Jessica Silverman
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Art Basel Paris 2025

Art Basel Paris 2025

October 22-26, 2025

Jessica Silverman is pleased to participate in Art Basel Paris 2025, running from October 22 to 26 at the Grand Palais. At Booth K4, the gallery will present works by Sadie Barnette, Andrea Bowers, Julie Buffalohead, Judy Chicago, Sam Falls, Beverly Fishman, Matthew Angelo Harrison, Isaac Julien, Atsushi Kaga, Dashiell Manley, Rebecca Manson, Masako Miki, Woody De Othello, Clare Rojas, Davina Semo, Rupy C. Tut, Catherine Wagner, and Margo Wolowiec. Together, the exhibition explores metamorphosis, memory, and resilience through vibrant materiality.

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

SELECTED WORKS

Atsushi Kaga’s Nature’s Resilience (2025) follows his rabbit alter-ego through a lush landscape, teeming with flowers and insects.
Atsushi Kaga
Nature's Resilience, 2025
Acrylic and mixed metal leaf on canvas
82 5/8 x 66 7/8 x 1 inches / 209.9 x 169.9 x 2.5 cm
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Atsushi Kaga, Nature's Resilience
Rebecca Manson
Purple Aurora, 2025
Porcelain, glaze, adhesives, canvas, pigment, and hardware
70 x 64 x 5 inches / 177.8 x 162.6 x 12.7 cm
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Rebecca Manson, Purple Aurora
Purple Aurora (2025) by Rebecca Manson, a sweeping porcelain wall piece, magnifies butterfly wings into a tapestry of fragility and resilience.
Margo Wolowiec
Rising Up, 2025
Handwoven polymer, linen and sterling silver leafed threads, dye sublimation ink, mounted on hemp support
36 x 36 x 2 inches / 91.4 x 91.4 x 5.1 cm
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Margo Wolowiec, Rising Up
Woody De Othello
within reach, 2025
Glazed ceramic
10 1/2 x 9 1/2 x 5 inches / 26.7 x 24.1 x 12.7 cm
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Woody De Othello, within reach
Margo Wolowiec
Blue Aster, 2025
Handwoven polymer, linen and sterling silver leafed threads, dye sublimation ink, mounted on hemp support
36 x 36 x 2 inches / 91.4 x 91.4 x 5.1 cm
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Margo Wolowiec, Blue Aster
Margo Wolowiec
Rising Up, 2025
Handwoven polymer, linen and sterling silver leafed threads, dye sublimation ink, mounted on hemp support
36 x 36 x 2 inches / 91.4 x 91.4 x 5.1 cm
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Margo Wolowiec, Rising Up
Woody De Othello
within reach, 2025
Glazed ceramic
10 1/2 x 9 1/2 x 5 inches / 26.7 x 24.1 x 12.7 cm
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Woody De Othello, within reach
Margo Wolowiec
Blue Aster, 2025
Handwoven polymer, linen and sterling silver leafed threads, dye sublimation ink, mounted on hemp support
36 x 36 x 2 inches / 91.4 x 91.4 x 5.1 cm
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Margo Wolowiec, Blue Aster
Masako Miki
Gathering for Midnight Banquet, 2025
Watercolor and ink on paper
45 x 63 x 2 inches / 114.3 x 160 x 5.1 cm
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Masako Miki, Gathering for Midnight Banquet
Clare Rojas
How To Begin, 2025
Oil on linen
17 7/8 x 15 7/8 x 1 3/4 inches / 45.4 x 40.3 x 4.4 cm
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Clare Rojas, How To Begin
Clare Rojas
I Love You Flower, 2025
Oil on linen
9 7/8 x 13 x 1 3/4 inches / 25.1 x 33 x 4.4 cm
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Clare Rojas, I Love You Flower
Clare Rojas
Stacks, 2025
Oil on linen
11 x 8 7/8 x 1 3/4 inches / 27.9 x 22.5 x 4.4 cm
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Clare Rojas, Stacks
Clare Rojas
How To Begin, 2025
Oil on linen
17 7/8 x 15 7/8 x 1 3/4 inches / 45.4 x 40.3 x 4.4 cm
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Clare Rojas, How To Begin
Clare Rojas
I Love You Flower, 2025
Oil on linen
9 7/8 x 13 x 1 3/4 inches / 25.1 x 33 x 4.4 cm
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Clare Rojas, I Love You Flower
Clare Rojas
Stacks, 2025
Oil on linen
11 x 8 7/8 x 1 3/4 inches / 27.9 x 22.5 x 4.4 cm
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Clare Rojas, Stacks
Highlights include a suite of lyrical paintings by Clare Rojas that teeter between geometric abstraction and figuration, evoking states of becoming and personal evolution.
Julie Buffalohead
How to Say No to a Lion, 2025
Oil on canvas
46 x 84 inches / 116.8 x 213.4 cm
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Julie Buffalohead, How to Say No to a Lion
Rupy C. Tut
Hope for a Meeting (Wasl Ki Umeed), 2025
Handmade pigments on linen
48 x 48 x 2 inches / 121.9 x 121.9 x 5.1 cm
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Rupy C. Tut, Hope for a Meeting (Wasl Ki Umeed)
Andrea Bowers
Painted Garden (Passage from Deena Metzger, "A Personal Note"), Local Plant Studies, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
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Andrea Bowers, Painted Garden (Passage from Deena Metzger, "A Personal Note"), Local Plant Studies
, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-3-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-5.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-4-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-2-1.jpg">
Andrea Bowers
Recycled Paint Palette Series (Bodily Autonomy Is Gender Equality), 2025
Acrylic on cardboard
20.5 x 26 x 3 inches / 50.8 x 66 x 7.62 cm
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Andrea Bowers, Recycled Paint Palette Series (Bodily Autonomy Is Gender Equality)
Andrea Bowers
Learn the Names of the Animals And the Names of the Stars (Passage from Deena Metzger, “Someone Remembers the Colors of Birds”, A Sabbath Among the Ruins, 1992, p.165), Local Plant Studies, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
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Andrea Bowers, Learn the Names of the Animals And the Names of the Stars (Passage from Deena Metzger, “Someone Remembers the Colors of Birds”, A Sabbath Among the Ruins, 1992, p.165), Local Plant Studies
, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-3-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-5.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-4-1.jpg"> , 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/AB00096ST-image-copy-2-1.jpg">
Andrea Bowers
Painted Garden (Passage from Deena Metzger, "A Personal Note"), Local Plant Studies, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
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Andrea Bowers, Painted Garden (Passage from Deena Metzger, "A Personal Note"), Local Plant Studies
Andrea Bowers
Recycled Paint Palette Series (Bodily Autonomy Is Gender Equality), 2025
Acrylic on cardboard
20.5 x 26 x 3 inches / 50.8 x 66 x 7.62 cm
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Andrea Bowers, Recycled Paint Palette Series (Bodily Autonomy Is Gender Equality)
Andrea Bowers
Learn the Names of the Animals And the Names of the Stars (Passage from Deena Metzger, “Someone Remembers the Colors of Birds”, A Sabbath Among the Ruins, 1992, p.165), Local Plant Studies, 2025
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
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Andrea Bowers, Learn the Names of the Animals And the Names of the Stars (Passage from Deena Metzger, “Someone Remembers the Colors of Birds”, A Sabbath Among the Ruins, 1992, p.165), Local Plant Studies
Sam Falls memorializes organic matter in ceramics that embody time, chance, and process. His new wall works fuse botanicals with melted glass, transfiguring plant life into luminous fossils.
Sam Falls
Under the Same Moon, 2025
Glazed ceramic, glass, and brass frame
46 1/4 x 46 1/4 x 2 inches / 117.5 x 117.5 x 5.1 cm
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Sam Falls, Under the Same Moon
Matthew Angelo Harrison
Relic for Disruption VI, 2021
Spear, tinted polyurethane resin
90 x 7 x 6 inches / 228.6 x 17.8 x 15.2 cm
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Matthew Angelo Harrison, Relic for Disruption VI
Sam Falls
Golden Hours, 2025
Glazed ceramic, glass, and brass frame
34 1/2 x 57 5/8 x 2 inches / 87.6 x 146.4 x 5.1 cm
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Sam Falls, Golden Hours
Sam Falls
Under the Same Moon, 2025
Glazed ceramic, glass, and brass frame
46 1/4 x 46 1/4 x 2 inches / 117.5 x 117.5 x 5.1 cm
INQUIRE
Sam Falls, Under the Same Moon
Matthew Angelo Harrison
Relic for Disruption VI, 2021
Spear, tinted polyurethane resin
90 x 7 x 6 inches / 228.6 x 17.8 x 15.2 cm
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Matthew Angelo Harrison, Relic for Disruption VI
Sam Falls
Golden Hours, 2025
Glazed ceramic, glass, and brass frame
34 1/2 x 57 5/8 x 2 inches / 87.6 x 146.4 x 5.1 cm
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Sam Falls, Golden Hours
Beverly Fishman
Joy, Peace, Self Determination, Calm, 2025
Urethane paint on wood
45 x 40 x 2 inches / 114.3 x 101.6 x 5.1 cm
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Beverly Fishman, Joy, Peace, Self Determination, Calm
Beverly Fishman
Liberation, Calm, 2025
Urethane paint on wood
23 x 14 x 2 1/2 inches / 58.4 x 35.6 x 6.3 cm
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Beverly Fishman, Liberation, Calm
These works investigate transformation as a natural process and cultural metaphor, positioning art as a catalyst for social enlightenment and positive psychological change.
Sadie Barnette
Typeface 7, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Sadie Barnette, Typeface 7
Sadie Barnette
Typeface 6, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Sadie Barnette, Typeface 6
Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #9, 2023
Gouache on paper
35 x 27 x 1 1/2 inches / 88.9 x 68.6 x 3.8 cm
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Andrea Carlson, L'Assomption Sash for Carrying Things that No Longer Exist #9
Sadie Barnette
Typeface 7, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Sadie Barnette, Typeface 7
Sadie Barnette
Typeface 6, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Sadie Barnette, Typeface 6
Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #9, 2023
Gouache on paper
35 x 27 x 1 1/2 inches / 88.9 x 68.6 x 3.8 cm
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Andrea Carlson, L'Assomption Sash for Carrying Things that No Longer Exist #9
Judy Chicago
Through the Flower, 1991
Serigraph
34 5/8 x 35 1/8 x 2 inches / 87.9 x 89.2 x 5.1 cm
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Judy Chicago, Through the Flower
Judy Chicago
Tender Button #6, c. 1970
Painted porcelain
5 1/4 x 5 1/4 x 1 1/4 inches 13.3 x 13.3 x 3.2 cm
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Judy Chicago, Tender Button #6
Judy Chicago
Marie Antoinette, 1973/2017
Four color lithograph on cotton paper
29 7/8 x 30 3/8 x 2 inches / 75.9 x 77.2 x 5.1 cm
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Judy Chicago, Marie Antoinette
Judy Chicago
Through the Flower, 1991
Serigraph
34 5/8 x 35 1/8 x 2 inches / 87.9 x 89.2 x 5.1 cm
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Judy Chicago, Through the Flower
Judy Chicago
Tender Button #6, c. 1970
Painted porcelain
5 1/4 x 5 1/4 x 1 1/4 inches 13.3 x 13.3 x 3.2 cm
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Judy Chicago, Tender Button #6
Judy Chicago
Marie Antoinette, 1973/2017
Four color lithograph on cotton paper
29 7/8 x 30 3/8 x 2 inches / 75.9 x 77.2 x 5.1 cm
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Judy Chicago, Marie Antoinette
Isaac Julien
All That Changes You. Metamorphosis, 2025
Inkjet print mounted on aluminium
45 x 60 x 2.5 inches / 115 x 151 x 6 cm
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Isaac Julien, All That Changes You. Metamorphosis
Davina Semo
Land, 2025
Polished and patinated cast bronze bell, leather-wrapped solid bronze clapper, hemp shibari rope, powder-coated stainless steel hardware, powder-coated zinc-plated steel chain
15 1/4 x 9 1/2 x 9 1/2 inches / 38.7 x 24.1 x 24.1 cm; Overall dimensions variable
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Davina Semo, Land
Dashiell Manley
a resting viper rustles, sideways, 2025
Oil on linen
36 x 48 x 1 inches / 121.9 x 91.4 x 2.5 cm
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Dashiell Manley, a resting viper rustles, sideways
Davina Semo
Halo, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, leather wrapped polished bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel
33 x 16 1/2 x 16 1/2 inches / 83.8 x 41.9 x 41.9 cm; Overall dimensions variable
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Davina Semo, Halo
Davina Semo
Land, 2025
Polished and patinated cast bronze bell, leather-wrapped solid bronze clapper, hemp shibari rope, powder-coated stainless steel hardware, powder-coated zinc-plated steel chain
15 1/4 x 9 1/2 x 9 1/2 inches / 38.7 x 24.1 x 24.1 cm; Overall dimensions variable
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Davina Semo, Land
Dashiell Manley
a resting viper rustles, sideways, 2025
Oil on linen
36 x 48 x 1 inches / 121.9 x 91.4 x 2.5 cm
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Dashiell Manley, a resting viper rustles, sideways
Davina Semo
Halo, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, leather wrapped polished bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel
33 x 16 1/2 x 16 1/2 inches / 83.8 x 41.9 x 41.9 cm; Overall dimensions variable
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Davina Semo, Halo
Catherine Wagner
Parisian Landscape, 1995/2021
Archival pigment print
51 1/8 x 39 1/8 x 2 inches / 129.9 x 99.4 x 5.1 cm
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Catherine Wagner, Parisian Landscape
Isaac Julien
Lyrics of Sunshine and Shadow (After J.P. Ball), 2019
Wet-plate Collodion tintype from an original made by Rob Ball for "Lessons of the Hour" mounted on Tulipwood frame
16 7/8 x 14 7/8 inches / 42.8 x 37.7 cm
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Isaac Julien, Lyrics of Sunshine and Shadow (After J.P. Ball)
16 7/8 x 14 7/8 inches / 42.8 x 37.7 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/IJ00114PG-image-2.jpg">
Catherine Wagner
Enchanted Beanstalk, 1995/2024
Archival pigment print
51 3/8 x 39 3/4 x 2 inches / 130.5 x 101 x 5.1 cm
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Catherine Wagner, Enchanted Beanstalk
Catherine Wagner
Parisian Landscape, 1995/2021
Archival pigment print
51 1/8 x 39 1/8 x 2 inches / 129.9 x 99.4 x 5.1 cm
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Catherine Wagner, Parisian Landscape
16 7/8 x 14 7/8 inches / 42.8 x 37.7 cm" src="https://jessicasilvermangallery.com/wp-content/uploads/2025/10/IJ00114PG-image-2.jpg">
Isaac Julien
Lyrics of Sunshine and Shadow (After J.P. Ball), 2019
Wet-plate Collodion tintype from an original made by Rob Ball for "Lessons of the Hour" mounted on Tulipwood frame
16 7/8 x 14 7/8 inches / 42.8 x 37.7 cm
INQUIRE
Isaac Julien, Lyrics of Sunshine and Shadow (After J.P. Ball)
Catherine Wagner
Enchanted Beanstalk, 1995/2024
Archival pigment print
51 3/8 x 39 3/4 x 2 inches / 130.5 x 101 x 5.1 cm
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Catherine Wagner, Enchanted Beanstalk
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