Jessica Silverman
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Kei Imazu: Sowed Them to the Earth

Kei Imazu: Sowed Them to the Earth

July 27-September 16, 2023

Jessica Silverman is pleased to announce Kei Imazu’s Sowed Them to the Earth, the artist’s first solo exhibition with the gallery and her first in the United States, running from July 27 to September 9, 2023. Debuting eleven new oil paintings and two wire sculptures, Imazu’s point of departure for this exhibition is the myth of the goddess Hainuwele, whose death propagated root crops on Seram Island in Indonesia. Her fantastical paintings connect the region’s ecology to its cultural and colonial histories using gestural mark-making and hyperreal depictions of the body, plants, geological maps and ancestral wooden sculptures. Imazu’s practice is world-building, and as a mother herself, celebrates the maternal origin for all living beings.

Born in Yamaguchi, Japan in 1980 and educated at the Tama Art University in Tokyo, Imazu’s painting practice begins on her computer. Using images she takes herself or finds online, the artist creates 3D renderings of objects and digitally collages them to serve as sketches for her paintings. Translating her tableaus into oil paintings, Imazu’s shadow and tonality mimic stage lighting, while her vivid color and linework capture a kind of technological realism.

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

Installation View Installation View Installation View

SELECTED WORKS

Kei Imazu
Curves of Time, 2023
Oil on linen
23 5/8 x 31 1/2 x 3/4 inches / 60 x 80 x 1.8 cm
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Curves of Time
Kei Imazu
Shadows in the Footsteps of Ancestors, 2023
Oil on linen
39 3/8 x 47 1/4 x 1 inches / 100 x 120 x 2.5 cm
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Shadows in the Footsteps of Ancestors
The artist’s newest paintings incorporate images of root vegetables from Indonesian markets and sculptural objects found in local antique stores into surreal compositions. Curves of Time (2023) depicts a Jōmon Venus figurine tucked between slices of glowing orange and deep purple yams to suggest a dialogue between the Japanese goddess figure and the Hainuwele myth.
Indeed, fragmented dogū figures have been discovered throughout Japan, where sustenance rituals from the Jōmon period also sought to yield crops from the body of a birth goddess. In the background, a spine and ribcage pose ideas around life and death, birth and decay, and the interconnectedness of our corporeal experience to the Earth.
Kei Imazu
Green Veins / Falling Goddess, 2023
Oil on linen
59 x 59 x 1 5/8 inches / 150 x 150 x 4 cm
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Green Veins / Falling Goddess
Kei Imazu
Strata, 2023
Oil on linen
31 1/2 x 23 5/8 x 3/4 inches / 80 x 60 x 1.8 cm
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Strata
Lush green and brown earth tones in Green Veins / Falling Goddess (2023) parallel Hainuwele’s anatomy with the island’s geology and petroleum extraction. At six by six feet, the painting is an entanglement of Indonesian vegetation, mammary glands, and organs threaded together with a vein-like outline of a human figure, launching an ecofeminist critique of colonialism and invading bodies against the reproductive labor of birth and the maternal energy of land.
Kei Imazu
Blossoming Organs, 2023
Oil on linen
78 3/4 x 137 3/4 x 1 5/8 inches / 200 x 350 x 4 cm
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Blossoming Organs
At over 11 feet wide and 6 feet tall, the largest work in the exhibition titled Blossoming Organs (2023) melds bodily and ecological narratives into a poetic retelling of Hainuwele’s matriarchal legacy. A floating mass of realistic and abstract body parts, tubers, and animals rise from sweeping brush strokes and clamor above the skeleton of the goddess whose death would bring forward life.
Kei Imazu
Aroma Map, 2023
Oil on linen
18 7/8 x 59 x 1 5/8 inches / 48 x 150 x 4 cm
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Aroma Map
Sowed Them to the Earth invites viewers to contend with the complex relationship between humans and the feminine spirit of nature— moving beyond exploitation and towards protection and care.
Kei Imazu
Objects at Rest, 2023
Oil on linen
18 7/8 x 59 x 1 5/8 inches / 48 x 150 x 4 cm
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Objects at Rest
Kei Imazu
Femur, 2023
Oil on linen
7 7/8 x 23 5/8 x 3/4 inches / 20 x 60 x 1.8 cm
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Femur
Kei Imazu
Talas and Goddess, 2023
Oil on linen
23 5/8 x 7 7/8 x 3/4 inches / 60 x 20 x 1.8 cm
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Talas and Goddess
Kei Imazu
Hainuwele in Cerulean Blue, 2023
Oil on linen
31 1/2 x 23 5/8 x 3/4 inches / 80 x 60 x 1.8 cm
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Hainuwele in Cerulean Blue
Kei Imazu
Sprouting from My Hands, 2023
Oil on linen
23 5/8 x 7 7/8 x 3/4 inches / 60 x 20 x 1.8 cm
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Sprouting from My Hands
Kei Imazu
Talas and Goddess, 2023
Oil on linen
23 5/8 x 7 7/8 x 3/4 inches / 60 x 20 x 1.8 cm
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Talas and Goddess
Kei Imazu
Hainuwele in Cerulean Blue, 2023
Oil on linen
31 1/2 x 23 5/8 x 3/4 inches / 80 x 60 x 1.8 cm
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Hainuwele in Cerulean Blue
Kei Imazu
Sprouting from My Hands, 2023
Oil on linen
23 5/8 x 7 7/8 x 3/4 inches / 60 x 20 x 1.8 cm
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Sprouting from My Hands
Kei Imazu
Warm Viscera, 2023
Automotive paint on galvanized steel wire
32 1/4 x 22 1/2 x 3/8 inches / 82 x 57 x 1 cm
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Warm Viscera
Kei Imazu
Harvested Body, 2023
Automotive paint on galvanized steel wire
39 3/8 x 31 1/2 inches / 100 x 80 cm
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Harvested Body
Kei Imazu (b. 1980, Yamaguchi, Japan) received an MA and BA from the Tama Art University, Tokyo. She has enjoyed solo exhibitions at ANOMALY, Tokyo; Museum Haus Kasuya, Kanagawa, Japan; YAMAMOTO GENDAI, Tokyo; and ROH Projects, Jakarta, among others. Her work has been included in recent group exhibitions at Mori Art Museum, Tokyo; WHAT Museum, Tokyo; Nagoya City Museum, Aichi, Japan; Yokohama Museum of Art, Kanagawa, Japan; Jeonnam Museum of Art, Jeollanam-do, Japan; Palais de Beaux-Arts, Paris; Hübner areal, documenta fifteen, Kassel, Germany; Kyoto International Conference Center, Japan; Selasar Sunaryo Art Space, Bandung, Indonesia; and Jessica Silverman, San Francisco. Imazu lives and works in Bandung, Indonesia.
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