Jessica Silverman
Jessica Silverman
×
← BACK
← PREVIOUS WORK
NEXT WORK →
Installation View Installation View Installation View Installation View Installation View
← PREVIOUS
Andrea Carlson: The Lasting
INQUIRE
NEXT →
×
← BACK
← PREVIOUS WORK
NEXT WORK →
← PREVIOUS WORK
INQUIRE
NEXT WORK →

Andrea Carlson: The Lasting

Andrea Carlson: The Lasting

September 11-October 25, 2025

Jessica Silverman is proud to announce its representation of Andrea Carlson on the occasion of her first solo show at the gallery, which opens on September 11 and runs through October 25, 2025. Carlson is an Indigenous futurist who challenges historical fictions through powerful mixed-media works that address authenticity, creativity, human universals, and the deep time of the natural world. 

Carlson will be in conversation with Eva Respini, Curator-at-Large of the Vancouver Art Gallery, at the gallery at 5:30pm on September 11. The conversation will be recorded.

TitledThe Lasting, Carlson’s solo show comprises two monumental paintings, eight smaller paintings on paper, and one sculpture. Carlson’s title plays on historian Jean M. O’Brien’s important book Firsting and Lasting, which examines how American local histories celebrated the arrivals and founding “firsts” of European settlers while lamenting the disappearance of the original inhabitants—even though Natives still lived in the very towns being chronicled. Indigenous people were memorialized as “lasts” in the manner of “The Last of the Mohicans,” spreading the myth of “Native extinction—a myth that persists in many American minds to this day. However, through a conceptual twist, Carlson transforms these last-of-their-kind stories into narratives of long-lasting resilience, honoring the survival and ongoing adaptability of Native people. 

INSTALLATION VIEW
SELECTED WORKS
ARTIST BIO
OTHER EXHIBITIONS

INSTALLATION VIEW

Installation View Installation View Installation View Installation View Installation View

SELECTED WORKS

Andrea Carlson
The Buffet, 2025
Sumi ink and gouache on paper
46 x 180 inches / 116.8 x 457.2 cm
INQUIRE
Andrea Carlson, The Buffet
Comprised of 24 panels, The Buffet (2025) is a large-scale tableau depicting a last supper of baskets and ceramic vessels, surrounded by spectral figures, a hungry wolf, and a growling bear during a meteor shower. The meteors, which are portraits of real asteroids, have colorful tails with eye-dazzling chevron patterns that honor Ojibwe finger-weaving, a textile technique used to create strong sashes and belts for portage. Arrow-like and adaptable, the weave is full of energy; it symbolizes the return of repressed ancestral knowledge and is a sign of hope that, by some miracle, we will avoid environmental disaster.
Andrea Carlson
The Host, 2025
Sumi ink and gouache on paper
46 x 180 inches / 116.8 x 457.2 cm
INQUIRE
Andrea Carlson, The Host
Andrea Carlson
Copper Man of Upper Michigan, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Copper Man of Upper Michigan
Andrea Carlson
Meteor, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Meteor
Andrea Carlson
The Protagonist, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Protagonist
Andrea Carlson
Copper Man of Upper Michigan, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Copper Man of Upper Michigan
Andrea Carlson
Meteor, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Meteor
Andrea Carlson
The Protagonist, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Protagonist
Chevron patterns come alive and take on biomorphic shapes in the exhibition’s eight smaller paintings. With these, Carlson has created vertically-oriented “portrait” compositions for the first time. The artist describes these works as “diverse characters that you might meet at a party.” In The Protagonist (2025), for example, the artist demonstrates her artistic dexterity by rendering a pair of raised hands in a painterly pop-topographical style that suggests high winds, ocean currents, and emotional turmoil are brewing in the palms of each hand. All the while, the four stacked panels push and pull, in and out of wholeness, suggesting that this complex hero is deeply conflicted.
Andrea Carlson
Unearthed Cannibal, 2024
Ink, oil, gouache and other media on paper
48 x 180 inches / 121.9 x 457.2 cm
INQUIRE
Andrea Carlson, Unearthed Cannibal
Andrea Carlson
The Being at the Front of the Canoe, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Being at the Front of the Canoe
Andrea Carlson
Exquisite Bundle, 2025
Holbein gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Exquisite Bundle
Andrea Carlson
The Being at the Back of the Canoe, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Being at the Back of the Canoe
Andrea Carlson
The Being at the Front of the Canoe, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Being at the Front of the Canoe
Andrea Carlson
Exquisite Bundle, 2025
Holbein gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Exquisite Bundle
Andrea Carlson
The Being at the Back of the Canoe, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Being at the Back of the Canoe
In the case of two iconic black and white works, titled The Being at the Front of the Canoe and The Being at the Back of the Canoe (both 2025), Carlson’s forms take a gendered turn as one abstract presence appears to embody an egg-shaped void suggestive of a womb, while the other spirit is grounded in two spheres whose dynamic energy surges upward.
Andrea Carlson
The Antagonist, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Antagonist
Andrea Carlson
Sweet Chariot, 2017
Acrylic, ink, gouache and oil on paper
48 x 63 x 2 inches / 121.9 x 160 x 5.1 cm
INQUIRE
Andrea Carlson, Sweet Chariot
Andrea Carlson
Heart, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Heart
Andrea Carlson
The Antagonist, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, The Antagonist
Andrea Carlson
Sweet Chariot, 2017
Acrylic, ink, gouache and oil on paper
48 x 63 x 2 inches / 121.9 x 160 x 5.1 cm
INQUIRE
Andrea Carlson, Sweet Chariot
Andrea Carlson
Heart, 2025
Sumi ink and gouache on paper
49 5/8 x 32 7/8 x 2 inches / 126 x 83.5 x 5.1 cm
INQUIRE
Andrea Carlson, Heart
Carlson builds up her wall-works through separate 11½ x 30 panels made from very thick archival paper, which the artist describes as “meaty with a toothy texture.” These panels are panoramic rectangles that evoke the great plains and vast horizons of the Midwest. Upon this bedrock of wood pulp, Carlson deploys a virtuoso mix of oil, acrylic, gouache, and Japanese ink with notable visual sophistication.
Together, the works in “The Lasting” affirm the positive presence of Indigenous peoples—past, present, and future. Carlson’s urbane visual language entwines ancestral traditions with personal innovation to create compelling alternative worlds that probe the complexity of Native American communities and their ecologies.
Andrea Carlson
Low Relief Mound, 2025
White pine wood
14 posts
INQUIRE
Andrea Carlson, Low Relief Mound
Andrea Carlson (b. 1979, Grand Portage, MN) earned her MFA from the Minneapolis College of Art & Design and BA from the University of Minnesota. In 2025, Carlson will enjoy solo exhibitions at Denver Art Museum, CO; Kemper Art Museum, St. Louis, MO; and Jessica Silverman. She has had previous solo exhibitions at Museum of Contemporary Art, Chicago, IL; University of Michigan Museum of Art, Ann Arbor; Minneapolis Institute of Art, MN; and La Centrale at the Powerhouse, Montreal, QC, among others. Her work has been included in group exhibitions at Whitney Museum of American Art, New York; Museum of Contemporary Art, Denver, CO; Crystal Bridges, Bentonville, AK; the Toronto Biennial; and Prospect.6, New Orleans, LA. Carlson’s work is held in the permanent collections of the Whitney Museum of American Art, New York; Walker Art Center, Minneapolis, MN; Museum of Contemporary Art, Chicago, IL; National Gallery of Canada, Ontario; and British Museum, London, among others. Carlson is the recipient of a Creative Capital Award, United States Artists Fellowship, and Chicago Artadia Award. She is also co-founder of the Center for Native Futures, an art space dedicated to the work of Native artists in Chicago. She is represented by Bockley Gallery, Minneapolis, MN, and Jessica Silverman, San Francisco. She lives and works in Northern Minnesota.
×






    ×