Circling beasts, Ha
Oil on linen
96 x 72 inches / 182.9 x 243.8 cm
2018
Detail
One September move
Oil on linen
61 x 114 inches / 154.9 x 96.5 cm
2018
Detail
Detail
e.f.w. (t.s.f.n.)
Oil on linen
82 x 53 inches
2018
Detail
e.f.w. (b.d.a.)
Oil on linen
39 x 32 inches
2018
e.f.w. (t.b.p.)
Oil on linen
24 x 110 inches / 61 x 279.4 cm
2017
e.f.w. (t.c.o.i.a.)
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2017
e.f.w. (n.e.i.s.)
Oil on linen
96 x 72 inches
2017
e.f.w. (t.l.o.)
Oil on linen
39 x 32 inches
2017
e.f.w. (t.i.m.)
Oil on linen
61 x 38 inches
2017
e.f.w. (t.p.s.i)
Oil on linen
39 x 32 inches
2017
e.f.w. (w.p.s.r.3)
Oil on linen
39 x 32 inches
2017
e.f.w. (t.d.p.) 1/17 – 6/17 Oil on linen
90 x 113 inches
2017
e.f.w. (t.b.p.)
Oil on linen
39 x 32 inches
2017
e.f.w. (b.l.)
Oil on linen
39 x 32 inches
2017
e.f.w. (t.c.b.) 4/17
Oil on linen
39 x 32 inches / 99 x 81.3 cm
2017
e.f.w.(a.u.) 11/16.
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2016-2017
e.f.w.(b.p.) 12/17.
Oil on linen
82 x 53 inches / 208.3 x 134.6 cm
2017
e.f.w.(s.a.n.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
e.f.w.(J.I.) 12/16. Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2016
e.f.w.(w.p. #2) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
e.f.w.(n.n.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
Detail
e.f.w.(n.l.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
e.f.w.(d.p.) 1/17.
Oil on linen
39 x 32 inches / 99.1 x 81.3 cm
2017
e.f.w.(h.a.) 11/16
Oil on linen
61 x 38 inches / 154.9 x 96.5 cm
2016
Elegy for whatever (variations on a theme #1)
Oil on linen
61 x 38 inches
2016
Elegy for whatever (a haystack stacked lit from the back)
Oil on linen
82 x 52 inches
2016
Various sources (quiet satires), 1 June 2016, a
Watercolor and gouache on canvas
72 x 60 inches / 182.9 x 152.4 cm 2016
Various sources (quiet satires), 30 March 2016. a
Watercolor and gouache on canvas
72 x 60 inches / 182.9 x 152.4 cm 2016
The New York Times, Monday February 22, 2016, national edition Southern California (front page)
Watercolor pencil on canvas
96 x 72 inches / 243.8 x 182.9 cm 2016
FT (a chilling insight) 2/22/16
Watercolor pencil on canvas
37 x 25 inches 2016
FT (Facebook creates social virtual) 2/22/16
Watercolor pencil on canvas
37 x 25 inches
2016
The New York Times, Friday October 3 2014, national edition Southern California (front page) 96 1/4 x 72 1/4 inches
2016
The New York Times, Wednesday October 22 2014, national edition Southern California (front page)
96 1/4 x 72 1/4 inches 2016
Another other (nose) Enamel, canvas, dye, wood, copper 48 x 36 inches 2015
Another other (feet) Enamel, canvas, dye, wood, copper 48 x 36 inches 2015
It and others (torso) Enamel, brass, dyed linen, gouache, watercolor, lacquer, graphite, plexiglass, wood, stainless steel, steel Painting – 48 x 60 inches, Entire structure – 96 x 72 inches 2015
It and others (arms) Enamel, brass, dyed linen, gouache, watercolor, lacquer, graphite, plexiglass, wood, stainless steel, steel Painting – 48 x 60 inches, Entire structure – 96 x 72 inches 2015
The New York Times, Friday September 26 2014, national edition Southern California (front page) Watercolor pencil on canvas 96 1/4 x 72 1/4 inches 2014
The New York Times, Wednesday November 26 2014, national edition Southern California (front page) Watercolor pencil on canvas 96 1/4 x 72 1/4 inches 2014
The New York Times, Friday November 7 2014, national edition Southern California (front page) Watercolor pencil on canvas 96 1/4 x 72 1/4 inches 2014
Whitney Biennial, 2014
Whitney Biennial, 2014
Whitney Biennial, 2014
In Company: 29 – appear (partial, one of two) Paper, glass, polymer medium, zinc 61 x 49 inches 2014
In Company: 25 – neatly (partial, two of two) Paper, glass, polymer medium, zinc 61 x 49 iinches 2014
galley proof (three dimensions) The New York Times, Friday October 24 2014, national edition Southern California (front page) MDF, glass, paper, zinc, lead, paint 26 x 26 x 26 1/2 inches 2014
galley proof (three dimensions) The New York Times, Tuesday November 11 2014, national edition Southern California (front page) MDF, glass, paper, zinc, lead, paint 36 x 26 x 36 1/2 inches 2014
galley proof (three dimensions) The New York Times, Tuesday November 11 2014, national edition Southern California (front page), detail image MDF, glass, paper, zinc, lead, paint 36 x 26 x 36 1/2 inches 2014
Three by three (three by three orange) Watercolor, gouache, ink, polymer medium, lighting gels, glass, foamcore, canvas and wood 96 x 72 inches 2014
Untitled instruction (circles, Diablo grinding blade, six by eight feel total, blue) Watercolor, gouache, ink, polymer medium, lighting gels, foamcore, canvas and wood 96 x 72 inches 2014
Walk Cycle 3 Watercolor, gouache, ink, gesso, absorbent ground, aluminum, wood, paper, pastel, polymer medium, lighting gels, acrylic sheet, steel and Lowel omni tungsten light Panting: 60 x 48 inches, Frame: 84 x 72 inches 2014
“The History of Technology” installation view
“The History of Technology” installation view
contained single second loop (yellow, purple)
Ink, polymer medium, lighting gels, acrylic sheet, wood and aluminum
61 x 49 inches
2014
one second loop (grand palais) 14 Gouache, watercolor, ink, canvas, coroplast, lighting gels, acrylic sheet, and wood 49 x 37 inches 2013
one second loop (grand palais) 17 Gouache, watercolor, ink, canvas, coroplast, lighting gels, acrylic sheet, and wood 49 x 37 inches 2013
The Great Train Robbery (Scene 3 version A) Installation view LAXART, Los Angeles, CA 2013
The Great Train Robbery (Scene 3 version A) Installation view LAXART, Los Angeles, CA 2013
The Great Train Robbery (Scene 3 version A) Installation view LAXART, Los Angeles, CA 2013
The Great Train Robbery (Scene 3 version A) Installation view LAXART, Los Angeles, CA 2013
wax and feathers (falling) Gouache, ink, watercolor, canvas, wood, glass, transparency film, and alumnimum 60 x 48 inches (double-sided) 2012
wax and feathers (spinning) Gouache, ink, watercolor, canvas, wood, glass, transparency film, and alumnium 60 x 48 inches (double-sided) 2012
