Hugh Scott-Douglas

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Born 1988, Cambridge, UK
BFA, OCAD University, Toronto, Canada, 2010
Pratt Institute, Brooklyn, NY, 2005
Lives and works in New York, NY


Solo Exhibitions

Hard Rain, Gallery Baton, Seoul, South Korea
Thank You Thank You Thank You Thank You Thank You Thank You, Blum & Poe, Tokyo, Japan
Spare the Wrench, Casey Kaplan Gallery, New York, NY

฿o₫៛€$, Blum & Poe, Los Angeles, CA

Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan
Trade Winds, Casey Kaplan, New York, NY

Solo exhibition, Rosenwald – Wolf Gallery @ The University of Art Philadelphia, Philadelphia, PA 
Solo exhibition,
Simon Lee Gallery, Hong Kong
, Simon Lee Gallery, London, UK
Solo exhibition, Blum & Poe, New York, NY

Promises to Pay in Solid Substance, Jessica Silverman, San Francisco, CA
eyes without a face, Croy Nielsen, Berlin, Germany 
A Broken Mule
, Kaikai Kiki Gallery, Tokyo, Japan

Chopped Bills, Torn Cheques, Bit Rot, Art Basel Statements 2013, Basel, Switzerland
The Cabinet of Dr. Caligari
, Blum & Poe, Los Angeles, CA

A Place In The Sun, Clifton Benevento, New York, NY
A cashed cheque, a canceled stamp, Jessica Silverman, San Francisco, CA

Sitzprobe, Croy Nielsen, Berlin, Germany
Chinese Whispers, Clint Roenisch, Toronto, Canada

An Invitation to Lubberland, Clint Roenisch, Toronto, Canada


Group Exhibitions

We Are Here, Jessica Silverman, San Francisco, CA

Mass Spectacle, Eduardo Secci Contemporary, Florence, Italy

Horizon Lines, Jessica Silverman at 288 Pacific, San Francisco, CA
Kinship, Jessica Silverman, San Francisco, CA

A Sea Change, Jessica Silverman, San Francisco, CA

The Sun Placed in the Abyss, Columbus Museum of Art, Columbus, OH
Cyanotypes: Photography’s Blue Period, Worcester Art Museum, Worcester, MA
Money – Good and Evil. A History of Ethics and Assets, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
Takashi Murakami’s Superflat Collection, Yokohama Museum of Art, Yokohama, Japan

I Am Attracted None The Less, Casey Kaplan Gallery, New York, NY 
Out of Office,
MCA Chicago, Chicago, IL 
Open Source: Art at the Eclipse of Capitalism,
Galerie Max Hetzler, Berlin, Germany 
Unfixed: New Paintings
, ASU Art Museum, Tempe, FL

Altarations: Built, Blended, Processed, Florida Atlantic University Galleries, Boca Raton, FL
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Museums & Galleries of NSW, Sydney, Australia
In ___ We Trust: Art and Money, Columbus Museum of Art, Columbus, OH
White is the Warmest Color, Hedge Gallery, San Francisco, CA
NEXT, Arsenal Contemporary, Montreal, Canada
Bloomington: Mall of America, North Side of Food Court, Across from Burger King & The Bank of Payphones That Don’t Take Incoming Calls, Bortolami, New York, NY
In Transit: Between Image and Object, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts
Walk The Line, Simon Lee Gallery, Hong Kong, China

Phantom Sun, Bugada & Cargnel, Paris, France
Architecture Undigested, curated by Jessica Silverman, FUSED, San Francisco, CA
Pattern: Follow the Rules, 
Eli and Edythe Broad Art Museum, East Lansing, MI

Trans/FORM-Matter as subject > New Perspectives, Museum of Contemporary Canadian Art, Toronto, Canada
Greek, Collaboration between Hugh Scott-Douglas and Ben Schumacher, Croy Nielsen, Berlin, Germany
Second Nature: abstract photography then and now, deCordoa Sculpture Park and Museum, Boston, MA
A Painting is a Painting is a Painting, Cul-De-Sac, Londong, England Like Minded (Curated by Micah Lexier)
Plug-In ICA, Winnipeg, Canada Liminal Boundaries, Luce Gallery, Turin, Italy
Phases, Wallspace Gallery, New York, NY
Into the surface, Brand New Gallery, Milano, IT

Electrum, (Collaboration with Ben Schumacher), Reference, Richmond, VA
Forms and Inflections, Silverman, San Francisco, CA

Parts Of A Hole, Xpace, Toronto, Canada
What Brings The Dust Together, New Gallery, London, UK
Absolutely, (Collaboration With Liam Crockard), Clint Roenisch, Toronto, Canada
Bad Sculpture, Young Art, Los Angeles, CA



Loos, Ted. “Cyanotype, Photograph’s Blue Period, Is Making A Comeback”. The New York Times, February 5, 2016
Holten, Johan, Money, Good and Evil: A Visual History of the Economy. Bielefeld, Germany: Kerber Verlag, 2016.
Liptak, Nick, ed. The Sun Placed in the Abyss. Columbus: Columbus Museum of Art, 2016, 63.

Cotton, Charlotte. Photography is Magic. New York: Aperture Foundation, 2015. Print.
Whyte, Murray, “Sterling Rd. gets an artistic polish,” The Star, September 29, 2015.
Rachlin, Natalia, “New Work by Hugh Scott-Douglas at Simon Lee Gallery,” Architectural Digest, February 4, 2015.

Baker, Kenneth, “Hugh Scott-Douglas Mourns the Image,” San Francisco Chronicle, September 19, 2014

Ellis Fox, Emily, “Hugh Scott-Douglas: Blum & Poe, January 12 – February 16,” Modern Painters, April 2013
Fox, James, “The Meteoric Rise of Blue,” Flaunt Magazine, September
Roberts, John, “A Moment with Hugh Scott-Douglas,” The Travel Almanac, issue 5, Spring/Summer 2013, pg. 60-62
Sandals, Leah, “Canadians Ship Out to Art Basel,” Canadian Art, June
Williams, Maxwell, “Discovery: Hugh Scott-Douglas,” Interview Magazine, online, 2013

Aletti, Vince,“Hugh Scott-Douglas at Clifton Benevento,” The New Yorker, January 27, 2012
Katrib, Ruba, “Exposed Surfaces” Interview with Ruba Katrib, Mousse Magazine, 2012


Museum and Public Collections

Art Gallery of Ontario, Toronto, Canada
Dallas Museum of Art, Dallas, TX
Colby College Museum of Art, Waterville, ME
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI
Museum of Contemporary Art, Chicago, IL
Odermatt Collection
Pinault Collection, Venice, Italy
Sammlung Goetz, Munich, Germany
San Francisco Museum of Modern Art, San Francisco, CA