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Arrival Art Fair 2025
Arrival Art Fair 2025
June 13-15, 2025
Jessica Silverman is pleased to participate in the inaugural edition of Arrival, an invitational art fair taking place in North Adams, Massachusetts, June 13–15. Invited by an esteemed team of Curatorial Ambassadors, the gallery will present leading contemporary voices in response to the Berkshires’ rich environmental and cultural terrain. The exhibition explores themes of abstraction, ecology, and storytelling with new works by Sadie Barnette, Andrea Bowers, Julie Buffalohead, Andrea Carlson, Julia Chiang, Sam and Erin Falls, Atsushi Kaga, Masako Miki, Hayal Pozanti, Davina Semo, Pae White, and Chelsea Ryoko Wong. Collectively, their works unfold as lyrical reflections on place, community, and worldbuilding.
INSTALLATION VIEW
GALLERY / GRID
SELECTED WORKS
Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #11, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
L'Assomption Sash for Carrying Things that No Longer Exist #11, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
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Andrea Carlson
New Shroud II, 2025
Acrylic and oil on canvas
37 5/8 x 25 5/8 x 2 1/8 inches / 95.6 x 65.1 x 5.4 cm
New Shroud II, 2025
Acrylic and oil on canvas
37 5/8 x 25 5/8 x 2 1/8 inches / 95.6 x 65.1 x 5.4 cm
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Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #10, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
L'Assomption Sash for Carrying Things that No Longer Exist #10, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
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Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #11, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
L'Assomption Sash for Carrying Things that No Longer Exist #11, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
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Andrea Carlson
New Shroud II, 2025
Acrylic and oil on canvas
37 5/8 x 25 5/8 x 2 1/8 inches / 95.6 x 65.1 x 5.4 cm
New Shroud II, 2025
Acrylic and oil on canvas
37 5/8 x 25 5/8 x 2 1/8 inches / 95.6 x 65.1 x 5.4 cm
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Andrea Carlson
L'Assomption Sash for Carrying Things that No Longer Exist #10, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
L'Assomption Sash for Carrying Things that No Longer Exist #10, 2025
Gouache on paper
34 1/4 x 26 3/4 x 1 5/8 inches / 87 x 67.9 x 4.1 cm
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Carlson’s high-chroma paintings transform landscape and garment into metaphors of Indigenous memory. Drawing from the visual lexicon of L’Assomption sashes—central to the French-Ojibwe fur trade and historically used to secure tools to the body—Carlson reconfigures these forms into folded, fragmented patterns. Her paintings reclaim lost knowledge as portals to ancestral inheritance.
Davina Semo
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm; Overall dimensions variable
Aglow, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm; Overall dimensions variable
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Davina Semo
Allure, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm; Overall dimensions variable; Weight: 22.7 lbs
Allure, 2025
Cast bronze bell, UV protected 3-stage catalyzed urethane automotive finish, patinated solid bronze clapper, hemp shibari rope, polished and plated stainless steel hardware, powder coated stainless steel hardware, powder coated zinc plated steel chain
Bell: 10 x 6 1/2 x 6 1/2 inches / 25.4 x 16.5 x 16.5 cm; Overall dimensions variable; Weight: 22.7 lbs
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Julie Buffalohead’s ink-on-paper works weave Native American symbolism with allegory and personal narrative. Playing with puppets, her signature anthropomorphic coyote engages humor and metaphor to address current events and cultural memory, affirming storytelling as a critical tool of resistance.
Julie Buffalohead
Our Land Our Rights, 2025
Ink and gouache on handmade watercolor paper
33 3/4 x 25 1/2 x 1 3/4 inches / 85.7 x 64.8 x 4.4 cm
Our Land Our Rights, 2025
Ink and gouache on handmade watercolor paper
33 3/4 x 25 1/2 x 1 3/4 inches / 85.7 x 64.8 x 4.4 cm
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Julie Buffalohead
Culture Wins, 2025
Ink and gouache on handmade watercolor paper
33 3/4 x 25 1/2 x 1 3/4 inches / 85.7 x 64.8 x 4.4 cm
Culture Wins, 2025
Ink and gouache on handmade watercolor paper
33 3/4 x 25 1/2 x 1 3/4 inches / 85.7 x 64.8 x 4.4 cm
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Wong's painting was inspired by winter skiing in Tahoe, and balances the adventurous thrill of a ski run with the calm, warming respite of après-ski. The title is drawn from the two figures inside who are so engrossed in their conversation, they don’t notice the accident outside.
Chelsea Ryoko Wong
Let Them Whizz By, 2025
Acrylic on canvas
61 1/2 x 49 1/2 x 2 7/8 inches / 156.2 x 125.7 x 7.3 cm
Let Them Whizz By, 2025
Acrylic on canvas
61 1/2 x 49 1/2 x 2 7/8 inches / 156.2 x 125.7 x 7.3 cm
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Chelsea Ryoko Wong
If I Could Stop Time, 2025
Acrylic on canvas
61 1/2 x 49 1/2 x 2 7/8 inches / 156.2 x 125.7 x 7.3 cm
If I Could Stop Time, 2025
Acrylic on canvas
61 1/2 x 49 1/2 x 2 7/8 inches / 156.2 x 125.7 x 7.3 cm
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Julia Chiang's painting features meticulously arranged pointed ellipses that burst across an orange and blue color field. These elements evoke sensations of movement and transformation, reflecting her interest in the body's physical and emotional states. Her creative process is both deliberate and spontaneous, allowing organic shapes to emerge and interact on the canvas. This approach mirrors the unpredictability of bodily and emotional processes, capturing the tension between control and chaos. Julia describes her work as a meditation on the human condition.
Julia Chiang
Skin Hunger, 2025
Acrylic on linen
20 x 16 inches / 50.8 x 40.6 cm
Skin Hunger, 2025
Acrylic on linen
20 x 16 inches / 50.8 x 40.6 cm
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Andrea Bowers
Inseparably Linked, Local Plant Studies, 2024
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
Inseparably Linked, Local Plant Studies, 2024
Acrylic on cardboard
20 x 20 x 3 inches / 50.8 x 50.8 x 7.6 cm
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Sam Falls
Refugio (2), 2025
Pigment on canvas
24 x 30 inches / 61 x 76.2 cm
Refugio (2), 2025
Pigment on canvas
24 x 30 inches / 61 x 76.2 cm
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Falls’ large-scale paintings, made with water-reactive pigments and local flora, capture ephemeral traces of place. This work is part of Falls’ latest series which draws its natural material from the sea.
Sam and Erin Falls
Touch of Blues, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
Touch of Blues, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
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Sam and Erin Falls
Wilder Mister, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
Wilder Mister, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
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Sam and Erin Falls
Incalescent, 2025
Glazed ceramic
7 x 5 1/2 x 5 1/2 inches / 17.8 x 14 x 14 cm
Incalescent, 2025
Glazed ceramic
7 x 5 1/2 x 5 1/2 inches / 17.8 x 14 x 14 cm
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Sam and Erin Falls
Touch of Blues, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
Touch of Blues, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
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Sam and Erin Falls
Wilder Mister, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
Wilder Mister, 2025
Glazed ceramic
6 3/4 x 6 x 6 inches / 17.1 x 15.2 x 15.2 cm
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Sam and Erin Falls
Incalescent, 2025
Glazed ceramic
7 x 5 1/2 x 5 1/2 inches / 17.8 x 14 x 14 cm
Incalescent, 2025
Glazed ceramic
7 x 5 1/2 x 5 1/2 inches / 17.8 x 14 x 14 cm
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Sam and Erin Falls collaborated on new vessels that translate Sam’s flora impressions into Erin’s glazed ceramic forms, archiving the landscape’s atmospheric and botanical signatures.
Sam and Erin Falls
A Part of the Country You've Never Been, 2025
Glazed ceramic
7 1/2 x 5 1/2 x 5 1/2 inches / 19.1 x 14 x 14 cm
A Part of the Country You've Never Been, 2025
Glazed ceramic
7 1/2 x 5 1/2 x 5 1/2 inches / 19.1 x 14 x 14 cm
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Sam and Erin Falls
Sorrow in Sunlight, 2025
Glazed ceramic
6 1/2 x 6 x 6 inches / 16.5 x 15.2 x 15.2 cm
Sorrow in Sunlight, 2025
Glazed ceramic
6 1/2 x 6 x 6 inches / 16.5 x 15.2 x 15.2 cm
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Sam and Erin Falls
Wind and Rain, Daytime Again, 2025
Glazed ceramic
7 x 6 x 6 inches / 17.8 x 15.2 x 15.2 cm
Wind and Rain, Daytime Again, 2025
Glazed ceramic
7 x 6 x 6 inches / 17.8 x 15.2 x 15.2 cm
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Sam and Erin Falls
A Part of the Country You've Never Been, 2025
Glazed ceramic
7 1/2 x 5 1/2 x 5 1/2 inches / 19.1 x 14 x 14 cm
A Part of the Country You've Never Been, 2025
Glazed ceramic
7 1/2 x 5 1/2 x 5 1/2 inches / 19.1 x 14 x 14 cm
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Sam and Erin Falls
Sorrow in Sunlight, 2025
Glazed ceramic
6 1/2 x 6 x 6 inches / 16.5 x 15.2 x 15.2 cm
Sorrow in Sunlight, 2025
Glazed ceramic
6 1/2 x 6 x 6 inches / 16.5 x 15.2 x 15.2 cm
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Sam and Erin Falls
Wind and Rain, Daytime Again, 2025
Glazed ceramic
7 x 6 x 6 inches / 17.8 x 15.2 x 15.2 cm
Wind and Rain, Daytime Again, 2025
Glazed ceramic
7 x 6 x 6 inches / 17.8 x 15.2 x 15.2 cm
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Atsushi Kaga
Hoovering among Goldfish, 2025
Colored pencil on paper
17 3/4 x 14 3/8 / 45 x 36.5 cm
Hoovering among Goldfish, 2025
Colored pencil on paper
17 3/4 x 14 3/8 / 45 x 36.5 cm
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Atsushi Kaga
Deer of Connecticut, 2021-2025
Pencil on paper
16 3/4 x 21 3/4 inches / 42.5 x 53.3 cm
Deer of Connecticut, 2021-2025
Pencil on paper
16 3/4 x 21 3/4 inches / 42.5 x 53.3 cm
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Atsushi Kaga
Goldfish in Pink, 2025
Mixed media on paper
20 1/4 x 19 inches / 51.4 x 48.3 cm
Goldfish in Pink, 2025
Mixed media on paper
20 1/4 x 19 inches / 51.4 x 48.3 cm
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Atsushi Kaga
Hoovering among Goldfish, 2025
Colored pencil on paper
17 3/4 x 14 3/8 / 45 x 36.5 cm
Hoovering among Goldfish, 2025
Colored pencil on paper
17 3/4 x 14 3/8 / 45 x 36.5 cm
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Atsushi Kaga
Deer of Connecticut, 2021-2025
Pencil on paper
16 3/4 x 21 3/4 inches / 42.5 x 53.3 cm
Deer of Connecticut, 2021-2025
Pencil on paper
16 3/4 x 21 3/4 inches / 42.5 x 53.3 cm
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Atsushi Kaga
Goldfish in Pink, 2025
Mixed media on paper
20 1/4 x 19 inches / 51.4 x 48.3 cm
Goldfish in Pink, 2025
Mixed media on paper
20 1/4 x 19 inches / 51.4 x 48.3 cm
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In this work on paper by Atsushi Kaga, a fish tank sits at the center of a pink background, while goldfish swim freely outside the confines of the tank. Kaga blends two opposing symbolic motifs: the fishbowl as a traditional emblem of captivity, and the goldfish as a symbol of resilience and ambition, to create a narrative of liberation. Rendered in Kaga’s characteristic style that merges innocence with existential reflection, the work gently invites viewers to consider the value of freedom, the illusions of containment, and the quiet power of perseverance.
Hayal Pozanti
Chimes of Neptune, 2025
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
Chimes of Neptune, 2025
Oil stick on linen
48 x 60 inches / 121.9 x 152.4 cm
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Sadie Barnette
Typeface 6, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
Typeface 6, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Sadie Barnette
Typeface 5, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
Typeface 5, 2025
Colored pencil on paper
21 5/8 x 17 5/8 x 1 1/2 inches / 54.8 x 44.6 x 3.8 cm
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Masako Miki
Celebrations for All in the Universe, 2025
Ink and watercolor paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Celebrations for All in the Universe, 2025
Ink and watercolor paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Masako Miki
Midnight Incantation, 2025
Watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Midnight Incantation, 2025
Watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Masako Miki
Gathering for Midnight March, 2025
Ink and watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Gathering for Midnight March, 2025
Ink and watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Masako Miki
Celebrations for All in the Universe, 2025
Ink and watercolor paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Celebrations for All in the Universe, 2025
Ink and watercolor paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Masako Miki
Midnight Incantation, 2025
Watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Midnight Incantation, 2025
Watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Masako Miki
Gathering for Midnight March, 2025
Ink and watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
Gathering for Midnight March, 2025
Ink and watercolor on paper
16 1/2 x 13 1/2 x 1 1/2 inches / 41.9 x 34.3 x 3.8 cm
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Mushrooms are a recurring motif in Miki’s practice, especially in her drawings, where they symbolize growth, transformation, and the potent spirits of the natural world. In many cultures, including Japan’s, mushrooms are celebrated not only for their nutritional and ecological roles but also for their hallucinogenic properties. Miki playfully engages with this folkloric knowledge, animating her stacked mushrooms into whimsical, benevolent beings that radiate a subtle, magical energy.
Masako Miki
Mushrooms Reaching to the Sky, 2025
Patinated bronze
14 3/8 x 5 1/2 x 5 1/2 inches / 36.6 x 14 x 14 cm
Mushrooms Reaching to the Sky, 2025
Patinated bronze
14 3/8 x 5 1/2 x 5 1/2 inches / 36.6 x 14 x 14 cm
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Masako Miki
Awa-dancing Cat Leading the Crowds, 2025
Patinated bronze
15 x 12 1/2 x 8 inches / 38.1 x 31.8 x 20.3 cm
Awa-dancing Cat Leading the Crowds, 2025
Patinated bronze
15 x 12 1/2 x 8 inches / 38.1 x 31.8 x 20.3 cm
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Crafted from Southern ice porcelain with interiors glazed in gold or platinum, Pae White’s Companions mimic the irregular forms of popcorn kernels, capturing their transient nature in a permanent medium. Slight variations in each piece embrace a sense of spontaneity.
Pae White
Companions (three explosions), 2025
Southern Ice porcelain and gold
7 x 5 x 4 inches / 17.8 x 12.7 x 10.2 cm
Companions (three explosions), 2025
Southern Ice porcelain and gold
7 x 5 x 4 inches / 17.8 x 12.7 x 10.2 cm
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Pae White
Companions (two explosions), 2025
Southern Ice porcelain and gold glaze
7 x 5 x 4 inches / 17.8 x 12.7 x 10.2 cm
Companions (two explosions), 2025
Southern Ice porcelain and gold glaze
7 x 5 x 4 inches / 17.8 x 12.7 x 10.2 cm
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