Jessica Silverman
Jessica Silverman
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Art Basel Miami Beach 2022
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Andrea Bowers<br><em>Earth Based Lives (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies</em>, 2022<br>Acrylic marker on cardboard<br>20 x 20 inches / 50.8 x 50.8 cm
Andrea Bowers<br><em>Amends to Spirit (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies</em>, 2022<br>Acrylic marker on cardboard<br>20 x 20 inches / 50.8 x 50.8 cm
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Art Basel Miami Beach 2022

Art Basel Miami Beach 2022

December 1-3, 2022

Booth #J5

Jessica Silverman is pleased to participate in Art Basel Miami Beach from November 29 to December 3. The gallery will present “Cosmic Bodies,” featuring paintings, sculptures and textiles that explore diverse physicalities, from the carnal and environmental to the heavenly and healing. The group exhibition includes works by: Sadie Barnette, Andrea Bowers, Judy Chicago, Theresa Chromati, Julian Hoeber, Loie Hollowell, David Huffman, Kei Imazu, Rebecca Ness, Rashaad Newsome, Woody De Othello, Hayal Pozanti, Clare Rojas, Rose B. Simpson, Rupy C. Tut, Pae White, Margo Wolowiec and Chelsea Ryoko Wong.

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

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SELECTED WORKS

Clare Rojas
Protective Mother, 2022
Acrylic on Luan wood panel
84 x 96 inches / 213.4 x 243.8 cm
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Protective Mother, 2022
Judy Chicago
Crowning (Quilt 2/9), 1983
Quilting and embroidery over drawing and hand-painting on batik fabric; (23) laminated text and photo panels; and (1) needlework sample. Drawing, hand-painting and color specification by Judy Chicago. Batiks from Chicago's drawing by Dianne Barber; embroidery and quilting by Hope Wingert
292 inches / 741.7 cm
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Crowning (Quilt 2/9), 1983
Loie Hollowell
Blue Crowning, 2022
Oil paint, acrylic medium, aqua resin, and epoxy resin on linen over panel
26 x 28 x 5 inches / 66 x 71.1 x 12.7 cm
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Blue Crowning, 2022
Judy Chicago
Creation of the World: Embroidery 3/9, 1984
Silkscreen and embroidery over drawing on fabric and (6) laminated panels. Drawing and color specifications by Judy Chicago. Silkscreen from Chicago's drawing by Shari Knapp and embroidery by Merrily Rush Whitaker.
97 inches / 246.4 cm
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Creation of the World: Embroidery 3/9, 1984
Judy Chicago
Crowning (Quilt 2/9), 1983
Quilting and embroidery over drawing and hand-painting on batik fabric; (23) laminated text and photo panels; and (1) needlework sample. Drawing, hand-painting and color specification by Judy Chicago. Batiks from Chicago's drawing by Dianne Barber; embroidery and quilting by Hope Wingert
292 inches / 741.7 cm
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Crowning (Quilt 2/9), 1983
Loie Hollowell
Blue Crowning, 2022
Oil paint, acrylic medium, aqua resin, and epoxy resin on linen over panel
26 x 28 x 5 inches / 66 x 71.1 x 12.7 cm
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Blue Crowning, 2022
Judy Chicago
Creation of the World: Embroidery 3/9, 1984
Silkscreen and embroidery over drawing on fabric and (6) laminated panels. Drawing and color specifications by Judy Chicago. Silkscreen from Chicago's drawing by Shari Knapp and embroidery by Merrily Rush Whitaker.
97 inches / 246.4 cm
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Creation of the World: Embroidery 3/9, 1984
Works by Judy Chicago, Theresa Chromati, Loie Hollowell and David Huffman celebrate acts of conception: Chicago’s historic embroidery and silkscreen textiles depict childbirth; a large-scale acrylic painting by Chromati multiplies, augments and fragments the body with gestural brushwork; Hollowell’s sacred oil painting Blue Crowning (2022) divinizes motherhood; and Huffman’s otherworldly celestial painting uses glitter as if to extend life towards the cosmic.
David Huffman
Dark Matter and Watermelon UFOs, 2006
Acrylic on mixed ground on canvas
60 x 48 inches / 152.4 x 121.9 cm
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Dark Matter and Watermelon UFOs, 2006
David Huffman
Dig It!, 2008
Acrylic, oil and glitter on wood panel
48 1/2 x 90 inches / 123.2 x 228.6 cm
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Dig It!, 2008
David Huffman
Double Cosmic Watermelon Pyramid, 2008
Acrylic, oil, and glitter on canvas
72 x 60 inches / 182.9 x 152.4 cm
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Double Cosmic Watermelon Pyramid, 2008
David Huffman
Dark Matter and Watermelon UFOs, 2006
Acrylic on mixed ground on canvas
60 x 48 inches / 152.4 x 121.9 cm
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Dark Matter and Watermelon UFOs, 2006
David Huffman
Dig It!, 2008
Acrylic, oil and glitter on wood panel
48 1/2 x 90 inches / 123.2 x 228.6 cm
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Dig It!, 2008
David Huffman
Double Cosmic Watermelon Pyramid, 2008
Acrylic, oil, and glitter on canvas
72 x 60 inches / 182.9 x 152.4 cm
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Double Cosmic Watermelon Pyramid, 2008
Theresa Chromati
Residue that Supports and Propels ( Woman in Embrace, Woman in Release ), 2022
Acrylic, glitter, and soft sculpture on linen
70 x 102 inches / 177.8 x 259.1 cm
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Residue that Supports and Propels ( Woman in Embrace, Woman in Release ), 2022.
Rose B. Simpson
Heights I, 2022
Patinated bronze and wire
85 x 16 x 9 1/2 inches / 215.9 x 40.6 x 24.1 cm
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Heights I, 2022
Rose B. Simpson
Sip A, 2022
Ceramic, glaze, twine, steel, flagstone, grout, and hardware
66 x 18 x 22 inches / 167.6 x 45.7 x 55.9 cm
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Sip A, 2022
Notions of care and protection encompass the planet in works by Andrea Bowers, Rose B. Simpson, Pae White and Margo Wolowiec. Bowers will exhibit a hanging neon sculpture with the phrase “everything is a part of everything else.” Life-size figurative, bronze and ceramic sculptures Sip A and Heights I (both 2022) by Simpson use natural materials to demonstrate interconnectedness with the Earth and familial legacies.
Andrea Bowers
Earth Based Lives (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Acrylic marker on cardboard
20 x 20 inches / 50.8 x 50.8 cm
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Earth Based Lives (Passage from Deena Metzger, "Even Now", Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Andrea Bowers
Chandeliers of Interconnectedness (Everything Is Part of Everything Else), 2022
Steel and 10mm recycled green neon glass tubes, neon transformer and cables
72 x 57 x 43 inches / 182.9 x 144.8 x 109.2 cm
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Chandeliers of Interconnectedness (Everything Is Part of Everything Else), 2022
Andrea Bowers
Amends to Spirit (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Acrylic marker on cardboard
20 x 20 inches / 50.8 x 50.8 cm
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Amends to Spirit (Passage from Deena Metzger, "Even Now", Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Andrea Bowers
Earth Based Lives (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Acrylic marker on cardboard
20 x 20 inches / 50.8 x 50.8 cm
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Earth Based Lives (Passage from Deena Metzger, "Even Now", Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Andrea Bowers
Chandeliers of Interconnectedness (Everything Is Part of Everything Else), 2022
Steel and 10mm recycled green neon glass tubes, neon transformer and cables
72 x 57 x 43 inches / 182.9 x 144.8 x 109.2 cm
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Chandeliers of Interconnectedness (Everything Is Part of Everything Else), 2022
Andrea Bowers
Amends to Spirit (Passage from Deena Metzger, “Even Now”, Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Acrylic marker on cardboard
20 x 20 inches / 50.8 x 50.8 cm
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Amends to Spirit (Passage from Deena Metzger, "Even Now", Desperate Love Letters to a Wounded Earth, Oct 4th, 2022), Local Plant Studies, 2022
Pae White
Sotto Voce, Blue, 2022
Automotive paint and paperclay on wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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Sotto Voce, Blue, 2022
Pae White
Saving Daylight, 2022
Automotive paint and paperclay on wood panel
96 x 72 x 4 inches / 243.8 x 182.9 x 10.2 cm
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Saving Daylight, 2022
Pae White
Sotto Voce ~ Blu, 2022
Chrome and Soft-Touch coating on paperclay over wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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Sotto Voce ~ Blu, 2022
Pae White
Sotto Voce, Blue, 2022
Automotive paint and paperclay on wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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Sotto Voce, Blue, 2022
Pae White
Saving Daylight, 2022
Automotive paint and paperclay on wood panel
96 x 72 x 4 inches / 243.8 x 182.9 x 10.2 cm
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Saving Daylight, 2022
Pae White
Sotto Voce ~ Blu, 2022
Chrome and Soft-Touch coating on paperclay over wood panel
43 x 43 x 4 inches / 109.2 x 109.2 x 10.2 cm
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Sotto Voce ~ Blu, 2022
Wolowiec’s hand-woven tondo applies sourced imagery of landscapes to examine their vulnerability, while White’s large wood panel work Saving Daylight subverts the viewer’s expectation of material value in an astounding spectral gradient of red, purple, blue and green.
Margo Wolowiec
Hot Spring, 2022
Hand woven polymer thread, linen thread, sterling silver leafed thread, dye sublimation ink, mounted on linen support
72 x 1 1/2 inches / 182.9 x 3.8 cm
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Hot Spring, 2022
Margo Wolowiec
Deep Sea, 2022
Hand woven polymer thread, linen thread, sterling silver leafed thread, dye sublimation ink, mounted on linen support
46 x 1 1/2 inches / 116.8 x 3.8 cmve
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Deep Sea, 2022
Woody De Othello
Tending to Needs, 2022
Ceramic, glaze, paint and eucalyptus
52 x 20 1/2 x 20 1/2 / 132.1 x 52.1 x 52.1 cm
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Tending to Needs, 2022
Woody De Othello
Lovers Rock, 2022
Ceramic, glaze, paint and redwood
79 x 21 x 21 inches / 200.7 x 53.3 x 53.3 cm
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Lovers Rock, 2022
Woody De Othello
Ibeji, 2022
Ceramic, glaze, paint and redwood
57 x 19 x 20 1/2 inches / 144.8 x 48.3 x 52.1 cm
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Ibeji, 2022
Woody De Othello
Tending to Needs, 2022
Ceramic, glaze, paint and eucalyptus
52 x 20 1/2 x 20 1/2 / 132.1 x 52.1 x 52.1 cm
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Tending to Needs, 2022
Woody De Othello
Lovers Rock, 2022
Ceramic, glaze, paint and redwood
79 x 21 x 21 inches / 200.7 x 53.3 x 53.3 cm
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Lovers Rock, 2022
Woody De Othello
Ibeji, 2022
Ceramic, glaze, paint and redwood
57 x 19 x 20 1/2 inches / 144.8 x 48.3 x 52.1 cm
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Ibeji, 2022
Ceramic and wood sculptures by Woody De Othello attend to the physicality of care, prominently featuring cradling hands and embracing bodies.
Sadie Barnette
Brothers, 2022
Powdered graphite and colored pencil
Paper size: 45 x 36 inches / 114.3 x 91.4 cm
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Brothers, 2022
Sadie Barnette
Photo Bar, 2022
Neon, black and white collage print in arched frame, holographic vinyl upholstery, glitter, mirror plexiglas
109 1/2 x 80 x 26 3/4 inches / 278.1 x 203.2 x 67.9 cm
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Photo Bar, 2022
Rebecca Ness
Night out at Boobie Trap, 2022
Oil on linen
90 x 60 inches / 228.6 x 152.4 cm
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Night out at Boobie Trap, 2022
Sadie Barnette
Brothers, 2022
Powdered graphite and colored pencil
Paper size: 45 x 36 inches / 114.3 x 91.4 cm
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Brothers, 2022
Sadie Barnette
Photo Bar, 2022
Neon, black and white collage print in arched frame, holographic vinyl upholstery, glitter, mirror plexiglas
109 1/2 x 80 x 26 3/4 inches / 278.1 x 203.2 x 67.9 cm
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Photo Bar, 2022
Rebecca Ness
Night out at Boobie Trap, 2022
Oil on linen
90 x 60 inches / 228.6 x 152.4 cm
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Night out at Boobie Trap, 2022
Works by Sadie Barnette and Rebecca Ness explore community and care. Barnette’s glowing neon sculpture Photo Bar (2022) uses sourced imagery from her father’s New Eagle Creek Saloon—the first Black-owned gay bar in San Francisco—and a vibrant painting by Rebecca Ness depicts a night out at a crowded New York lesbian bar.
Hayal Pozanti
Shadow of a Butterfly, 2022
Oil stick on linen
48 x 36 inches / 121.9 x 91.4 cm
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Shadow of a Butterfly, 2022
Hayal Pozanti
A Universe of Virtualities, 2022
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cme
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A Universe of Virtualities, 2022
Rupy C. Tut
Cup-ing Therapy, 2022
Handmade pigments, shell silver and tea stain on hemp paper
42 x 42 inches / 106.7 x 106.7 cm
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Cup-ing Therapy, 2022
Rupy C. Tut
Buzoorg, the shade of the banyan, 2022
Handmade pigments on hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
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Buzoorg, the shade of the banyan, 2022
Rupy C. Tut
Chaa with my demons, 2022
Handmade pigments, shell silver and tea stain on hemp paper
42 x 42 inches / 106.7 x 106.7 cm
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Chaa with my demons, 2022
Rupy C. Tut
Cup-ing Therapy, 2022
Handmade pigments, shell silver and tea stain on hemp paper
42 x 42 inches / 106.7 x 106.7 cm
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Cup-ing Therapy, 2022
Rupy C. Tut
Buzoorg, the shade of the banyan, 2022
Handmade pigments on hemp paper
41 1/4 x 32 1/4 inches / 104.8 x 81.9 cm
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Buzoorg, the shade of the banyan, 2022
Rupy C. Tut
Chaa with my demons, 2022
Handmade pigments, shell silver and tea stain on hemp paper
42 x 42 inches / 106.7 x 106.7 cm
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Chaa with my demons, 2022
Chelsea Ryoko Wong
Cold Beverage on a Hot Day, 2022
Acrylic on stretched canvas
48 x 72 inches / 121.9 x 182.9 cm
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Cold Beverage on a Hot Day, 2022
Rashaad Newsome
Endless Innovation, 2022
Multimedia collage in custom mahogany and resin artist frame with automotive paint
45 3/4 x 51 1/2 x 4 inches / 116.2 x 130.8 x 10.2 cm
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Endless Innovation, 2022
Julian Hoeber
Diffracted and Split, 2022
Oil, flashe, acrylic, and graphite on linen over panel with walnut artist's frame
41 x 33 x 1 3/4 inches / 104.1 x 83.8 x 4.4 cm
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Diffracted and Split, 2022
Kei Imazu
Mermaids, 2022
Oil on linen
76 5/8 x 76 7/8 x 1 1/8 inches / 194.6 x 195.3 x 2.9 cm
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Mermaids, 2022
Rashaad Newsome
Endless Innovation, 2022
Multimedia collage in custom mahogany and resin artist frame with automotive paint
45 3/4 x 51 1/2 x 4 inches / 116.2 x 130.8 x 10.2 cm
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Endless Innovation, 2022
Julian Hoeber
Diffracted and Split, 2022
Oil, flashe, acrylic, and graphite on linen over panel with walnut artist's frame
41 x 33 x 1 3/4 inches / 104.1 x 83.8 x 4.4 cm
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Diffracted and Split, 2022
Kei Imazu
Mermaids, 2022
Oil on linen
76 5/8 x 76 7/8 x 1 1/8 inches / 194.6 x 195.3 x 2.9 cm
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Mermaids, 2022
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