It could be argued that, thanks to the kudzu-like claims of the World Wide Web, every generation of artists since then, by default if not by conscious embrace, has been a pictures generation.

The designation is a natural fit for Matt Lipps, whose show, “Library,” at Marc Selwyn, addresses head-on the centrality of photographic imagery to our collective history and memory.

For this series the L.A. and San Francisco-based artist has culled images — instructional to iconic — from a multi-volume Time-Life series on photography published in 1970-72. He created black-and-white, paper-doll-like cutouts from the pictures and assembled them on glass shelves, like books in a library but even more like a collection of mementos or bibelots in a china cabinet. A single color photograph by Lipps provides the backdrop to each multi-shelf tableau.

Lipps turns the subject of each given photograph into a literal object, staging a kind of paper theater with loose coherence along the themes of exploration, reportage, nature and photography itself.

Scale is skewed and time is flattened. A reflexive game of who’s who recognition (There’s an August Sander! And there’s a Harold Edgerton!) offers some pleasure. As does the evolving awareness that this may be an exercise in taxonomy and archive-building, but it is also, and most engagingly, an idiosyncratic, fractured form of storytelling.

Marc Selwyn Fine Art, 6222 Wilshire Blvd., (323) 933-9911, through Dec. 22. Closed Sunday and Monday. www.marcselwynfineart.com[/DDET]