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Paris+ par Art Basel 2022
Paris+ par Art Basel 2022
October 19-23, 2022
For the premier edition of Paris+ par Art Basel, Jessica Silverman will present “Nature’s Abstract”, an exhibition of powerful works by gallery artists that examine our relationships to the environments in which we live. Together, Theresa Chromati, Sam Falls, Julian Hoeber, Woody de Othello, Hayal Pozanti, Clare Rojas and Pae White draw materials and inspiration from the natural world to embrace the interconnectedness of life on our planet.
INSTALLATION VIEW
GALLERY / GRID










SELECTED WORKS

Clare Rojas
New Silhouette 1, 2013
Oil on canvas
51 x 40 1/2 x 2 inches / 129.5 x 102.9 x 5.1 cm
New Silhouette 1, 2013
Oil on canvas
51 x 40 1/2 x 2 inches / 129.5 x 102.9 x 5.1 cm
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Clare Rojas
Reverberation and Echo, 2013
Oil on canvas
75 1/2 x 81 1/2 x 2 inches / 191.8 x 207 x 5.1 cm
Reverberation and Echo, 2013
Oil on canvas
75 1/2 x 81 1/2 x 2 inches / 191.8 x 207 x 5.1 cm
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Clare Rojas
New Moon Rise, 2013
Oil on canvas
45 1/2 x 35 1/2 x 1 1/2 inches / 115.6 x 90.2 x 3.8 cm
New Moon Rise, 2013
Oil on canvas
45 1/2 x 35 1/2 x 1 1/2 inches / 115.6 x 90.2 x 3.8 cm
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Clare Rojas
New Silhouette 1, 2013
Oil on canvas
51 x 40 1/2 x 2 inches / 129.5 x 102.9 x 5.1 cm
New Silhouette 1, 2013
Oil on canvas
51 x 40 1/2 x 2 inches / 129.5 x 102.9 x 5.1 cm
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Clare Rojas
Reverberation and Echo, 2013
Oil on canvas
75 1/2 x 81 1/2 x 2 inches / 191.8 x 207 x 5.1 cm
Reverberation and Echo, 2013
Oil on canvas
75 1/2 x 81 1/2 x 2 inches / 191.8 x 207 x 5.1 cm
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Clare Rojas
New Moon Rise, 2013
Oil on canvas
45 1/2 x 35 1/2 x 1 1/2 inches / 115.6 x 90.2 x 3.8 cm
New Moon Rise, 2013
Oil on canvas
45 1/2 x 35 1/2 x 1 1/2 inches / 115.6 x 90.2 x 3.8 cm
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Large scale paintings by Clare Rojas appear abstract at first but are informed by the architecture of domestic spaces. Pae White’s intricate paper clay work captures the texture of weaving and the brilliance of metals, and a new painting by Julian Hoeber depicts layers of architectural archways leading to infinite dimensions.


Pae White
Voce di Bronzo, 2022
Tarnished chrome over paperclay on wood panel
42 x 42 x 3 inches / 106.7 x 106.7 x 7.6 cm
Voce di Bronzo, 2022
Tarnished chrome over paperclay on wood panel
42 x 42 x 3 inches / 106.7 x 106.7 x 7.6 cm
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Julian Hoeber
Blue Arches Crosseyed, 2022
Flashe, acrylic and graphite on linen
59 x 47 x 2 inches / 149.9 x 119.4 x 5.1 cm
Blue Arches Crosseyed, 2022
Flashe, acrylic and graphite on linen
59 x 47 x 2 inches / 149.9 x 119.4 x 5.1 cm
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New to the roster, Falls exposes canvases covered in plant-life and pigments to natural elements—from morning dew to afternoon sun—organically recording ecosystems and the passage of time.


Sam Falls
Wildflowers, 2022
Pigment on canvas
35 x 32 inches / 88.9 x 81.3 cm
Wildflowers, 2022
Pigment on canvas
35 x 32 inches / 88.9 x 81.3 cm
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Sam Falls
Wildflowers 2, 2022
Pigment on canvas
35 x 32 inches / 88.9 x 81.3 cm
Wildflowers 2, 2022
Pigment on canvas
35 x 32 inches / 88.9 x 81.3 cm
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Theresa Chromati
Stretching into me ( a Touch that dissolves ), 2022
Acrylic, glitter, and soft sculpture on linen
72 x 98 x 7 inches / 182.9 x 248.9 x 17.8 cm
Stretching into me ( a Touch that dissolves ), 2022
Acrylic, glitter, and soft sculpture on linen
72 x 98 x 7 inches / 182.9 x 248.9 x 17.8 cm
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Theresa Chromati's vibrant abstractions feature swirling compositions, glittered surfaces, and soft phallic sculptural embellishments to explore the multiplicity of race and gender through ideas about masculine and feminine forms, textures, and colors. Freestanding in the booth is a new Woody De Othello ceramic sculpture that engages the art historical metaphor of the body as vessel, imbuing house-hold objects with life and psychological depth.


Hayal Pozanti
A Mutual Flourishing, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
A Mutual Flourishing, 2022
Oil stick on linen
60 x 48 inches / 152.4 x 121.9 cm
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Hayal Pozanti
Melted Ecstasy, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
Melted Ecstasy, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
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Hayal Pozanti paints dense scenes of landscape and bold otherworldly abstractions. Hayal refers to this expressionistic, gestural and colorful new body of work as ‘visual poetry.’

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