Matthew Angelo Harrison
Matthew Angelo Harrison
Matthew Angelo Harrison works with cultural artifacts and manufacturing technologies to create hybrid sculptures that address labor, race, and cultural inheritance. Central to his practice is the idea of the “prototype.” Harrison’s works often include found objects, including traditional African sculptures, car parts, and auto industry ephemera encased in resin blocks. Frozen and entombed, these sculptures appear strangely haunted.
Harrison (b. 1989, Detroit, MI) is in many permanent collections, including Whitney Museum of American Art, NY; de Young Museum, San Francisco; Detroit Institute of Arts, MI; Galeries Lafayette Foundation, Paris; ICA Miami; Musée d’Art Moderne de la Ville de Paris; Museum Ludwig, Cologne, Germany; Denver Art Museum, CO; Broad Art Museum, East Lansing, MI; and Museum of Contemporary Art, Chicago. He has enjoyed solo shows at Kunsthalle Basel, Switzerland; SCAD Museum of Art, Savannah, GA; MIT List Visual Arts Center, Cambridge, MA; Broad Art Museum, East Lansing, MI; Atlanta Contemporary; and Museum of Contemporary Art Detroit. His work has been included in recent group exhibitions at MUDAM, Luxembourg; Cantor Arts Center, Palo Alto, CA; Museum of Contemporary Art Chicago, IL; Museion, Bolzano, Italy; University of Michigan Museum of Art, Ann Arbor; Katonah Museum of Art, NY; Kunst Museum Winterthur, Switzerland; and Lafayette Anticipations, Paris, among others. He has been awarded grants and fellowships by the Los Angeles County Museum of Art, CA; United States Artists, and Kresge Arts. He completed his BFA at the School of the Art Institute of Chicago in 2012. Harrison lives and works in Detroit. He is represented by Jessica Silverman, San Francisco and Galerie Eva Presenhuber.

Matthew Angelo Harrison
Operimentum, 2023
Hardhat, polyurethane resin, acrylic and aluminum stand
Sculpture: 13 1/2 x 10 1/4 x 9 3/4 inches / 34.3 x 26 x 24.8 cm

Matthew Angelo Harrison
Operimentum, 2023
Overall view

Matthew Angelo Harrison
Operimentum, 2023
Detail view

Matthew Angelo Harrison
Father in Time, 2023
Overall view

Matthew Angelo Harrison
Father in Time, 2023
African wood sculpture, tinted polyurethane resin, acrylic, and aluminum stand
Sculpture: 24 x 9 1/2 x 8 1/4 inches / 61 x 24.1 x 21 cm

Matthew Angelo Harrison
Father in Time, 2023
Detail

Matthew Angelo Harrison
Soothsayer, 2023
African wood mask, tinted polyurethane resin, polyurethane resin, acrylic, and aluminum stand
Overall: 72.25 x 12 x 11.5 inches / 183.515 x 30.48 x 29.21 cm

Matthew Angelo Harrison
Facing Effervescence, 2023
African wood mask, tinted polyurethane resin, acrylic, and aluminum stand
Sculpture: 24 1/2 x 10 1/2 x 6 inches / 62.2 x 26.7 x 15.2 cm

Matthew Angelo Harrison
Equipoise, 2023
African wood mask, tinted polyurethane resin, acrylic, and aluminum stand
Sculpture (overall): 23 3/4 x 10 x 7 3/4 inches / 60.3 x 25.4 x 19.7 cm

Matthew Angelo Harrison
Precious Belly, 2023
Overall view

Matthew Angelo Harrison
Precious Belly, 2023
African wood mask, polyurethane resin, acrylic, and aluminum stand
Sculpture (overall): 20 1/2 x 10 3/4 x 15 1/2 inches / 52.1 x 27.3 x 39.4 cm

Matthew Angelo Harrison
Precious Belly, 2023
Detail view
ADDITIONAL WORKS

Matthew Angelo Harrison
Beloved Worker, 2023
Hardhat, polyurethane resin, acrylic and aluminum stand
Sculpture: 15 1/2 x 10 x 10 inches / 39.4 x 25.4 x 25.4 cm

Matthew Angelo Harrison
The Invisible Hand, 2023
Leather glove, polyurethane resin, acrylic and aluminum stand
Sculpture: 14 1/4 x 8 1/2 x 5 inches / 36.2 x 21.59 x 12.7 cm

Matthew Angelo Harrison
Sister Cyborg, 2023
Headlight, tinted polyurethane resin, acrylic, and aluminum stand
Sculpture: 24 1/2 x 10 x 11 inches / 62.2 x 25.4 x 27.9 cm

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Invisible Silhouettes, 2023
Jessica Silverman, San Francisco

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Robota, MIT List Visual Arts Center, 2022.
Photo: Mel Taing. Courtesy MIT List Visual Arts Center

Installation view
Matthew Angelo Harrison: Dark Silhouette, Savannah College of Art and Design, 2022, Savannah, GA.
Courtesy of the artist and Savannah College of Art and Design.

Installation view
Matthew Angelo Harrison: Dark Silhouette, Savannah College of Art and Design, 2022, Savannah, GA.
Courtesy of the artist and Savannah College of Art and Design.

Installation view
Matthew Angelo Harrison: Dark Silhouette, Savannah College of Art and Design, 2022, Savannah, GA.
Courtesy of the artist and Savannah College of Art and Design.

Matthew Angelo Harrison
Lanced Below, 2022
Dogon wood sculpture, polyurethane resin, and aluminum stand
Overall: 56 x 11 x 7 inches / 142.2 x 27.9 x 17.8 cm
Sculpture: 16 x 5 5/8 x 5 inches / 40.6 x 14.3 x 12.7 cm
Stand: 40 x 11 x 7 inches / 101.6 x 27.9 x 17.8 cm

Matthew Angelo Harrison
Lanced Below, 2022
Dogon wood sculpture, polyurethane resin, and aluminum stand
Overall: 56 x 11 x 7 inches / 142.2 x 27.9 x 17.8 cm
Sculpture: 16 x 5 5/8 x 5 inches / 40.6 x 14.3 x 12.7 cm
Stand: 40 x 11 x 7 inches / 101.6 x 27.9 x 17.8 cm

Matthew Angelo Harrison
Lanced Below, 2022
Detail

Matthew Angelo Harrison
Paternal Veil, 2021
Detail

Matthew Angelo Harrison
Paternal Veil, 2021
Wooden sculpture, rope, polyurethane resin, and aluminum stand
Overall: 64 7/8 x 12 x 9 inches / 164.8 x 30.5 x 22.9 cm
Sculpture: 40 7/8 x 9 1/2 x 6 5/8 inches / 103.8 x 24.1 x 16.8 cms
Stand: 24 x 12 x 9 inches / 61 x 30.5 x 22.9 cm

Matthew Angelo Harrison
Paternal Veil, 2021
Detail

Matthew Angelo Harrison
Effervesce, 2021
Wooden sculpture and polyurethane resin
72 1/2 x 16 x 10 1/2 inches / 184.2 x 40.6 x 26.7 cm

Matthew Angelo Harrison
The Blue People, 2021
Paper, leather glove, polyurethane resin, stainless steel, anodized aluminum
31.25 x 15 x 7 inches

Matthew Angelo Harrison
The Red People, 2021
Paper, leather gloves, polyurethane resin, stainless steel, anodized aluminum
30 1/2 x 15 x 6 1/2 inches / 77.5 x 38.1 x 16.5 cm

Matthew Angelo Harrison
Headdress, 2021
Plastic hard hat, polyurethane resin, stainless steel, anodized aluminum
10.125 x 9.5 x 15.125 inches

Matthew Angelo Harrison
Headdress, 2021
Plastic hard hat, polyurethane resin, stainless steel, anodized aluminum
10.125 x 9.5 x 15.125 inches

Matthew Angelo Harrison
Headdress, 2021
Detail

Matthew Angelo Harrison
Masks for Manhood, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
23.875 x 8 x 7.25 inches & 23.875 x 8 x 7.875 inches

Matthew Angelo Harrison
Masks for Manhood, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
23.875 x 8 x 7.25 inches & 23.875 x 8 x 7.875 inches

Matthew Angelo Harrison
Masks for Manhood, 2021
Detail

Matthew Angelo Harrison
Forward Majesty, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
24 x 7 1/8 x 7 1/2 inches / 61 x 18.1 x 19.1 cm

Matthew Angelo Harrison
Forward Majesty, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
24 x 7 1/8 x 7 1/2 inches / 61 x 18.1 x 19.1 cm

Matthew Angelo Harrison
Forward Majesty, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
24 x 7 1/8 x 7 1/2 inches / 61 x 18.1 x 19.1 cm

Matthew Angelo Harrison
Touched By an Angel, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
19 3/4 x 7 3/4 x 6 inches / 50.2 x 19.7 x 15.2 cm

Matthew Angelo Harrison
Touched By an Angel, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
19 3/4 x 7 3/4 x 6 inches / 50.2 x 19.7 x 15.2 cm

Matthew Angelo Harrison
Touched By an Angel, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
19 3/4 x 7 3/4 x 6 inches / 50.2 x 19.7 x 15.2 cm

Matthew Angelo Harrison
Relic for Disruption III, 2021
Spear, tinted polyurethane resin
90 x 7 x 6 inches / 228.6 x 17.8 x 15.2 cm

Matthew Angelo Harrison
Relic for Disruption V, 2021
Spear, tinted polyurethane resin
90 x 7 x 6 inches / 228.6 x 17.8 x 15.2 cm

Matthew Angelo Harrison
Relic for Disruption V, 2021
Spear, tinted polyurethane resin
90 x 7 x 6 inches / 228.6 x 17.8 x 15.2 cm

Matthew Angelo Harrison
Dark Silhouette: Remnant for Disruption, 2020
Spear, tinted polyurethane resin
90 1/8 x 6 5/8 x 7 inches
228.9 x 16.8 x 17.8 cm

Matthew Angelo Harrison
Dark Silhouette: Remnant for Disruption, 2020
Spear, tinted polyurethane resin
90 1/8 x 6 5/8 x 7 inches
228.9 x 16.8 x 17.8 cm

Matthew Angelo Harrison
Dark Silhouette: Remnant for Disruption, 2020
Detail

Matthew Angelo Harrison
Dark Silhouette: Tranquil Mother in Repose, 2020
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 44 1/8 x 8 1/8 x 8 1/2 inches

Matthew Angelo Harrison
Dark Silhouette: Tranquil Mother in Repose, 2020
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 44 1/8 x 8 1/8 x 8 1/2 inches

Matthew Angelo Harrison
Dark Silhouette: Tranquil Mother in Repose, 2020
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 44 1/8 x 8 1/8 x 8 1/2 inches

Matthew Angelo Harrison
Seer: Peering through Aurora, 2020
Headlight, tinted polyurethane resin, anodized aluminum, acrylic
Sculpture: 20 5/8 x 10 3/8 x 6 1/2 inches / 52.4 x 26.4 x 16.5 cm

Matthew Angelo Harrison
Seer: Peering through Aurora, 2020
Alternate view

Matthew Angelo Harrison
Seer: Peering through Aurora, 2020
Alternate view

Matthew Angelo Harrison
Seer: Lay Bare, 2020
Headlight, tinted polyurethane resin, anodized aluminum, acrylic
Sculpture: 20 5/8 x 10 3/8 x 6 1/2 inches
52.4 x 26.4 x 16.5 cm
Overall: 73 5/8 x 12 1/2 x 7 1/2 inches / 187 x 31.8 x 19.1 cm

Matthew Angelo Harrison
Seer: Lay Bare, 2020
Detail

Matthew Angelo Harrison
Seer: Lay Bare, 2020
Detail

Matthew Angelo Harrison
Bodily Study: Fallow, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 1/4 inches / 81.9 x 40 x 51.4 cm

Matthew Angelo Harrison
Bodily Study: Fallow, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 1/4 inches / 81.9 x 40 x 51.4 cm

Matthew Angelo Harrison
Bodily Study: Fallow, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 1/4 inches
81.9 x 40 x 51.4 cm

Matthew Angelo Harrison
Bodily Study: Stasis Restored, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 3/8 inches
81.9 x 40 x 51.8 cm

Matthew Angelo Harrison
Bodily Study: Stasis Restored, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 3/8 inches
81.9 x 40 x 51.8 cm

Matthew Angelo Harrison
Bodily Study: Stasis Restored, 2020
Zebra skulls, tinted polyurethane resin
32 1/4 x 15 3/4 x 20 3/8 inches
81.9 x 40 x 51.8 cm

Matthew Angelo Harrison
Dark Silhouette: Transcendent Kneeler, 2020
Detail

Matthew Angelo Harrison
Dark Silhouette: Transcendent Kneeler, 2020
Wooden figure from West Africa, polyurethane resin, anodized aluminum, acrylic
Overall: 73 x 11 x 11 inches / 186 x 27 x 27 cm

Matthew Angelo Harrison
Dark Silhouette: Transcendent Kneeler, 2020
Detail

Matthew Angelo Harrison
Dark Silhouette: Balanced Sunder, 2019
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
70 1/8 x 10 1/2 x 11 inches / 178.2 x 26.7 x 28 cm

Matthew Angelo Harrison
Dark Silhouette: Balanced Sunder, 2019
Detail

Matthew Angelo Harrison
Dark Silhouette: Balanced Sunder, 2019
Detail

Matthew Angelo Harrison
Dark Silhouette: Enduring Bond, 2019
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
63 1/4 x 11 5/8 x 9 1/8 inches / 160.7 x 29.6 x 23.2 cm

Matthew Angelo Harrison
Dark Silhouette: Enduring Bond, 2019
Detail

Matthew Angelo Harrison
Dark Silhouette: Enduring Bond, 2019
Detail

Installation view
Emissaries for Things Abandoned by Gods, 2019
Casa Luis Barragán

Installation view
Emissaries for Things Abandoned by Gods, 2019
Casa Luis Barragán

Installation view
Emissaries for Things Abandoned by Gods, 2019
Casa Luis Barragán

Installation view
Whitney Biennial 2019, Whitney Museum of American Art, New York, NY

Installation view
Whitney Biennial 2019, Whitney Museum of American Art

Matthew Angelo Harrison
Dark Silhouette: Mother and Child in Intervals
Sculpture: 32 x 9 1/2 x 7 1/2 inches / 81.28 x 24.13 x 19.05 cm
Pedestal: 44 x 11 x 9 1/2 inches / 111.76 x 27.94 x 24.13 cm
Overall: 75 3/4 x 11 x 9 1/2 / 192.405 x 27.94 x 24.13 cm

Matthew Angelo Harrison
Dark Silhouette: Mother and Child in Intervals
Detail

Matthew Angelo Harrison
Dark Silhouette: Woman Beneath Traversing Field,, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 20 x 9 3/4 x 5 1/2 inches / 50.8 x 24.8 x 14 cm

Matthew Angelo Harrison
Dark Silhouette: Woman Beneath Traversing Field,, 2018
Detail

Matthew Angelo Harrison
Dark Silhouette: Bodily Study Ungulate Composition, 2018
Boar skull, antelope skull, polyurethane resin, anodized aluminum, acrylic
Sculpture: 10 x 19 3/4 x 3 3/4 inches
25.4 x 50.2 x 9.5 cm

Matthew Angelo Harrison
Dark Silhouette: Bodily Study Ungulate Composition,, 2018
Detail

Matthew Angelo Harrison
Dark Silhouette: Halves Dissimilated, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 38 3/4 x 9 3/4 x 6 inches
98.4 x 24.8 x 15.2 cm

Matthew Angelo Harrison
Dark Silhouette: Halves Dissimilated, 2018
Detail

Matthew Angelo Harrison
Dark Silhouette: Borrowed Inlets – Dogon, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
67 1/2 x 10 x 13 inches / 171.5 x 25.4 x 33 cm

Matthew Angelo Harrison
Dark Silhouette: Borrowed Inlets – Dogon, 2018
Detail

Matthew Angelo Harrison
Dark Silhouette: Couple Transfigured, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
63 1/2 x 53 5/8 x 17 1/2 inches / 161.29 x 136.21 x 44.45 cm

Matthew Angelo Harrison
Dark Silhouette: Couple Transfigured, 2018
Detail

Matthew Angelo Harrison
Dark Silhouette: Composition of Borrowed inlets #2, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
60 1/2 x 23 x 16 3/4 inches

Matthew Angelo Harrison
Synthetic Lipiko – Caliper Study, 2018
Wooden sculpture, anodized aluminum, acrylic
56 x 21 1/2 x 22 3/4 inches

Matthew Angelo Harrison
Dark Silhouette: Fixtured Woman, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
72 x 23 x 15 1/2 inches

Matthew Angelo Harrison
Dark Silhouette: Standing Couple, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Overall: 67 3/8 x 13 x 13 inches / 171.13 x 33.02 x 33.02 cm

Matthew Angelo Harrison
Dark Silhouette: Standing Couple, 2018
Alternate view

Matthew Angelo Harrison
Dark Silhouette: Forward Gaze, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 10 x 10 1/4 x 7 7/10 inches / 25 1/2 x 26 x 19.5 cm
Overall: 52 x 13 x 13 inches / 132.1 x 33 x 33 cm

Matthew Angelo Harrison
Dark Silhouette: Obscured Fragments, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Each sculpture: 9 2/5 x 11.61 x 3.74 inches / 24 x 29.5 x 9.5 cm
Overall: 57 2/5 x 20 x 13 inches / 145.8 x 50.8 x 33.02 cm<

Matthew Angelo Harrison
Dark Silhouette: Seated, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 9 5/8 x 20 3/8 x 3 1/8 inches / 24.5 x 51.8 x 8 cm
Overall: 29 5/8 x 32 x 32 inches / 50.8 x 81.28 x 81.28 cm

Matthew Angelo Harrison
Dark Silhouette: Enduring Father, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 31 x 9 3/4 x 4 inches / 78.7 x 24.9 x 10.2 cm
Overall: 67 x 13 x 13 inches / 170.2 x 33 x 33 cm

Mathew Angelo Harrison
Dark Silhouette: Subtle Body, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 18 1/4 x 9 5/8 x 3 3/4 inches / 46.2 x 24.5 x 9.6 cm
Overall: 66 1/4 x 13 x 13 inches / 168.28 x 33.02 x 33.02 cm

Matthew Angelo Harrison
Dark Silhouette: Severance, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 28 1/8 x 9 7/8 x 4 inches / 71.5 x 25 x 10 cm
Overall: 64 1/8 x 13 x 13 inches / 162.9 x 33 x 33 cm

Matthew Angelo Harrison
Dark Silhouette: Zebra Manifold Composition no. 1, 2018
Alternate view

Matthew Angelo Harrison
Dark Silhouette: Zebra Manifold Composition no. 1, 2018
Zebra bone, polyurethane resin, anodized aluminum, acrylic
Sculpture: 18 1/2 x 9 3/4 x 3 3/4 inches / 47 x 24.6 x 9.5 cm
Overall: 66 1/2 x 13 x 13 inches / 168.9 x 33 x 33 cm

Matthew Angelo Harrison
Dark Silhouette: Female Fragment, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum, acrylic
Sculpture: 10 1/4 x 9 3/4 x 3 1/2 inches / 26 x 24.7 x 9 cm
Overall: 52 1/4 x 13 x 13 inches / 132.7 x 33 x 33 cm

Matthew Angelo Harrison
Dark Silhouette: Tamed, 2018
Zebra bone, polyurethane resin, anodized aluminum
Overall: 66 3/4 x 13 x 13 inches / 169.5 x 33 x 33 cm
Sculpture: 18 1/4 x 9 7/8 x 3 7/8 inches / 46.4 x 25.1 x 9.8 cm

Matthew Angelo Harrison
Dark Silhouette: Manifold Composition, 2018
Wooden sculpture from West Africa, polyurethane resin, anodized aluminum
Overall: 58 3/4 x 13 x 13 inches / 149.2 x 33 x 33 cm
Sculpture: 10 1/4 x 10 x 3 1/2 inches / 26 x 25.4 x 8.9 cm

Installation view
Songs of Sabotage, 2018
New Museum Triennial

Installation view
Songs of Sabotage, 2018
New Museum Triennial

Installation view
Songs of Sabotage, 2018
New Museum Triennial

Matthew Angelo Harrison
BKGD Brouwn, 2017
3 books, acrylic, aluminum
45 1/2 x 48 x 16 3/4 inches

Matthew Angelo Harrison
BKGD Brouwn, 2017
Alternate view

Matthew Angelo Harrison
BKGD Brouwn, 2017
Detail

Matthew Angelo Harrison
One Savanna Unit Subtracted, 2017
Giraffe bone, aluminum and acrylic
21 x 47 x 44 inches

Matthew Angelo Harrison
One Savanna Unit Subtracted, 2017
Detail

Matthew Angelo Harrison
One Savanna Unit, 2017
Giraffe bone, aluminum and acrylic
21 x 47 x 44 inches

Matthew Angelo Harrison
SBrwn_1x1x1 bkgd ; 1x1x1 bkgd (±0.1), 2017
3D printed ceramics, acrylic, aluminum
53 x 48 x 16 3/4 inches

Matthew Angelo Harrison
SBrwn_1x1x1 bkgd ; 1x1x1 bkgd (±0.1), 2017
Detail

Matthew Angelo Harrison
SBrwn_1x1x1 bkgd ; 1x1x1 bkgd (±0.1), 2017
Detail

Matthew Angelo Harrison
mk-min-archetype-002, 2017
Ceramic
5 x 5 x 9 inches

Matthew Angelo Harrison
mk-min-compressed_conjoined, 2017
Ceramic
5 x 5 x 9 inches

Matthew Angelo Harrison
mk-min-seimese, 2017
Ceramic
5 x 5x 9 inches

Matthew Angelo Harrison
Mk-002-archetypeB, 2017
Ceramic, acrylic, aluminum
9 3/4 x 12 x 6 3/4 inches

Matthew Angelo Harrison
Mk-002-archetypeB, 2017
Detail

Matthew Angelo Harrison
Mk-004-conjoined, 2017
Ceramic, acrylic, aluminum
8 3/4 x 11 x 8 1/2 inches

Matthew Angelo Harrison|||| with Synthetic Foramina, 2016
African wildebeest skull, acrylic
66 x 18 1/2 x 12 3/4 inches

Matthew Angelo Harrison
Hole 1.005 The Consequences of Synthetic Apertures, 2016
Aluminum, automotive clay, acrylic and bone
70 1/2 x 25 x 12 3/4 inches

Matthew Angelo Harrison
|||| with Synthetic Foramina (ze-003), 2017
Acrylic and zebra bone
66 x 18 1/2 x 12 3/4 inches

Installation view
MOCA Detroit, 2016

Matthew Angelo Harrison
The Consequence of Platforms, 2016
Aluminum, stainless steel, ceramic and marble
75 x 33.5 x 33.5 inches

Installation view
MOCA Detroit, 2016
PRESS

Power and prototypes: Matthew Angelo Harrison at MIT List Visual Arts Center
VIDEOS
CV
Born 1989 in Detroit, MI
BFA, School of the Art Institute, Chicago, IL, 2012
Lives and works in Detroit, MI
Solo exhibitions
2024
American Ghost, Galerie Eva Presenhuber, Zurich, Switzerland
2023
Invisible Silhouettes, Jessica Silverman, San Francisco, CA
2022
Robota, MIT List Visual Arts Center, Cambridge, MA
Dark Silhouettes, The Savannah College of Art and Design, Savannah, GA
2021
Ambidex, Salon 94, New York, NY
Proto, Kunsthalle Basel, Basel, Switzerland
2018
Field Station: Matthew Angelo Harrison, Broad Museum, Michigan State University, East Lansing, MI
Abstract Ancestry: Machine Works on Paper, University of Michigan Institute for the Humanities, Ann Arbor, MI
Prototype of Dark Silhouettes, Jessica Silverman, San Francisco, CA
2017
Post Truth / The Lie That Tells the Truth, Culture Lab, Detroit, MI
Dark Povera Part 1, Atlanta Contemporary, Atlanta, GA
2016
Detroit City/Detroit Affinities, curated by Jens Hoffmann, MOCAD, Detroit, MI
Group exhibitions
2025
Postcards from the Future, Posten Moderne, Trondheim, Norway [forthcoming]
Future Fossils, MassArt Art Museum, Boston, MA [forthcoming]
2024
15th Gwangju Biennial, Gwangju, South Korea
Form Matters, Matter Forms, Kunst Museum Winterthur, Switzerland [forthcoming]
Rupture & Connection, Green Family Foundation, Miami, FL
There Is A Body: Legacy of the Ancestral Arts in the 21st Century, Katonah Museum of Art, NY
Day Jobs, Cantor Arts Center at Stanford University, CA
A Model, MUDAM, Luxembourg
Message from Our Planet, Chazen Museum of Art, University of Wisconsin, Madison, WI [traveling exhibition]
2023
Descending the Staircase, Museum of Contemporary Art Chicago, IL
HOPE, Museion, Bolzano, Italy
Au-delà, Lafayette Anticipations, Paris, FRance
Message from Our Planet, Weisman Art Museum, University of Minnesota, Minneapolis, MN; Grand Rapids Art Museum, Grand Rapids, MI; and Pensacola Museum of Art, University of West Florida, Pensacola, FL
Counterpublic Triennial 2023, St. Louis, MO
Human Is, Schinkel Pavillon, Berlin, Germany
Future Cache, University of Michigan Museum of Art, Anna Arbor, MI
Day Jobs, Blanton Museum, Austin, TX
2022
Start Talking: Fischer/Shull Collection of Contemporary Art, North Carolina Museum of Art, Raleigh, NC
Message from Our Planet, Figge Art Museum, Davenport, IA
Sculptures By, Galerie Eva Presenhuber, New York, NY
The Regional, Museum of Contemporary Art, Cleveland, OH; traveling to Contemporary Arts Center, Cincinnati, OH
2021
Networked Nature, Thoma Foundation, Santa Fe, NM
We Are Here, Jessica Silverman, San Francisco, CA
2020
InterStates of Mind: Rewriting the Map of the United States in the Age of the Automobile, Eli and Edythe Broad Art Museum, East Lansing, MI
Shapeshifters: Transformations in Contemporary Art, Cranbrook Art Museum, Detroit, MI
Conversational Spirits II, Jessica Silverman, San Francisco, CA
Duro Olowu: Seeing Chicago, MCA Chicago, Chicago, Illinois
Colored People Time, MIT List Visual Arts Center, Cambridge, MA
Other.Worldly, Fries Museum, Leeuwarden, Netherlands
2019
Emissaries for Things Abandoned by Gods, Estancia FEMSA – Casa Luis Barragán, Mexico City, Mexico
YOU, Musee d’Art Moderne de la Ville de Paris, Paris, France
Landlord Colors: On Art, Economy, and Materiality, Cranbrook Museum, Bloomfield Hills, MI
The 2019 Whitney Biennial Exhibition, Whitney Museum of American Art, New York, NY
Colored People Time: Quotidian Pasts, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
2018
Kinship, Jessica Silverman, San Francisco, CA
I Was Raised on the Internet, Museum of Contemporary Art Chicago, Chicago, IL
At Large Part 2, Reyes Projects, Detroit, MI
Songs for Sabotage, New Museum Triennial, New Museum, New York, NY
2017
The Everywhere Studio, Institute of Contemporary Art, Miami, FL
Fictions, The Studio Museum in Harlem, New York, NY
Sonic Rebellion: Music as Resistance, MOCAD, Detroit, MI
Eric Schmid is an Idiot, curated by What Pipeline, CAVE Detroit, MI
2016
Take Me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann and Kelly Taxter, Jewish Museum, New York, NY
The Politics of Portraiture, Jessica Silverman, San Francisco, CA
Ever get the feeling we’re not alone in this world?, What Pipeline, Detroit, MI
Catalogues and Monographs
2021
Bell, Natalie and Elena Filipovic. Matthew Angelo Harrison. The MIT Press, 2021.
Selected Bibliography
2024
Wainwright, Lisa. “African art as found object.” The Burlington Magazine. June 2024.
2023
Manzotti, Giovanna. “An Ambitious Group Exhibition Makes the Case for Optimism.” November 6, 2023.
2022
Whyte, Murray. “Power and prototypes: Matthew Angelo Harrison at MIT List Visual Arts Center.” The Boston Globe. June 9, 2022.
2021
Dafoe, Taylor. “A New Survey of Contemporary Midwestern Artists Doesn’t Try to Pinpoint What Makes the Region Special—But It Does So All the Same.” Artnet news. December 16, 2021.
Jattiot, Antoinette. “Prototypes of the end of a Myth,” Zerodeux, October 28, 2021.
Peacock, Leila. “Resinate,” Spike Art Magazine, October 20201
Behringer, David. “Resin-fossilized and Machine-Cut: The Art of Matthew Angelo Harrison.” Design/milk.October 26, 2021.
Goodden, Sky. “Coca butter poems and splashing colors: Discover five young artists of ‘OVR: Pioneers’.” March, 2021.
Stach, Valeska. “Früher designte er Autos, jetzt macht er engagierte Kunste.” June 9, 2021.
Nüsseler, Hannes. “Kunstmuseum und Kunsthalle ermutigen zum Wandel.” June 4, 2021.
Sharp, Sarah Rose. “Santa Fe Gets An Art Space dedicated to Virtual and New Media Art.” May 5, 2021.
2020
Aima, Rahel. “Dark Povera: Matthew Angelo Harrison.” Mousse Magazine. April 2020
“Place and Persistence: Hanif Abdurraqib and Matthew Angelo Harrison in Conversation.” Cultured Magazine. January 25, 2020
2019
Mitter, Siddhartha. “Detroit’s Artistic Renaissance: Meet the Creatives Leading the Way.” W Magazine. November 2019
Boyer, Bryan. “American Prototype.” Travesías Media. October 2019
Wyma, Chloe. “2019 Whitney Biennial.” Artforum. September 2019
Voon, Claire. “As Detroit’s Art Scene Grows, Local Artists Face New Challenges.” Art.sy. August 13, 2019
DiLiegro, Allison Reiber & Luke, Ling. “It’s Totally Happening: A Weekend in Detroit.” Fathom. August 9, 2019
Johnson, Grant. “Interview: Matthew Angelo Harrison on Dark Povera, Minimalism and prototyping.” Artforum. July 30, 2019
Noor, Tausif. “Artificial Families: Matthew Angelo Harrison Interviewed by Tausif Noor.” Bomb Magazine. July 12, 2019
Romack, Coco. “Of Agency And Abstraction.” Cultured Magazine. Summer 2019
Beil, Kim. “Matthew Angelo Harrison: Future Perfect.” Sculpture Magazine. May 17, 2019
Cotter, Holland. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us.” The New York Times. May 16, 2019
Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial.” Hyperallergic. May 15, 2019
Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us.” W Magazine. May 15, 2019
Cronin, Brenda. “Newcomers Bristling With Hope.” The Wall Street Journal Magazine. April 18, 2019
2018
Helfand, Glen. “Matthew Angelo Harrison: Critic’s Pick.” Artforum. April 10, 2018
Desmarais, Charles. “African spirits suspended in resin, culture at SF art gallery.” San Francisco Chronicle. March 16, 2018
Evans, Cécile B. “Future Greats: Matthew Angelo Harrison” Art Review, January 2018
2017
Cotter, Holland. “From the Personal to the Political, 19 Artists to Watch Next Year.” The New York Times, December 27, 2017
Hansel, Sally. “Race, History, and the Body Theatrical in Atlanta, Georgia.” Artcritical. December 6, 2017
Lubow, Arthur. “Miami Heat.” W Magazine. December 2017
Brown, Will A. “Race, ancestry and labor as seen by Matthew Angelo Harrison.” Kalediscope. Fall/Winter 2017
Lockner, Logan. “Review: Atlanta Contemporary offers a fresh, wry response to critique with Betbeze and Harrison.” ARTSATL. October 30, 2017
Christoph, Sara. “Matthew Angelo Harrison’s 3-D Printed Sculptures Unmask Cultural Constructs.” Observer. October 16, 2017
Runyan, Robin. “Culture Lab Detroit returns with discussion, exhibition on Post-Truth.” Curbed Detroit. October 3, 2017
Asshaq, Maia. “Detroit sculptor Matthew Harrison explores identity through clay and machines.” model D. August 28, 2017
Mott, Laura, and Taylor Aldridge. “On Rust: Roundtable Discussion #2.” Art 21 Magazine. June 15, 2017
Dafoe, Taylor. “Prototypical Possibilities.” Modern Painters. Winter 2016/2017
2016
Miller, Sarah M. “The Politics of Portraiture.” Artforum. November 2016
Malick, Courtney. “Reflexive Capital: The Politics of Portraiture.” SFAQ. July 26, 2016
Selected Lectures / Talks / Visiting Artist Presentations
2020
Seven on Seven conference, collaboration with Trevor McFedries, Cofounder, Brud, organized by Rhizome, New Museum, New York, NY
Grants / Awards
2020
Art + Technology Lab Grant, Los Angeles County Museum of Art (LACMA), Los Angeles, CA
2019
Fellowship, United States Artists, Chicago, IL
2017
Kresge Artist Fellowship, Detroit, MI
Selected Museum and Public Collections
Broad Art Museum, Michigan State University, East Lansing, MI
Carl & Marilynn Thoma Art Foundation, Chicago, IL
Cranbrook Art Museum, Bloomfield Hills, MI
de Young Museum, San Francisco, CA
Detroit Institute of Arts, Detroit, MI
Galeries Lafayette Foundation – Fonds de dotation Famille Moulin, Paris
The Indianapolis Museum of Art at Newfields, Indianapolis, IN
Institute of Contemporary Art, Miami, FL
The Joyner/Giufredda Collection, San Francisco, CA
JPMorgan Chase Art Collection, New York, NY
Kadist, San Francisco/Paris
Musée d’Art Moderne de la Ville de Paris
Museion Museum of Contemporary Art, Bolzano, Italy
Museum of Contemporary Art, Chicago, IL
Museum Ludwig, Cologne, Germany
National Museum of African American History and Culture, Washington, D.C.
Posten Moderne, Trondheim, Norway
University of Michigan Museum of Art, Ann Arbor, MI
The Rennie Collection, Vancouver, B.C.
San Antonio Museum of Art, TX
Whitney Museum of American Art, New York, NY