Jessica Silverman
Jessica Silverman
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Homage to a Circle: Tammy Rae Carland, Marsha Cottrell, Zoe Leonard & Davina Semo
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Homage to a Circle: Tammy Rae Carland, Marsha Cottrell, Zoe Leonard & Davina Semo

Homage to a Circle: Tammy Rae Carland, Marsha Cottrell, Zoe Leonard & Davina Semo

In a bipartisan spirit, Anthony Meier Fine Arts will host a joint exhibition with Jessica Silverman titled “Homage to a Circle.” The show explores spinning, ringing, orbiting, enclosing, ruminating, and revolving. More than a formal exploration, the show is a social and psychological journey that leads to all sorts of unexpected terrains. Zoe Leonard’s photographs of sidewalks punctuated by chewed gum connect foot and mouth with an abstract wasteland. Tammy Rae Carland’s Discograms, made directly on photographic paper with the light refracted from a disco ball, suggest the spacious bliss of a magical night on dancefloor. Marsha Cottrell harnesses the tool of a laser printer as one would a paint brush, running mulberry paper through the printer multiple times to create unique images of spectral suns. Finally, Davina Semo’s cast-bronze “Bells” beckon and unite communities, ring the time, and strike for freedom. They are gender-fluid concave forms impregnated by clappers. This four-woman show presents the physical work in real space. Please come see it in the round.

 

PLEASE CLICK HERE TO MAKE AN APPOINTMENT.

Presented by Anthony Meier Fine Arts & Jessica Silverman at 1969 California Street.

17 November – 15 December 2020

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

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SELECTED WORKS

Leonard's series of sun photographs, direct images of the sun in the sky, engage perception that is not tangible. Breaking the cardinal rules of both vision and photography – don’t look directly at the sun, don’t photograph directly into the sun – Leonard records the glare and flare on the lens, the grainy spotting on the film. Depicting what cannot be seen, Leonard’s sun photographs explore sight through ephemeral feel, beyond optical fact.
Zoe Leonard
Bubblegum No. 7, 2000/2003
C-print
Image size: 17 1/2 x 11 3/4 inches / 44.4 x 29.8 cm
Edition 1 of 6
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Zoe Leonard, Bubblegum No. 7
Zoe Leonard
Bubblegum No. 1, 2000/2003
C-print
Image size: 14 1/4 x 9 5/8 inches / 36.2 x 24.4 cm
Edition 1 of 6
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Zoe Leonard, Bubblegum No. 1
Zoe Leonard
January 15, frame 10, 2012
Gelatin silver print
Image size: 9 1/2 x 11 3/4 inches / 24.1 x 29.8 cm
Edition 2 of 6
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Zoe Leonard, January 15, frame 10
Zoe Leonard
Bubblegum No. 7, 2000/2003
C-print
Image size: 17 1/2 x 11 3/4 inches / 44.4 x 29.8 cm
Edition 1 of 6
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Zoe Leonard, Bubblegum No. 7
Zoe Leonard
Bubblegum No. 1, 2000/2003
C-print
Image size: 14 1/4 x 9 5/8 inches / 36.2 x 24.4 cm
Edition 1 of 6
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Zoe Leonard, Bubblegum No. 1
Zoe Leonard
January 15, frame 10, 2012
Gelatin silver print
Image size: 9 1/2 x 11 3/4 inches / 24.1 x 29.8 cm
Edition 2 of 6
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Zoe Leonard, January 15, frame 10
Discograms are exposures that Carland made by placing a disco ball under a darkroom enlarger and letting the light refract onto photo paper, capturing the pattern you'd see on a nightclub wall. The discograms refer to a time when Carland would frequent discos, even as a punk, because that was one of the few spaces where queer people could fully exist.
Tammy Rae Carland
Discogram: There's a light that never goes out, 2013
Gelatin-silver photogram
40 x 50 inches / 101.6 x 127 cm
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Tammy Rae Carland, Discogram: There's a light that never goes out
Tammy Rae Carland
Discogram: And time against me is now, 2013 br>Gelatin-silver photogram
40 x 50 inches / 101.6 x 127 cm
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Tammy Rae Carland, Discogram: And time against me is now
Marsha Cottrell’s monochrome abstractions transcend the quotidian office computer and printer used in their making. In playful exchange with her chosen medium, the artist nudges mathematically defined lines and shapes grabbed from the software’s tool palette across the field of the screen, registering the intangible information in multiple passes of carbon-based toner using a laser printer as one might a paintbrush.
Marsha Cottrell
Untitled (4:23:56pm, 11:38:00am), 2016
Laser toner on paper, unique
17 x 14 1/2 inches / 43.2 x 36.8 cm, each, framed
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Marsha Cottrell, Untitled (4:23:56pm, 11:38:00am)
Marsha Cottrell
Hands_2, 2018
Laser toner on paper, unique diptych
11 x 8 1/2 inches / 27.9 x 21.6 cm, each
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Marsha Cottrell, Hands_2
Semo’s ongoing series of cast-bronze “Bells,” have clappers attached to thick powder-coated chains that can be held and rung. Bells beckon and unite communities, ring the time, strike for freedom, signal an alarm, and announce an arrival. Semo’s bells are multi-gendered – concave forms impregnated by clappers, but also convex phallic shapes suggestive of missiles.
Davina Semo
Transmitter, 2019
Polished and patinated cast bronze bell, powder-coated chain and hardware, polyurethane clapper
22 x 9 1/2 inches / 55.9 x 24.1 cm
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Davina Semo, Transmitter
Davina Semo
Shifter, 2019
Patinated cast bronze bell, powder-coated chain and hardware, polyurethane clapper
22 x 11 inches / 55.9 x 27.9 cm
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Davina Semo, Shifter
Davina Semo
Flow, 2019
Polished and patinated cast bronze, hardware
16 1/4 x 11 3/4 inches / 41.3 x 29.8 cm
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Davina Semo, Flow
Davina Semo
Transmitter, 2019
Polished and patinated cast bronze bell, powder-coated chain and hardware, polyurethane clapper
22 x 9 1/2 inches / 55.9 x 24.1 cm
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Davina Semo, Transmitter
Davina Semo
Shifter, 2019
Patinated cast bronze bell, powder-coated chain and hardware, polyurethane clapper
22 x 11 inches / 55.9 x 27.9 cm
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Davina Semo, Shifter
Davina Semo
Flow, 2019
Polished and patinated cast bronze, hardware
16 1/4 x 11 3/4 inches / 41.3 x 29.8 cm
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Davina Semo, Flow
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