Jessica Silverman
Jessica Silverman
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Frieze LA 2023

Frieze LA 2023

February 16-19, 2023

Booth #E17

For Frieze Los Angeles 2023, Jessica Silverman is pleased to present “On Earth We’re Briefly Gorgeous,” a curated presentation featuring work by artists who explore spirit and survival through ancestral legacies, the natural environment, and the mythological. Borrowing its title from Ocean Vuong’s epistolary ode to his mother, the poetic exhibition celebrates the privilege of being alive.

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

Installation View Installation View Installation View Installation View Installation View

SELECTED WORKS

Rose B. Simpson
Heights III, 2022
Clay, steel, twine, grout, and beads from bone, wood, lava, trade glass, pyrite, and stone
91 x 20 x 20 inches / 231.1 x 50.8 x 50.8 cm
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Simpson, "Heights III"
Rose B. Simpson
Teach, 2022
Clay, steel and beans made from bone, shell, trade glass, lava, pyrite, hematite, and petrified wood
13 x 23 x 6 inches / 33 x 58.4 x 15.2 cm
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Simpson, "Teach"
Rose B. Simpson
Mourn, 2022
Clay, shell, grout, and indigenous New Mexico Pine
43 x 23 x 23 inches / 109.2 x 58.4 x 58.4 cm
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Simpson, "Mourn"
Rose B. Simpson
Heights III, 2022
Clay, steel, twine, grout, and beads from bone, wood, lava, trade glass, pyrite, and stone
91 x 20 x 20 inches / 231.1 x 50.8 x 50.8 cm
INQUIRE
Simpson, "Heights III"
Rose B. Simpson
Teach, 2022
Clay, steel and beans made from bone, shell, trade glass, lava, pyrite, hematite, and petrified wood
13 x 23 x 6 inches / 33 x 58.4 x 15.2 cm
INQUIRE
Simpson, "Teach"
Rose B. Simpson
Mourn, 2022
Clay, shell, grout, and indigenous New Mexico Pine
43 x 23 x 23 inches / 109.2 x 58.4 x 58.4 cm
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Simpson, "Mourn"
Rose B. Simpson’s ceramic sculpture Mourn (2022) uses earth, the natural environment, to address emotional and existential impacts of our collective humanity.
Andrea Bowers
Gravity and Grace, Grace Is The Only Exception (Passage from Simone Weil, Gravity & Grace, 1997, p.45), 2023
Acrylic on Cardboard
48 x 24 x 3 1/2 inches / 121.9 x 61 x 8.9 cm
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Andrea Bowers, "Gravity and Grace, Grace Is The Only Exception"
Andrea Bowers
Gravity and Grace, Not To Fall Into Despair (Passage from Deena Metzger, “The Winter of Pablo Neruda”, Ruin and Beauty: New and Selected Poems, 2009, p.136), 2023
Acrylic on Cardboard
45 x 29 x 3 1/2 inches / 114.3 x 73.7 x 8.9 cm
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Andrea Bowers, "Gravity and Grace, Not To Fall Into Despair"
Loie Hollowell
Heavy Burden, 2022
Oil, acrylic medium, epoxy resin on linen over panel
28 x 24 x 7 inches / 71.1 x 61 x 17.8 cm
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Hollowell, "Heavy Burden"
Loie Hollowell’s Heavy Burden (2022) incorporates casts of a friend’s breast—their deep blue connoting the weightiness of water. A self-portrait by Rebecca Ness shows the artist in her studio surrounded by objects—like the crayon box that reappears in her paintings—as traces of the everyday that insist upon the artist’s presence in this life.
Rebecca Ness
Winter Studio, 2023
Oil on linen
90 x 80 inches / 228.6 x 203.2 cm
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Ness, "Winter Studio"
Woody De Othello
SomeTimeAfterNoon, 2023
Oil on canvas
50 x 40 inches / 127 x 101.6 cm
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Othello, "SomeTimeAfterNoon"
Inspired by Haitian and African mythologies—such as Ra, the Egyptian creation deity—Woody De Othello’s sculpture seeing the sun (2023) signifies a spiritual ascent. Each step of the large, bronze step ladder holds ceramic objects that relate to the sun’s energy in our everyday lives, like plants, sunglasses, and ball caps, while a kneeling ceramic figure sits atop the ladder in a prayer-like position.
Woody De Othello
seeing the sun, 2023
Patinated bronze and glazed ceramics
75 1/2 x 32 1/2 x 61 inches / 121.9 x 82.5 x 154.9 cm
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Othello, "seeing the sun"
Sadie Barnette
Mirror Bar, 2022
Neon, vinyl on mirror plexiglas in arched frame, holographic vinyl upholstery, and glitter plexiglas
109 1/2 x 80 x 26 3/4 inches / 278.1 x 203.2 x 67.9 cm
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Barnette, "Mirror Bar"
Reclaiming family histories, Oakland-based artist Sadie Barnette’s pink, glowing Mirror Bar (2022) celebrates the legacy of San Francisco’s first black-owned gay bar—The New Eagle Creek Saloon—opened by the artist’s father in 1990.
Hayal Pozanti
Flowers of Quiet Happiness, 2022
Oil on linen
60 x 50 x 2 1/2 inches / 152.4 x 127 x 6.3 cm
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Pozanti, "Flowers of Quiet Happiness"
Chelsea Ryoko Wong
Tea Over the Ocean, 2023
Acrylic on stretched canvas
48 x 48 x 1 3/8 inches / 121.9 x 121.9 x 3.5 cm
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Wong, "Flowers of Quiet Happiness"
Sam Falls
American Wind, 2022
Pigment on canvas
74 x 53 inches / 188 x 134.6 cm
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Falls, "American Wind"
Hayal Pozanti
Flowers of Quiet Happiness, 2022
Oil on linen
60 x 50 x 2 1/2 inches / 152.4 x 127 x 6.3 cm
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Pozanti, "Flowers of Quiet Happiness"
Chelsea Ryoko Wong
Tea Over the Ocean, 2023
Acrylic on stretched canvas
48 x 48 x 1 3/8 inches / 121.9 x 121.9 x 3.5 cm
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Wong, "Flowers of Quiet Happiness"
Sam Falls
American Wind, 2022
Pigment on canvas
74 x 53 inches / 188 x 134.6 cm
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Falls, "American Wind"
A new painting by Sam Falls seems to capture the wind in deeply hued silhouettes of native bluegrasses. Made in upstate New York, Falls exposed the canvas to the elements—wind, rain, and sun—and the passage of time, as marked by raccoon tracks that trace across the top. As such, American Wind (2022) is a primary source of the environment at a given time and place.
Julie Buffalohead
The Dressmakers, 2023
Oil on canvas
32 x 64 x 3 inches / 81.3 x 162.6 x 7.6 cm
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Buffalohead, "The Dressmakers"
Julie Buffalohead
Fly Catcher, 2023
Oil on canvas
32 x 64 x 3 inches / 81.3 x 162.6 x 7.6 cm
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Buffalohead, "Flycatcher"
Pae White
Robyn, Alastair, 2023
Glazed ceramic with particle vapor deposition
29 x 18 1/2 x 3 inches / 73.7 x 47 x 7.6 cm
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White, "Robyn, Alastair"
Pae White
Ruby Agency, 2023
Automotive paint and paperclay on wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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White, "Ruby Agency"
Pae White
Darin, Karen, 2023
Glazed ceramic with particle vapor deposition
47 x 11 x 3 inches / 119.4 x 27.9 x 7.6 cm
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White, "Darin, Karen"
Pae White
Robyn, Alastair, 2023
Glazed ceramic with particle vapor deposition
29 x 18 1/2 x 3 inches / 73.7 x 47 x 7.6 cm
INQUIRE
White, "Robyn, Alastair"
Pae White
Ruby Agency, 2023
Automotive paint and paperclay on wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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White, "Ruby Agency"
Pae White
Darin, Karen, 2023
Glazed ceramic with particle vapor deposition
47 x 11 x 3 inches / 119.4 x 27.9 x 7.6 cm
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White, "Darin, Karen"
Dashiell Manley
in some times others, 2023
Oil on linen
48 x 60 inches / 121.9 x 152.4 cm
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Manley, "in some times others"
Dashiell Manley
jumping the gun, 2023
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Manley, "jumping the gun"
Dashiell Manley
featured grasses, 2023
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Manley, "featured grasses"
Dashiell Manley
in some times others, 2023
Oil on linen
48 x 60 inches / 121.9 x 152.4 cm
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Manley, "in some times others"
Dashiell Manley
jumping the gun, 2023
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Manley, "jumping the gun"
Dashiell Manley's lush paintings memorialize life and the passing of time. Their dense and tactile surfaces are made with just two kinds of brushstrokes: a short, rhythmic, repetitive stroke, which relates to a mindful focus on the process of painting itself, and occasional drifting transgressive lines, which signal—and attempt to correct—moments of distraction.
Matt Lipps
All In: Plastic Coated Joker (Mono), 2023
Archival pigment print
73 1/2 x 47 1/2 x 2 inches / 186.7 x 120.7 x 5.1 cm
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Lipps, "All In: Plastic Coated Joker (Mono)"
Matt Lipps
All In: Plastic Coated Joker (Stereo), 2023
Archival pigment print
73 1/2 x 47 1/2 x 2 inches / 186.7 x 120.7 x 5.1 cm
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Lipps, "All In: Plastic Coated Joker (Stereo)"
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