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Sadie Barnette: Gentle People

Sadie Barnette: Gentle People

Jessica Silverman is thrilled to present “Gentle People,” Sadie Barnette’s first solo show for Art Basel, featuring the artist’s new large scale “FBI Drawings,” her “Text Compositions,” and a curated selection of photographs.

Barnette’s work reveals quintessential American truths through exploration of her own family history. In dialogue with figures as diverse as Toni Morrison, Angela Davis, On Kawara, Felix González-Torres, Outkast and Prince, Barnette’s photographs and drawings make a unique contribution to California social history and global discourses about race, sex and love.

Sadie Barnette (b. 1984, Oakland, CA) has a BFA from CalArts and an MFA from University of California, San Diego. She has been awarded grants and residencies by the Studio Museum in Harlem, Artadia, Art Matters, Skowhegan School of Painting and Sculpture, the Headlands Center for the Arts, and the Carmago Foundation in France. She has enjoyed solo shows in the following public institutions: ICA Los Angeles, The Lab and the Museum of the African Diaspora, San Francisco; MCA San Diego, CA; Cantor Fitzgerald Gallery, Haverford College, PA; and the Manetti Shrem Museum, UC Davis. Her work is in the permanent collections of: the Los Angeles County Museum of Art (LACMA); Brooklyn Museum, NY; Pérez Art Museum, Miami; Guggenheim Museum, NY; JP Morgan Chase Collection; Blanton Museum at UT Austin, TX; Cornell Fine Arts Museum; and the Berkeley Art Museum, CA. Barnette lives and works in Oakland, CA.

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

Installation View

SELECTED WORKS

The “FBI Drawings” are based on a 500-page file amassed by the FBI on Barnette’s father, the founder of the Compton chapter of the Black Panthers. These large-scale works are heavy applications of powdered graphite on stark white paper, which take whole pages from the FBI dossier and overlay them with flowers, Hello Kittys, and other personal tributes. The slow, labor-intensive act of making these drawings gives Barnette the time to meditate on the bravery, politics, and real-lives of people often stripped of their humanity. The drawings are evidence of her “fierce love.”
Sadie Barnette
FBI Drawings: Black Community News, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: Black Community News, 2020
Sadie Barnette
FBI Drawings: AX To Handle, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: AX To Handle, 2020
Sadie Barnette
FBI Drawings: No Violence, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: No Violence, 2020
Sadie Barnette
FBI Drawings: Observed, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: Observed, 2020
Sadie Barnette
Together, 2020
Powdered graphite on paper
45 x 36 inches / 114.3 x 91.4 cm
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Together, 2020
Sadie Barnette
FBI Drawings: No Violence, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: No Violence, 2020
Sadie Barnette
FBI Drawings: Observed, 2020
Powdered graphite on paper
60 x 48 inches / 152.4 x 121.9 cm
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FBI Drawings: Observed, 2020
Sadie Barnette
Together, 2020
Powdered graphite on paper
45 x 36 inches / 114.3 x 91.4 cm
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Together, 2020
With her “Text Compositions,” Barnette tries to fit the biggest ideas into the smallest amount of information. These concepts capture grand and overwhelming social structures that divide and conquer people’s imaginations. As Barnette explains, "My Text Compositions point to, walk around, and dance with ideas too big for words.”
Sadie Barnette
The Last Black Man in San Francisco, 2020
Powdered graphite on paper
45 x 36 inches / 114.3 x 91.4 cm
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The Last Black Man in San Francisco, 2020
Sadie Barnette
Brother, 2020
Powdered graphite on paper
36 x 45 inches / 91.4 x 114.3 cm
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Brother, 2020
Sadie Barnette
Winfield St, 2018
Archival pigment print
Photo: 51 x 60 inches / 129.6 x 152.4 cm
Frame: 54.1 x 63.1 inches / 137.5 x 160.3 cm
Edition of 5 + 2 AP
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Winfield St, 2018
Sadie Barnette
The Last Black Man in San Francisco, 2020
Powdered graphite on paper
45 x 36 inches / 114.3 x 91.4 cm
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The Last Black Man in San Francisco, 2020
Sadie Barnette
Brother, 2020
Powdered graphite on paper
36 x 45 inches / 91.4 x 114.3 cm
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Brother, 2020
Sadie Barnette
Winfield St, 2018
Archival pigment print
Photo: 51 x 60 inches / 129.6 x 152.4 cm
Frame: 54.1 x 63.1 inches / 137.5 x 160.3 cm
Edition of 5 + 2 AP
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Winfield St, 2018
The photographic works also relate to family, community and activism. A feminine hand holds the macho Black Panther bible, Malcolm X Speaks, suggesting a feminist endorsement and appropriation of the courage and resistance to conformity. A blow up of a found photo of her father, half-brother and two cousins, sitting around the dining room table, speaks of nostalgia and loss. Two of the three boys died before turning twenty.
Sadie Barnette
Malcolm X Speaks, 2018
Archival pigment print and Swarovski crystals
30 x 40 inches 76.2 x 101.6 cm
Edition 2 of 5 + 2 AP
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Malcolm X Speaks, 2018
Sadie Barnette
Untitled (Pink dots on car), 2019
Archival pigment print
Photo: 37 1/2 x 51 1/2 inches / 95.3 x 130.8 cm
Frame: 38 1/2 x 53 inches / 97.8 x 134.6 cm
Edition AP1 of 3 + 2 AP
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Untitled (Pink dots on car), 2019
Sadie Barnette
Untitled (Best wishes), 2017
Archival pigment print
37 1/2 x 45 inches / 95.3 x 114.3 cm
Frame: 38 1/2 x 45 7/8 inches / 97.8 x 116.5 cm
Edition 3 of 3 + 2 AP
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Untitled (Best wishes), 2017
Sadie Barnette
Malcolm X Speaks, 2018
Archival pigment print and Swarovski crystals
30 x 40 inches 76.2 x 101.6 cm
Edition 2 of 5 + 2 AP
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Malcolm X Speaks, 2018
Sadie Barnette
Untitled (Pink dots on car), 2019
Archival pigment print
Photo: 37 1/2 x 51 1/2 inches / 95.3 x 130.8 cm
Frame: 38 1/2 x 53 inches / 97.8 x 134.6 cm
Edition AP1 of 3 + 2 AP
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Untitled (Pink dots on car), 2019
Sadie Barnette
Untitled (Best wishes), 2017
Archival pigment print
37 1/2 x 45 inches / 95.3 x 114.3 cm
Frame: 38 1/2 x 45 7/8 inches / 97.8 x 116.5 cm
Edition 3 of 3 + 2 AP
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Untitled (Best wishes), 2017
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