood<br>44 x 29 1/2 x 2 inches / 111.8 x 74.9 x 5.1 cm

Dashiell Manley<br><em>Elegy for whatever (untitled elegy)</em>, 2017<br>Oil on linen<br>72 x 60 inches / 182.9 x 152.4 cm

Margo Wolowiec<br><em>Ascent</em>, 2026<br>Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, indigo dye, mounted on indigo dyed linen support<br>50 x 50 x 2 inches / 127 x 127 x 5.1 cm

Margo Wolowiec<br><em>Dusk to Dawn</em>, 2026<br>Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support<br>46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

Margo Wolowiec<br><em>Migration</em>, 2026<br>Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, indigo dye, mounted on indigo dyed linen support<br>40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm

Trevor Paglen<br><em>From Chimney Rock Trail. Custom Classifier; Hough Circle Transform; Haar; Maximally Stable Extremal Regions; Deep Semantic Image Segments; Canny Edge Detector</em>, 2026<br>Dye sublimation print on aluminum<br>48 x 64 inches / 121.9 x 162.6 cm

David Huffman<br><em>I Can See the Stars All the Way from Here</em>, 2026<br>Acrylic, gouache, vintage fabric, laser print, spray paint and color pencil on canvas<br>60 x 36 inches / 152.4 x 91.4 cm

Andrea Carlson<br><em>For Edmonia</em>, 2026<br>Oil, sumi ink, color pencil, ink, and gouache on paper with archival spray varnish<br>45 x 60 inches / 114.3 x 152.4 cm

David Huffman<br><em>Mozambique</em>, 2026<br>Acrylic and gouache on canvas<br>48 x 36 inches / 121.9 x 91.4 cm

Rebecca Manson<br><em>Blue Cabbage</em>, 2026<br>Glazed porcelain<br>11 x 22 1/2 x 24 inches / 27.9 x 57.1 x 61 cm

Davina Semo<br><em>Mystic</em>, 2026<br>Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, polished solid bronze clapper with sleeve, hemp shibari rope, polished and plated stainless steel hardware, powder-coated stainless steel hardware, powder-coated zinc-plated steel chain<br>13 3/4 x 7 x 7 inches / 34.9 x 17.8 x 17.8 cm

Davina Semo<br><em>Verdure</em>, 2026<br>Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, polished solid bronze clapper with sleeve, hemp shibari rope, polished and plated stainless steel hardware, powder-coated stainless steel hardware, and powder-coated zinc-plated steel chain<br>13 3/4 x 8 x 8 inches / 34.9 x 20.3 x 20.3 cm

Andrea Carlson<br><em>The Poison that is its Own Cure</em>, 2007<br>Oil, acrylic, ink, color pencil, and graphite on paper<br>24 x 36 inches / 61 x 91.4 cm

Davina Semo<br><em>Sky</em>, 2026<br>Blown glass bell, polished bronze hardware, powder-coated stainless steel hardware, and powder-coated zinc-plated steel chain<br>14 x 9 1/4 x 9 1/4 inches / 35.6 x 23.5 x 23.5 cm

Dashiell Manley<br><em>Splendid Turns</em>, 2020<br>Oil on linen<br>32 x 39 inches / 81.3 x 99.1 cm

Beverly Fishman<br><em>Choice, Happiness</em>, 2026<br>Urethane paint on wood<br>22 1/2 x 13 1/2 x 2 inches / 57.1 x 34.3 x 5.1 cm

Judy Chicago<br><em>Through the Flower 1</em>, 1972<br>Lithograph on BFK Rives<br>24 1/4 x 24 1/4 x 1 1/2 inches / 61.6 x 61.6 x 3.8 cm

Judy Chicago<br><em>Through the Flower Twice</em>, 1972<br>Lithograph on BFK Rives<br>24 1/4 x 24 1/4 x 1 1/2 inches / 61.6 x 61.6 x 3.8 cm

Chelsea Ryoko Wong<br><em>A Sublime Encounter</em>, 2026<br>Watercolor on paper<br>14 3/4 x 11 3/4 x 1 1/2 inches / 37.5 x 29.8 x 3.8 cm

Chelsea Ryoko Wong<br><em>Lucky Stars Tonight</em>, 2026<br>Watercolor and gouache on paper<br>17 1/4 x 14 1/2 x 1 1/2 inches / 43.8 x 36.8 x 3.8 cm

Chelsea Ryoko Wong<br><em>Our Ritual</em>, 2026<br>Watercolor on paper<br>16 3/4 x 14 x 1 1/2 inches / 42.5 x 35.6 x 3.8 cm

David Huffman<br><em>Ancestor</em>, 2026<br>Acrylic and gouache on canvas<br>12 x 16 x 3/4 inches / 30.5 x 40.6 x 1.9 cm

Koak<br><em>Nesting</em>, 2025-2026<br>Graphite, pastel and casein on natural rag paper<br>15 1/2 x 12 1/4 x 1 1/2 inches / 39.4 x 31.1 x 3.8 cm

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Online Exhibition

Jessica Silverman is pleased to present “Summer Mixtape,” a timely cross-section of painting, sculpture, photography, textile, and ceramic by gallery artists. Like our favorite playlists, shared affinities of color and mood create a rhythm of their own, revealing unexpected resonances among distinct practices. Vibrant, ambitious, and unmistakably of the moment, “Summer Mixtape” celebrates the pleasure of discovering the works that define the season.

INSTALLATION VIEW

GALLERY / GRID

SELECTED WORKS

Masako Miki
Fox Delivering Messages, 2026
Cast and patinated bronze
36 1/2 x 29 x 33 1/4 inches / 92.7 x 73.7 x 84.5 cm

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Sam Falls
Whole World, 2026
Glazed ceramic, mortar, grout, and brass
53 1/2 x 32 1/2 x 4 1/2 inches / 135.9 x 82.5 x 11.4 cm

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"In Japanese folklore, foxes exist between worlds. They are intelligent, shape-shifting beings that can guide, protect, or deceive us, carrying both mystery and wisdom. In this sculpture, which is currently on view at the Anderson Ranch in Aspen, Colorado, I wanted the fox to feel like a quiet guardian, standing atop a globe that represents the universe."
-Masako Miki

Beverly Fishman
Calm, Energy, 2024
Urethane paint on wood
44 x 29 1/2 x 2 inches / 111.8 x 74.9 x 5.1 cm

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Dashiell Manley
Elegy for whatever (untitled elegy), 2017
Oil on linen
72 x 60 inches / 182.9 x 152.4 cm

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“This was one of the first elegy paintings I made. These paintings started as games I would play in the studio to get myself out of a certain headspace. Vessels to dump into. While the systems of composition were less flushed out in these early examples, they contain the ‘moments’ of discovery that go on to form the foundation of the elegy series. There are moves, marks and passages of these early works that are impossible for me to duplicate.”
—Dashiell Manley

Margo Wolowiec
Ascent, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, indigo dye, mounted on indigo dyed linen support
50 x 50 x 2 inches / 127 x 127 x 5.1 cm

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Margo Wolowiec
Dusk to Dawn, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support
46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

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Margo Wolowiec
Migration, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, indigo dye, mounted on indigo dyed linen support
40 x 40 x 2 inches / 101.6 x 101.6 x 5.1 cm

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Margo Wolowiec
Dusk to Dawn, 2026
Handwoven polymer thread, linen thread, sterling silver-leafed thread, dye sublimation ink, mounted on linen support
46 x 40 x 2 inches / 116.8 x 101.6 x 5.1 cm

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Trevor Paglen
From Chimney Rock Trail. Custom Classifier; Hough Circle Transform; Haar; Maximally Stable Extremal Regions; Deep Semantic Image Segments; Canny Edge Detector, 2026
Dye sublimation print on aluminum
48 x 64 inches / 121.9 x 162.6 cm

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David Huffman
I Can See the Stars All the Way from Here, 2026
Acrylic, gouache, vintage fabric, laser print, spray paint and color pencil on canvas
60 x 36 inches / 152.4 x 91.4 cm

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Andrea Carlson
For Edmonia, 2026
Oil, sumi ink, color pencil, ink, and gouache on paper with archival spray varnish
45 x 60 inches / 114.3 x 152.4 cm

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David Huffman
Mozambique, 2026
Acrylic and gouache on canvas
48 x 36 inches / 121.9 x 91.4 cm

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David Huffman
I Can See the Stars All the Way from Here, 2026
Acrylic, gouache, vintage fabric, laser print, spray paint and color pencil on canvas
60 x 36 inches / 152.4 x 91.4 cm

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Andrea Carlson
For Edmonia, 2026
Oil, sumi ink, color pencil, ink, and gouache on paper with archival spray varnish
45 x 60 inches / 114.3 x 152.4 cm

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David Huffman
Mozambique, 2026
Acrylic and gouache on canvas
48 x 36 inches / 121.9 x 91.4 cm

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“Mozambique refers to lost connections to ancestral lands of Africa. Here the Traumanauts find themselves reconnecting spiritually in a terrain of new hopes and possibilities.”
—David Huffman

Rebecca Manson
Blue Cabbage, 2026
Glazed porcelain
11 x 22 1/2 x 24 inches / 27.9 x 57.1 x 61 cm

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“Blue Cabbage is part of a longstanding and ongoing fascination with cabbage from my time gardening with my father. I admire the cabbage’s resilience. They are always the last ones standing as the seasons change. I’ve seen some unharvested cabbages last through winter, barely shriveling up, serving as shelter for insects and other small creatures trying to survive. They are dramatic in form, rich in color, and represent abundance.”
—Rebecca Manson

Davina Semo
Mystic, 2026
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, polished solid bronze clapper with sleeve, hemp shibari rope, polished and plated stainless steel hardware, powder-coated stainless steel hardware, powder-coated zinc-plated steel chain
13 3/4 x 7 x 7 inches / 34.9 x 17.8 x 17.8 cm

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Davina Semo
Verdure, 2026
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, polished solid bronze clapper with sleeve, hemp shibari rope, polished and plated stainless steel hardware, powder-coated stainless steel hardware, and powder-coated zinc-plated steel chain
13 3/4 x 8 x 8 inches / 34.9 x 20.3 x 20.3 cm

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Andrea Carlson
The Poison that is its Own Cure, 2007
Oil, acrylic, ink, color pencil, and graphite on paper
24 x 36 inches / 61 x 91.4 cm

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"Working with glass has opened a new way for me to imagine a bell—not only as a sculpture that carries sound, but as one that holds and transmits light. In the form of a bell, the material brings a different kind of resonance, where light becomes as integral to the work as sound."
—Davina Semo

Davina Semo
Sky, 2026
Blown glass bell, polished bronze hardware, powder-coated stainless steel hardware, and powder-coated zinc-plated steel chain
14 x 9 1/4 x 9 1/4 inches / 35.6 x 23.5 x 23.5 cm

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Dashiell Manley
Splendid Turns, 2020
Oil on linen
32 x 39 inches / 81.3 x 99.1 cm

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Beverly Fishman
Choice, Happiness, 2026
Urethane paint on wood
22 1/2 x 13 1/2 x 2 inches / 57.1 x 34.3 x 5.1 cm

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Davina Semo
Sky, 2026
Blown glass bell, polished bronze hardware, powder-coated stainless steel hardware, and powder-coated zinc-plated steel chain
14 x 9 1/4 x 9 1/4 inches / 35.6 x 23.5 x 23.5 cm

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Dashiell Manley
Splendid Turns, 2020
Oil on linen
32 x 39 inches / 81.3 x 99.1 cm

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Beverly Fishman
Choice, Happiness, 2026
Urethane paint on wood
22 1/2 x 13 1/2 x 2 inches / 57.1 x 34.3 x 5.1 cm

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Judy Chicago
Through the Flower 1, 1972
Lithograph on BFK Rives
24 1/4 x 24 1/4 x 1 1/2 inches / 61.6 x 61.6 x 3.8 cm

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Judy Chicago
Through the Flower Twice, 1972
Lithograph on BFK Rives
24 1/4 x 24 1/4 x 1 1/2 inches / 61.6 x 61.6 x 3.8 cm

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“Inspired by Northern California's surroundings, this painting encapsulates a trip to the coast with friends. Exposing what is beneath the surface at low tide, friends congregate around the revealing of a world beneath the surface. While a seagull happily dines on a small crab, a figure discovers an abalone shell. Under a dark-liquidy surface, lays a world of revel and wonder.”
—Chelsea Ryoko Wong

Chelsea Ryoko Wong
A Sublime Encounter, 2026
Watercolor on paper
14 3/4 x 11 3/4 x 1 1/2 inches / 37.5 x 29.8 x 3.8 cm

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Chelsea Ryoko Wong
Lucky Stars Tonight, 2026
Watercolor and gouache on paper
17 1/4 x 14 1/2 x 1 1/2 inches / 43.8 x 36.8 x 3.8 cm

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Chelsea Ryoko Wong
Our Ritual, 2026
Watercolor on paper
16 3/4 x 14 x 1 1/2 inches / 42.5 x 35.6 x 3.8 cm

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Chelsea Ryoko Wong
A Sublime Encounter, 2026
Watercolor on paper
14 3/4 x 11 3/4 x 1 1/2 inches / 37.5 x 29.8 x 3.8 cm

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Chelsea Ryoko Wong
Lucky Stars Tonight, 2026
Watercolor and gouache on paper
17 1/4 x 14 1/2 x 1 1/2 inches / 43.8 x 36.8 x 3.8 cm

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Chelsea Ryoko Wong
Our Ritual, 2026
Watercolor on paper
16 3/4 x 14 x 1 1/2 inches / 42.5 x 35.6 x 3.8 cm

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David Huffman
Ancestor, 2026
Acrylic and gouache on canvas
12 x 16 x 3/4 inches / 30.5 x 40.6 x 1.9 cm

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Koak
Nesting, 2025-2026
Graphite, pastel and casein on natural rag paper
15 1/2 x 12 1/4 x 1 1/2 inches / 39.4 x 31.1 x 3.8 cm

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“Nesting is about a moment of safety and softness in a space that isn't fixed—the joy of being held without being enclosed. That tension is part of what interests me about the thresholds of domestic space: doors, windows, curtains —the porous edges where intimate, bodily life meets the wider social world.”
—Koak