Jessica Silverman
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Clare Rojas: Clare’s Balls

Clare Rojas: Clare’s Balls

April 25-June 1, 2024

Jessica Silverman presents “Clare’s Balls,” a solo exhibition of 23 paintings by California artist Clare Rojas. On view from April 25 to June 1, the exhibition riffs on the motif of dots, circles, and orbs. Variously overt and hidden, abstract and literal, funny and serious, the balls foster engagement and change. They are cradled, swept, and teetered upon. Some glow in the night sky; others suggest body parts. Both planetary and cellular, the spheres connect our innermost selves to the outer reaches of the cosmos.

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INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

Installation View Installation View Installation View Installation View Installation View

SELECTED WORKS

Clare Rojas
Eclipsed, 2023
Oil on linen
21 1/8 x 17 1/8 x 2 inches / 53.7 x 43.5 x 5.1 cm
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Clare Rojas, Eclipsed
Clare Rojas
What Remains, 2024
Oil on linen
41 1/2 x 51 x 2 3/8 inches / 105.4 x 129.5 x 6 cm
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Clare Rojas, What Remains
Clare Rojas
Caliente Thunder Light, 2024
Oil on linen
51 1/2 x 41 3/4 x 2 7/8 inches / 130.8 x 106 x 7.3 cm
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Clare Rojas, Caliente Thunder Light
Clare Rojas
Eclipsed, 2023
Oil on linen
21 1/8 x 17 1/8 x 2 inches / 53.7 x 43.5 x 5.1 cm
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Clare Rojas, Eclipsed
Clare Rojas
What Remains, 2024
Oil on linen
41 1/2 x 51 x 2 3/8 inches / 105.4 x 129.5 x 6 cm
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Clare Rojas, What Remains
Clare Rojas
Caliente Thunder Light, 2024
Oil on linen
51 1/2 x 41 3/4 x 2 7/8 inches / 130.8 x 106 x 7.3 cm
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Clare Rojas, Caliente Thunder Light
Four irreverent, geometric paintings feature figures whose bodies are loosely held together by black circles. In What Remains (2024), two characters with magenta-colored flower-heads have torsos composed of black orbs, conjuring both stores of energy and expectant voids. With a figure kneeling on one knee, the narrative could be about an offering or a polite but invasive touch.
Clare Rojas
Sweeping Away the Static and Negative Energy, 2024
Oil on linen
71 5/8 x 51 1/2 x 2 7/8 inches /. 181.9 x 130.8 x 7.3 cm
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Clare Rojas, Sweeping Away the Static and Negative Energy
Clare Rojas
Just Landed, 2024
Oil on linen
25 3/8 x 31 3/8 x 2 inches / 64.5 x 79.7 x 5.1 cm
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Clare Rojas, Just Landed
One of the largest works in the show, The Stallion (2024), depicts a man and woman seated in a restaurant booth. She is composed and confident, staring past him into the future. He is awkward – all arms and legs – taking up space without purpose.
Clare Rojas
The Stallion, 2024
Oil on linen
52 x 71 1/2 x 2 7/8 inches / 132.1 x 181.6 x 7.3 cm
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Clare Rojas, The Stallion
The scene’s inclusion of a fedora, salt and pepper shakers, and a napkin dispenser recalls Edward Hopper’s iconic 1942 painting Nighthawks. This painting by Rojas offers a fresh take on the chronic loneliness of contemporary America. For the woman at the table, this includes a sense of deep alienation from the man seated beside her.
Clare Rojas
Big Black Jack, 2023
Oil on linen
17 7/8 x 15 7/8 x 1 5/8 inches / 45.4 x 40.3 x 4.1 cm
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Clare Rojas, Big Black Jack
Clare Rojas
Stay Still, 2024
Oil on linen
51 1/2 x 41 1/2 x 2 3/8 inches / 130.8 x 105.4 x 6 cm
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Clare Rojas, Stay Still
Clare Rojas
Full Moon Meeting at Glowing Tree, 2023
Oil on linen
16 1/4 x 14 1/4 x 2 1/4 inches / 41.3 x 36.2 x 5.7 cm
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Clare Rojas, Full Moon Meeting at Glowing Tree
Clare Rojas
Night Rocks, 2024
Oil on linen
17 1/4 x 19 1/4 x 2 1/8 inches / 43.8 x 48.9 x 5.4 cm
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Clare Rojas, Night Rocks
Clare Rojas
Blue Boot Bonnie, 2023
Oil on linen
13 x 10 x 1 3/4 inches / 33 x 25.4 x 4.4 cm
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Clare Rojas, Blue Boot Bonnie
Clare Rojas
Full Moon Meeting at Glowing Tree, 2023
Oil on linen
16 1/4 x 14 1/4 x 2 1/4 inches / 41.3 x 36.2 x 5.7 cm
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Clare Rojas, Full Moon Meeting at Glowing Tree
Clare Rojas
Night Rocks, 2024
Oil on linen
17 1/4 x 19 1/4 x 2 1/8 inches / 43.8 x 48.9 x 5.4 cm
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Clare Rojas, Night Rocks
Clare Rojas
Blue Boot Bonnie, 2023
Oil on linen
13 x 10 x 1 3/4 inches / 33 x 25.4 x 4.4 cm
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Clare Rojas, Blue Boot Bonnie
Elsewhere in the exhibition, spheres make further mischief. In Night Rocks (2024), a lone woman or girl walks atop three large balls along a coastal cliff. Her balancing act is set against a deep blue ocean and bright green earth that glimmer in the moonlight. Expertly layered paint builds into richly saturated multi-colored plains; it’s a meditative process through which the artist finds harmony in chaos.
Clare Rojas
Ducks in a Row, 2023
Oil on linen
57 1/2 x 71 1/2 x 2 3/4 inches / 146.1 x 181.6 x 7 cm
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Clare Rojas, Ducks in a Row
Clare Rojas
The Watchers, 2023
Oil on linen
10 x 13 1/4 x 1 3/4 inches / 25.4 x 33.7 x 4.4 cm
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Clare Rojas, The Watchers
Clare Rojas
The Chocolate Cosmos, 2023
Oil on linen
11 x 9 x 1 1/2 inches / 27.9 x 22.9 x 3.8 cm
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Clare Rojas, The Chocolate Cosmos
Clare Rojas
Egg Rock, 2024
Oil on linen
17 1/4 x 19 1/4 x 2 1/8 inches / 43.8 x 48.9 x 5.4 cm
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Clare Rojas, Egg Rock
Clare Rojas
The Watchers, 2023
Oil on linen
10 x 13 1/4 x 1 3/4 inches / 25.4 x 33.7 x 4.4 cm
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Clare Rojas, The Watchers
Clare Rojas
The Chocolate Cosmos, 2023
Oil on linen
11 x 9 x 1 1/2 inches / 27.9 x 22.9 x 3.8 cm
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Clare Rojas, The Chocolate Cosmos
Clare Rojas
Egg Rock, 2024
Oil on linen
17 1/4 x 19 1/4 x 2 1/8 inches / 43.8 x 48.9 x 5.4 cm
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Clare Rojas, Egg Rock
Clare Rojas
The Boot, 2024
Oil on linen
31 3/8 x 25 3/8 x 2 inches / 79.7 x 64.5 x 5.1 cm
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Clare Rojas, The Boot
Clare Rojas
Sail Away, 2024
Oil on linen
14 1/4 x 16 3/8 x 2 1/4 inches / 36.2 x 41.6 x 5.7 cm
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Clare Rojas, Sail Away
Clare Rojas
Opening Night, 2023
Oil on linen
11 x 9 x 1 1/2 inches / 27.9 x 22.9 x 3.8 cm
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Clare Rojas, Opening Night
Clare Rojas
The Boot, 2024
Oil on linen
31 3/8 x 25 3/8 x 2 inches / 79.7 x 64.5 x 5.1 cm
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Clare Rojas, The Boot
Clare Rojas
Sail Away, 2024
Oil on linen
14 1/4 x 16 3/8 x 2 1/4 inches / 36.2 x 41.6 x 5.7 cm
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Clare Rojas, Sail Away
Clare Rojas
Opening Night, 2023
Oil on linen
11 x 9 x 1 1/2 inches / 27.9 x 22.9 x 3.8 cm
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Clare Rojas, Opening Night
Sometimes the orbs are also eyes – clutched in a figure’s hands, nestled in petals’ folds, or found lurking in a cat’s stare. Together with precisely balanced compositions, the works evoke a sense knowing and the calm that comes with it. Deftly exploring the texture and weight of human life with levity and mysticism, Rojas elevates daily experiences to otherworldly realms.
Clare Rojas
Connect-the-Dots Man, 2023
Oil on linen
13 7/8 x 15 7/8 x 1 1/2 inches / 35.2 x 40.3 x 3.8 cm
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Clare Rojas, Connect-the-Dots Man
Clare Rojas
On the Thirteenth Full Moon, She Was Home, 2024
Oil on linen
71 x 51 5/8 x 2 7/8 inches / 180.3 x 131.1 x 7.3 cm
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Clare Rojas, On the Thirteenth Full Moon, She Was Home
Clare Rojas
Cutting Water, 2024
Oil on linen
51 1/2 x 41 3/4 x 2 7/8 inches / 130.8 x 106 x 7.3 cm
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Clare Rojas, Cutting Water
Clare Rojas
I Can't Believe My Eyes, 2024
Oil on linen
31 3/8 x 25 3/8 x 2 inches / 79.7 x 64.5 x 5.1 cm
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Clare Rojas, I Can't Believe My Eyes
Clare Rojas
Rain at Sea, 2024
Oil on linen
14 1/4 x 16 3/8 x 2 1/2 inches / 36.2 x 41.6 x 6.3 cm
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Clare Rojas, Rain at Sea
Clare Rojas
Cutting Water, 2024
Oil on linen
51 1/2 x 41 3/4 x 2 7/8 inches / 130.8 x 106 x 7.3 cm
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Clare Rojas, Cutting Water
Clare Rojas
I Can't Believe My Eyes, 2024
Oil on linen
31 3/8 x 25 3/8 x 2 inches / 79.7 x 64.5 x 5.1 cm
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Clare Rojas, I Can't Believe My Eyes
Clare Rojas
Rain at Sea, 2024
Oil on linen
14 1/4 x 16 3/8 x 2 1/2 inches / 36.2 x 41.6 x 6.3 cm
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Clare Rojas, Rain at Sea
“Clare’s Balls” is Rojas’s third show with Jessica Silverman. The exhibition bears witness to the artist’s roving creativity and consistent innovation in surrealist abstraction and eco-feminist magic realism.

ARTIST BIO

Clare Rojas (b. 1976, Columbus, OH) is in the permanent collections of MoMA New York; SFMOMA; Hammer Museum, Los Angeles; Fine Arts Museum of San Francisco; Orange County Museum of Art, CA; San Jose Museum of Art,CA;Berkeley Art Museum, CA; Smart Museum, University of Chicago; Columbus Museum of Art, OH; Progressive Art Collection, Cleveland; Dakis Joannou Collection, Greece; and Museo de Arte Contemporáneo de Castilla y León, Spain. She has been awarded grants and residencies from Artadia, Eureka Fellowship, Louis Comfort Tiffany Foundation, Joan Mitchell Foundation, and the Headlands Center for the Arts. In 2024, Rojas will be the subject of a solo exhibition at the Bechtler Museum of Modern Art, Charlotte, North Carolina. She has enjoyed previous solo exhibitions MCA Chicago; IKON Gallery, England; Museum Het Domein, Netherlands; Rose Art Museum, Brandeis University, MA; Savannah College of Art and Design, GA; Ulrich Museum of Art, Wichita, KS; Knoxville Museum of Art, TN; Belkin Satellite, Vancouver; CCA Wattis Institute for Contemporary Art, San Francisco. She has a BFA in printmaking from Rhode Island School of Design and an MFA in painting from School of the Art Institute of Chicago. Rojas lives and works in Northern California and is represented by Jessica Silverman, San Francisco; Andrew Kreps Gallery, New York and SOCO Gallery, Charlotte, North Carolina.

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