Dashiell Manley
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Dashiell Manley
Rumblings, 2022
Oil on linen
48 x 60 inches / 121.9 x 152.4 cm
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Dashiell Manley
cold feathers fall down, 2021
Oil on linen
60 x 48 inches / 152.4 x 121.9 cms
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Dashiell Manley
Broken twigs, 2022
Oil on linen
48 x 60 inches / 121.9 x 152.4 cm
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Dashiell Manley
all and all, on and on, 2021
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Dashiell Manley
11/11/2020, 2021
Watercolor pencil, graphite and oil stick on canvas
84 x 60 x 1 1/4 inches / 213.4 x 152.4 x 3.2 cm
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Dashiell Manley
11/10/2020, 2021
Watercolor pencil, graphite and oil stick on canvas
84 x 60 x 1 1/4 inches / 213.4 x 152.4 x 3.2 cm
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Dashiell Manley
thicks, in or out, 2021
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Dashiell Manley
around some mornings, 2021
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Dashiell Manley
The somethings (prelude), 2021
Oil on linen
48 x 60 inches / 121.9 x 152.4 cm
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Dashiell Manley
Earth painting, 2020
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
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Dashiell Manley
Depictured the skies, 2020
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
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Dashiell Manley
Breakthroughs, 2020
Oil on linen
60 x 48 inches / 152.4 x 121.9 cm
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Installation view
Pastimes, 2020
Jessica Silverman Gallery
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Installation view
Pastimes, 2020
Jessica Silverman Gallery
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Installation view
Pastimes, 2020
Jessica Silverman Gallery
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Installation view
Pastimes, 2020
Jessica Silverman Gallery
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one rock, one thousand rocks etc., 2019
Oil on linen
24 x 110 inches
61 x 279.4 cm
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Black Dragons (grey eagle), 2019
Gouache, oil, and enamel on paper
Framed: 60 1/2 x 46 inches
153.7 x 116.8 cm
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Split constitution (red eagle), 2019
Gouache and oil on paper
Framed: 60 1/2 x 46 inches
153.7 x 116.8 cm
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Pastimes (some difference between right and right, signed), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm
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Pastimes (a foggy memory perfected, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches
152.4 x 121.9 cm
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Dashiell Manley
Pastimes (possibly, possibly not, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches /
152.4 x 121.9 cm
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Dashiell Manley
Pastimes (possibly, possibly not, unsigned), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches /
152.4 x 121.9 cm
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Dashiell Manley
Pastimes (possibly, possibly not, unsigned), 2019
Detail
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Dashiell Manley
Pastimes (a posturing man, signed), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches /
152.4 x 121.9 cm
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Dashiell Manley
Pastimes (a posturing man, signed), 2019
Gouache, oil, and enamel on paper mounted on linen
60 x 48 inches /
152.4 x 121.9 cm
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Dashiell Manley
Pastimes (a posturing man, signed), 2019
Detail
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a quick look down, 2019
Oil on linen
39 x 32 inches
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from inside flowers, 2019
Oil on linen
39 x 32 inches
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through the petal, 2019
Oil on linen
39 x 32 inches
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06.10.19 – F.T. (shake-up rocks), jun10MMXIX (webdings, upper), 2019
Watercolor pencil, acrylic, and enamel on canvas
37 x 25 inches
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06.10.19 – F.T. (urgent attention), ineffable (webdings, upper), 2019
Watercolor pencil, acrylic, and enamel on canvas
37 x 25 inches
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06.17.19 – F.T. (investment drive), Flounce (webdings, lower), 2019
Watercolor pencil, acrylic, and enamel on canvas
37 x 25 inches
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blank stares
Oil on linen
39 x 32 inches
2018
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partial stares
Oil on linen
39 x 32 inches
2018
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Circling beasts, Ha
Oil on linen
96 x 72 inches / 182.9 x 243.8 cm
2018
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Detail
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One September move
Oil on linen
61 x 114 inches / 154.9 x 96.5 cm
2018
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Detail
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Detail
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e.f.w. (t.s.f.n.)
Oil on linen
82 x 53 inches
2018
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Detail
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e.f.w. (b.d.a.)
Oil on linen
39 x 32 inches
2018
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e.f.w. (t.b.p.)
Oil on linen
24 x 110 inches / 61 x 279.4 cm
2017
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e.f.w. (t.c.o.i.a.)
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2017
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e.f.w. (n.e.i.s.)
Oil on linen
96 x 72 inches
2017
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e.f.w. (t.l.o.)
Oil on linen
39 x 32 inches
2017
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e.f.w. (t.i.m.)
Oil on linen
61 x 38 inches
2017
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e.f.w. (t.p.s.i)
Oil on linen
39 x 32 inches
2017
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e.f.w. (w.p.s.r.3)
Oil on linen
39 x 32 inches
2017
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e.f.w. (t.d.p.) 1/17 – 6/17
Oil on linen
90 x 113 inches
2017
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e.f.w. (t.b.p.)
Oil on linen
39 x 32 inches
2017
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e.f.w. (b.l.)
Oil on linen
39 x 32 inches
2017
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e.f.w. (t.c.b.) 4/17
Oil on linen
39 x 32 inches / 99 x 81.3 cm
2017
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e.f.w.(a.u.) 11/16.
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2016-2017
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e.f.w.(b.p.) 12/17.
Oil on linen
82 x 53 inches / 208.3 x 134.6 cm
2017
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e.f.w.(s.a.n.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
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e.f.w.(J.I.) 12/16.
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2016
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e.f.w.(w.p. #2) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
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e.f.w.(n.n.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
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Detail
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e.f.w.(n.l.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
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e.f.w.(d.p.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
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Various sources (quiet satires), 1 June 2016, a
Watercolor and gouache on canvas
72 x 60 inches / 182.9 x 152.4 cm
2016
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Various sources (quiet satires), 30 March 2016. a
Watercolor and gouache on canvas
72 x 60 inches / 182.9 x 152.4 cm
2016
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The New York Times, Monday February 22, 2016, national edition Southern California (front page)
Watercolor pencil on canvas
96 x 72 inches / 243.8 x 182.9 cm
2016
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FT (a chilling insight) 2/22/16
Watercolor pencil on canvas
37 x 25 inches
2016
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FT (Facebook creates social virtual) 2/22/16
Watercolor pencil on canvas
37 x 25 inches
2016
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The New York Times, Friday October 3 2014, national edition Southern California (front page)
96 1/4 x 72 1/4 inches
2016
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The New York Times, Wednesday October 22 2014, national edition Southern California (front page)
96 1/4 x 72 1/4 inches
2016
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Another other (nose)
Enamel, canvas, dye, wood, copper
48 x 36 inches
2015
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Another other (feet)
Enamel, canvas, dye, wood, copper
48 x 36 inches
2015
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It and others (torso)
Enamel, brass, dyed linen, gouache, watercolor, lacquer, graphite, plexiglass, wood, stainless steel, steel
Painting – 48 x 60 inches, Entire structure – 96 x 72 inches
2015
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It and others (arms)
Enamel, brass, dyed linen, gouache, watercolor, lacquer, graphite, plexiglass, wood, stainless steel, steel
Painting – 48 x 60 inches, Entire structure – 96 x 72 inches
2015
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The New York Times, Friday September 26 2014, national edition Southern California (front page)
Watercolor pencil on canvas
96 1/4 x 72 1/4 inches
2014
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The New York Times, Wednesday November 26 2014, national edition Southern California (front page)
Watercolor pencil on canvas
96 1/4 x 72 1/4 inches
2014
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The New York Times, Friday November 7 2014, national edition Southern California (front page)
Watercolor pencil on canvas
96 1/4 x 72 1/4 inches
2014
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Whitney Biennial, 2014
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Whitney Biennial, 2014
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Whitney Biennial, 2014
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In Company: 29 – appear (partial, one of two)
Paper, glass, polymer medium, zinc
61 x 49 inches
2014
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In Company: 25 – neatly (partial, two of two)
Paper, glass, polymer medium, zinc
61 x 49 iinches
2014
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galley proof (three dimensions) The New York Times, Friday October 24 2014, national edition Southern California (front page)
MDF, glass, paper, zinc, lead, paint
26 x 26 x 26 1/2 inches
2014
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galley proof (three dimensions) The New York Times, Tuesday November 11 2014, national edition Southern California (front page)
MDF, glass, paper, zinc, lead, paint
36 x 26 x 36 1/2 inches
2014
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galley proof (three dimensions) The New York Times, Tuesday November 11 2014, national edition Southern California (front page), detail image
MDF, glass, paper, zinc, lead, paint
36 x 26 x 36 1/2 inches
2014
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Three by three (three by three orange)
Watercolor, gouache, ink, polymer medium, lighting gels, glass, foamcore, canvas and wood
96 x 72 inches
2014
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“The History of Technology” installation view
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“The History of Technology” installation view
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contained single second loop (yellow, purple)
Ink, polymer medium, lighting gels, acrylic sheet, wood and aluminum
61 x 49 inches
2014
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one second loop (grand palais) 14
Gouache, watercolor, ink, canvas, coroplast, lighting gels, acrylic sheet, and wood
49 x 37 inches
2013
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one second loop (grand palais) 17
Gouache, watercolor, ink, canvas, coroplast, lighting gels, acrylic sheet, and wood
49 x 37 inches
2013
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The Great Train Robbery (Scene 3 version A)
Installation view
LAXART, Los Angeles, CA
2013
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The Great Train Robbery (Scene 3 version A)
Installation view
LAXART, Los Angeles, CA
2013
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The Great Train Robbery (Scene 3 version A)
Installation view
LAXART, Los Angeles, CA
2013
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The Great Train Robbery (Scene 3 version A)
Installation view
LAXART, Los Angeles, CA
2013
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wax and feathers (falling)
Gouache, ink, watercolor, canvas, wood, glass, transparency film, and alumnimum
60 x 48 inches (double-sided)
2012
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wax and feathers (spinning)
Gouache, ink, watercolor, canvas, wood, glass, transparency film, and alumnium
60 x 48 inches (double-sided)
2012
